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Two on a Tower

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Two on a Tower

By: Thomas Hardy
Narrated by: Michael Kitchen
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Two on a Tower is Hardy's ninth novel and contains perhaps his most complete use of the theme of love across the class and age divide, to beautifully depict Hardy's reverence for science and astronomy.

The unhappily married Lady Constantine breaks all the rules of social etiquette when she falls in love with young Swithin St. Cleeve, an astronomer and her social inferior. Despite their differences that society deems unacceptable, together, from an astronomical observatory, the lovers 'sweep the heavens'. But work, ambition and the pressures of the outside world intrude upon the pair.

Swithin is faced with a cruel choice. The death of Lady Constantine's husband leaves them free to marry but it's not that simple. He has the option of furthering his education with an inheritance that will propel his career into the highest levels of astronomical science. Does he choose love or ambition?

Within Two on a Tower, Hardy creates a wonderful and timeless contrast between the infinite reaches of the universe and the infinitesimal scale of human affairs. Hardy's intention, in his own words, was to 'set the emotional history of two infinitesimal lives against the stupendous background of the stellar universe'.

Hardy was a Victorian realist whose novels and poetry were greatly influenced by Romanticism, especially the poet William Wordsworth. His critical thoughts on Victorian society can be seen throughout much of his work.

Narrator Biography

Michael Kitchen is an accomplished actor of stage and screen. He is best known for his role as Detective Chief Superintendent Christopher Foyle in the ITV drama series Foyle's War (2002-2015). He has also starred as Bill Tanner in the Bond films GoldenEye (1995) and The World Is Not Enough (1999) as well as Berkeley Cole in the film Out of Africa (1985). Other notable television appearances have included roles in BBC Four's critically acclaimed comedy series Brian Pern (2017) and Channel 4's comedy Hacks (2012). Michael Kitchen's stage performances have included Mercutio in Romeo and Juliet for the Royal Shakespeare Company and roles in Tom Stoppard's plays On the Razzle and Rough Crossing. He has narrated many classic and contemporary audiobooks including Thomas Hardy's Two on a Tower, Emily Bronte's Wuthering Heights and Robert Lewis Stevenson's The Strange Case of Dr Jekyll and Mr Hyde.

Public Domain (P)2014 Audible, Inc.
Classics Fiction Genre Fiction Literary Fiction Astronomy

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Critic reviews

"The foremost novelist of his time." (Geoffrey Harvey, The Complete Critical Guide to Thomas Hardy)
All stars
Most relevant
What a criminally underrated book of Hardy’s this is! It twists and turns till the end, filling you will a spectrum of emotions and leading me to shout at characters aloud on more than one occasion.
Bravo to Hardy and bravo for Michael Kitchen’s reading of the book!

Beautiful. Astonishing. Moving.

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This was a mildly enjoyable listen, interesting for the astronomical aspects of the plot and the local dialogue. The plot was somewhat contrived and the prose in general not up to the brilliance of Hardy's better work such as "The Mayor of Casterbridge".
Michael Kitchen did a solid job of narration.

Interesting, but not one of Hardy's best

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To me this was not one of Hardy's most well known novels but once I started listening, that didn't matter. It grabbed me from the first few minutes and didn't cease to let me go until the the last moment, having said that, the story will stay with me forever. The plot was excellent and Hardy at his best for his descriptive genius. Absolutely loved it.

The only reason I give it 4 stars for performance is that, although Michael Kitchen's narrative was very, very good, he did not characterise which I missed, having listened to other Hardy novels, but that is the only reason otherwise would have been 5 stars all the way.

Brilliant

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If you like "Under the Greenwood Tree", I think you will like this too - it has a similar other-worldly poetic quality. This is not Hardy writing tragic realism, it is him having fun with the form.

The story is very humorous. There are constant increasingly far-fetched twists and turns and improbable coincidences. I couldn't help laughing at the scrapes our pair of lovers get into. It's a soap opera! With some updating this could be a storyline in "Emmerdale".

Michael Kitchen's "clipped" approach to the narration brings out the humour very well. It's a great performance.

Only at the end does "dark Hardy" come out and I found the last hour very tense. Will they? Won't they? I was on tenterhooks right up to the last sentence.

Hardy writes in more than one genre. Don't expect Tess or The Mayor of Casterbridge in this novel. Open up to Hardy being more playful and enjoy the experience.

I Loved it. Hardy being playful with the form

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An engrossing story that draws you in although the main characters are thinly drawn. By chapter 32 I was beginning to lose sympathy with the main character and felt there would never be a resolution. However patience paid off and the ending was fitting. Much is left India and left to the imagination. It is perhaps not one of Hardy's best works but it nonetheless impressive and far superior to much modern fiction.

Beautiful prose

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