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  • White Malice

  • The CIA and the Covert Recolonization of Africa
  • By: Susan Williams
  • Narrated by: Chanté McCormick
  • Length: 21 hrs and 14 mins
  • 4.7 out of 5 stars (15 ratings)
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White Malice

By: Susan Williams
Narrated by: Chanté McCormick
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Summary

A revelatory history of how postcolonial African Independence movements were systematically undermined by one nation above all: the US.

In 1958 in Accra, Ghana, the Hands Off Africa conference brought together the leading figures of African independence in a public show of political strength and purpose. Led by the charismatic Kwame Nkrumah, who had just won Ghana’s independence, his determined call for Pan-Africanism was heeded by young, idealistic leaders across the continent and by African Americans seeking civil rights at home. Yet, a moment that signified a new era of African freedom simultaneously marked a new era of foreign intervention and control.

In White Malice, Susan Williams unearths the covert operations pursued by the CIA from Ghana to the Congo to the UN in an effort to frustrate and deny Africa’s new generation of nationalist leaders. This dramatically upends the conventional belief that the African nations failed to establish effective, democratic states on their own accord. As the old European powers moved out, the US moved in.

Drawing on original research and recently declassified documents, and told through an engaging narrative, Williams introduces listeners to idealistic African leaders and to the secret agents, ambassadors, and even presidents who deliberately worked against them, forever altering the future of a continent.

PLEASE NOTE: When you purchase this title, the accompanying PDF will be available in your Audible Library along with the audio.

©2021 Susan Williams (P)2021 PublicAffairs
  • Unabridged Audiobook
  • Categories: History

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Riveting narrative spoilt by cloth-eared reader.

I really cared about this book or I couldn't have listened to the audio. The reader's inability to pronounce the names of celebrated Africans, and others, who repeatedly crop up in the text drove me to distraction. The relentlessly uninflected tone that sounded like an AI bot, coupled with an apparently blanket ignorance of any language other English - and even there, there were egregious mistakes (bespeckled for bespectacled) - was sorely trying. The period of history and the events described are so well researched and the story so important that I persevered, suffering all the way. Surely it's part of the production company's responsibility to ensure their readers understand what they're reading and can pronounce names correctly? W-oh-le S (instead of sh) oyinka. Mpa- huge breath-hlele. Paul Robe-e-son. Gbedemah as Ga-ba-demah. Ndjamena as Ndjaminina. (Présence) Africaine as African. Lomé as Lome. Kaunda as Kwanda. Nyerere as Nigh-rer. French words anglicised. Portuguese words mangled. I could go on but I'll spare you. This is a brilliant and important book that's better read than listened to.

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