The '60s ended a year late - on New Year's Eve 1970, when Paul McCartney initiated proceedings to wind up The Beatles. Music would never be the same again. The next day would see the dawning of a new era. Nineteen seventy-one saw the release of more monumental albums than any year before or since and the establishment of a pantheon of stars to dominate the next 40 years - Led Zeppelin, David Bowie, the Rolling Stones, Pink Floyd, Marvin Gaye, Carole King, Joni Mitchell, Rod Stewart, the solo Beatles and more.

Pop music’s a simple pleasure. Is it catchy? Can you dance to it? Do you fancy the singer? What’s fascinating about pop is our relationship with it. This relationship gets more complicated the longer it goes on. It’s been going on now for 50 years. David Hepworth is interested in the human side of pop. He’s interested in how people make the stuff and, more importantly, what it means to us. In this wide-ranging collection of essays, he shows how it is possible to take music seriously and, at the same time, not drain the life out of it. 

The era of the LP began in 1967, with Sgt Pepper; The Beatles didn’t just collect together a bunch of songs, they Made an Album. Henceforth, everybody else wanted to Make an Album. The end came only 15 years later, coinciding with the release of Michael Jackson’s Thriller. By then the Walkman had taken music out of the home and into the streets, and the record business had begun trying to reverse engineer the creative process in order to make big money. Nobody would play music or listen to it in quite the same way ever again.

The Beatles landing in New York in February 1964 was the opening shot in a cultural revolution nobody predicted. Suddenly the youth of the richest, most powerful nation on earth was trying to emulate the music, manners and the modes of a rainy island that had recently fallen on hard times.

In a sodden tent at a '70s festival, the teenage Mark Ellen had a dream. He dreamt that music was a rich meadow of possibility, a liberating leap to a sparkling future, an industry of human happiness - and he wanted to be part of it. Thus began his 50-year love affair with rock and roll. From his time at the NME and Smash Hits to Radio One, Old Grey Whistle Test, Live Aid, Q, Select, Mojo, and The Word magazines, he's been at the molten core of its evolution, and watched its key figures from a unique perspective.

Standing at the crossroads - the Mississippi crossroads of Robert Johnson and the devil's infamous meeting - Mark Radcliffe found himself facing his own personal crunch point. Aged 60, he had just mourned the death of his father, only to be handed a diagnosis of mouth and throat cancer. This momentous time in his life, and being at the most famous junction in music history, led Radcliffe to think about the pivotal tracks in music and how the musicians who wrote and performed them.

In Hope and Glory, Stuart goes in search of the places, people and events of the century we have just left behind that have shaped the look and character of modern Britain. From the death of Victoria to the demise of New Labour, he takes a single event from each decade of the 20th century that offers up a defining moment in our history and then goes in search of its legacy today.

"Hey Hi Hello" is a greeting we have all become familiar with, as Annie Nightingale cues up another show on Radio One. Always in tune with the nation's taste, yet effortlessly one step ahead for more than five decades, in this book Annie digs deep into her crate of memories, experiences and encounters to deliver an account of a life lived on the frontiers of pop cultural innovation.

This is the story of the last acrimonious days of The Beatles, a final chapter reconstructing for the first time the seismic events of 1969, the year that saw the band reach new highs of musical creativity and new lows of internal strife. Two years after Flower Power and the hippie idealism of the Summer of Love, the '50s dream had perished on the vine. By 1969, violence and vindictiveness had replaced The Beatles' own mantra of peace and love.

One Two Three Four traces the chance fusion of the four key elements that made up the Beatles: fire (John), water (Paul), air (George) and earth (Ringo). It also tells the bizarre and often unfortunate tales of the disparate and colourful people within their orbit. History, etymology, diaries, autobiography, fan letters, essays, parallel lives, party lists, charts, interviews, announcements and stories.

Regarded as the greatest and most revealing account of how the Beatles recorded every one of their songs, Revolution in the Head is brimming with details of the personal highs and lows experienced by Lennon, McCartney, Harrison, and Starr as they made some of the most enduring popular music ever created.

Chris Frantz met David Byrne at the Rhode Island School of Art & Design in the early 1970s. Together - and soon with Frantz's future wife, Tina Weymouth - they formed Talking Heads and took up residence in the grimy environs of Manhattan's Lower East Side, where their neighbours were Patti Smith, William Burroughs and a host of proto-punk artists who now have legendary status. 

Penguin presents the unabridged, downloadable, audiobook edition of Unfaithful Music and Disappearing Ink, written and read by Elvis Costello. In a career spanning four decades, Elvis Costello (born Declan MacManus) has made himself a huge reputation through his tunes, lyrics and occasional bad behaviour. Now, for the first time, he is telling his story.

Two acclaimed albums and an upcoming US tour - Joy Division had the world at their feet. Then, on the eve of that tour, the band’s troubled lead singer, Ian Curtis, killed himself. The next time they got together, they were a new band. That band was New Order - their label was Factory Records; their club, The Haçienda. Their distinctive sound paved the way for the dance music explosion that followed, earning them the reputation as one of the most influential bands of their generation and changing the course of popular music.

Respected arts commentator Paul Morley, one of the team who curated the highly successful retrospective exhibition for the Victoria and Albert Museum in London, David Bowie Is..., constructs the definitive story of Bowie that explores how he worked, played, aged, structured his ideas, invented the future, and entered history as someone who could and would never be forgotten.