What Editors Do cover art

What Editors Do

The Art, Craft, and Business of Book Editing

Preview
Get this deal Try Premium Plus free
Offer ends December 16, 2025 11:59pm GMT.
Prime members: New to Audible? Get 2 free audiobooks during trial.
Just £0.99/mo for your first 3 months of Audible.
1 bestseller or new release per month—yours to keep.
Listen all you want to thousands of included audiobooks, podcasts, and Originals.
Auto-renews at £8.99/mo after 3 months. Cancel monthly.
Pick 1 audiobook a month from our unmatched collection - including bestsellers and new releases.
Listen all you want to thousands of included audiobooks, Originals, celeb exclusives, and podcasts.
Access exclusive sales and deals.
£8.99/month after 30 days. Renews automatically.

What Editors Do

By: Peter Ginna
Narrated by: Charles Constant, Susan Hanfield
Get this deal Try Premium Plus free

£8.99/mo after 3 months. Cancel monthly. Offer ends December 16, 2025 11:59pm GMT.

£8.99/month after 30 days. Renews automatically. See here for eligibility.

Buy Now for £12.99

Buy Now for £12.99

Only £0.99 a month for the first 3 months. Pay £0.99 for the first 3 months, and £8.99/month thereafter. Renews automatically. Terms apply. Start my membership

About this listen

Editing is an invisible art where the very best work goes undetected. Editors strive to create books that are enlightening, seamless, and pleasurable to read, all while giving credit to the author. This makes it all the more difficult to truly understand the range of roles they inhabit while shepherding a project from concept to publication.

In What Editors Do, Peter Ginna gathers essays from 27 leading figures in book publishing about their work. Representing both large houses and small, and encompassing trade, textbook, academic, and children's publishing, the contributors make the case for why editing remains a vital function to writers - and readers - everywhere.

Ironically for an industry built on words, there has been a scarcity of written guidance on how to actually approach the work of editing. This book will serve as a compendium of professional advice and will be a resource both for those entering the profession (or already in it) and for those outside publishing who seek an understanding of it. It sheds light on how editors acquire books, what constitutes a strong author-editor relationship, and the editor's vital role at each stage of the publishing process - a role that extends far beyond marking up the author's text.

This collection treats editing as both art and craft, and also as a career. It explores how editors balance passion against the economic realities of publishing. What Editors Do shows why, in the face of a rapidly changing publishing landscape, editors are more important than ever.

©2017 The University of Chicago (P)2018 Tantor
Communication & Social Skills Personal Development Words, Language & Grammar Writing & Publishing Business

Listeners also enjoyed...

The Business of Being a Writer cover art
You Must Write a Book cover art
How I Sold 80,000 Books cover art
Business Writing for Dummies cover art
Conquering Hollywood cover art
Freelance Success cover art
How to Write a Bestselling Self-Help Book cover art
Self-Publish & Succeed cover art
Your Business, Your Book cover art
The INFJ Author cover art
Write, Publish, and Market Like a Boss: The Complete Series cover art
The Art of Writing a Non-Fiction Book cover art
Successful Self-Publishing (Fourth Edition) cover art
The Book You Were Born to Write cover art
Your Story Starts Here cover art
The Proven Path from Blank Page to 10,000 Copies Sold cover art
All stars
Most relevant
save yourself 12 dull hours by just looking at what copy/line/acquisitions editors do on Wikipedia. You certainly won't learn anything else in this book as it just repeats the same information from several different viewpoints.
I thought this book would have tips on how to edit and what is actually done to a manuscript during the editing process but it's simply a long-winded description of the industry as a whole with no information on technique whatsoever.
The female narrator was so unbearable that I had to skip over her sections to the male narrator, so in effect I did actually save myself some of the aforementioned 12 hours.

dull, repetitive & annoying. Oh, and repetitive.

Something went wrong. Please try again in a few minutes.