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Tyll

Shortlisted for the International Booker Prize 2020

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Tyll

By: Daniel Kehlmann, Ross Benjamin - translator
Narrated by: Jonathan Keeble
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Summary

'A masterly achievement, a work of imaginative grandeur and complete artistic control' Ian McEwan

'Brilliant and unputdownable' Salman Rushdie

He's a trickster, a player, a jester. His handshake's like a pact with the devil, his smile like a crack in the clouds; he's watching you now and he's gone when you turn. Tyll Ulenspiegel is here!

In a village like every other village in Germany, a scrawny boy balances on a rope between two trees. He's practising. He practises by the mill, by the blacksmiths; he practises in the forest at night, where the Cold Woman whispers and goblins roam. When he comes out, he will never be the same.

Tyll will escape the ordinary villages. In the mines he will defy death. On the battlefield he will run faster than cannonballs. In the courts he will trick the heads of state. As a travelling entertainer, his journey will take him across the land and into the heart of a never-ending war.

A prince's doomed acceptance of the Bohemian throne has European armies lurching brutally for dominion and now the Winter King casts a sunless pall. Between the quests of fat counts, witch-hunters and scheming queens, Tyll dances his mocking fugue; exposing the folly of kings and the wisdom of fools.

With macabre humour and moving humanity, Daniel Kehlmann lifts this legend from medieval German folklore and enters him on the stage of the Thirty Years' War. When citizens become the playthings of politics and puppetry, Tyll, in his demonic grace and his thirst for freedom, is the very spirit of rebellion - a cork in water, a laugh in the dark, a hero for all time.©2020 Daniel Kehlmann
Fiction Genre Fiction Historical Historical Fiction Literary Fiction Royalty War & Military Middle Ages Romance War Village
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Critic reviews

This is a brilliant and unputdownable novel. Kehlmann is the true inheritor of the German fabulist tradition that stretches back to the Brothers Grimm and even further, and in the legendary prankster figure of Tyll Ulenspiegel he has found his perfect avatar
The best novel Kehlmann has ever written . . . Deeply affecting, lively, brutal, wonderfully unreserved, modern, romantic German epic . . . Tyll is Kehlmann's victory over history, his historic triumph
A masterpiece . . . the most extraordinary European novel for many years . . . a brilliant book of stories, of great drama, cinematic and poetic . . . Kehlmann is at the height of his powers
Kehlmann's best novel so far . . . amidst the destruction, in the places where nothing reflects the former inhabitants anymore, it is the dead who show themselves . . . we owe it to this novel that we can see the dead more clearly, so clearly that it hurts
Kehlmann's storytelling is astonishing
Possibly Kehlmann's best novel since Measuring the World
A delight
Tyll proves that Kehlmann is literature's jack-of-all trades. He manages to combine meticulous historical research and virtuoso language mimicry with a frightening exploration of our current sense of dystopia. An incredible educational experience and improbably entertaining. (Michael Haneke)
Kehlmann's imagination runs deep and wild. It travels with the currents of history, in its cycles of brutality and violence, it reaches into our own solitude and silence, summoning us, it soars far and high, and echoes with the power of myth. (Valeria Luiselli)
A beautiful, engrossing and fascinatingly structured novel. Lucid, limpid, savage. Tyll quietly intrudes on our present crisis of European identity. Have four centuries made us any wiser? This novel is a masterly achievement, a work of imaginative grandeur and complete artistic control
Daniel Kehlmann's Tyll is a laugh-outloud-then-weep-into-your-beer comic novel about a war... Kehlmann is at the top of his game
The narrative moves from myth to historical novel to ballad and back. and Ross Benjamin's translation follows it faithfully
A romp through the thirty years' war... This energetic historical fiction, featuring a folkloric jester in a violent, superstitious Europe, is the work of an immense talent
Tyll is an absorbing and, for a novel about a prankster, remarkably sincere novel
Like a magician, Kehlmann conjures comedy, farce and badinage, even in a blighted time of war
All stars
Most relevant
Enthralling feat of imagination. Convincing and credibly incredible. But was it written by the donkey?

wild adventure

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The only certainty in this wild & exciting story was that Tyll would emerge repeatedly. Otherwise is was impossible to predict and for that it was a joy to listen to. It is gruesome, sad, funny, intriguing and timeless. Enjoy.

Enthralling story

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I loved this book - fantastic story wonderfully narrated. The story is engaging immediately and with excellent imagery. The narrator was superb - all of the voices, all of the expression....I didn't want it to end. Highly recommended!

Listen to this book - you won't regret it!

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A very accomplished narration of a curious book. This fictional introduction to the 30 years war made me want to discover more about this period. It is written in such a way that you feel a Brechtian distance from the characters- understanding their feelings and positions without real emotional engagement. The episodic nature of the writing helped to accentuate this. The ending felt abrupt .

A fictional introduction to an interesting period

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What an amazing read. I'm not sure I fully understood everything that was in there. I feel like I want to go back and listen to everything again - carefully!

Set against the 30 years war in Europe. (I'd never heard of it, but apparently it was devastating and ran from 1618 - 1648.) The plot follows some of the key protagonists of the war, and the famous Tyll Eulenspiegel who keeps popping up at different points over the 30 years in different guises. He's an entertainer, circus performer, juggler, court jester etc. He has decided not to die, just moves on as required.

It felt like a deep and meaningful plot (partly because I didn't 100% follow everything!) It jumps between time periods during the war, and after each jump the reader spends some time trying to catch up with what has happened. Many, many names get thrown at the reader - most of them are immediately killed or never mentioned again. It really does feel like you are in the 17th Century, with superstitions, curses, spells etc. as well as the 17th Century politics.

Fantastic performance by Jonathan Keeble, He fully understood the work and seemed to relish every word he was reading. Amazing range of voices that he managed. His donkey voice especially.

Thoroughly recommended

Reads like a Classic

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