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Tombland

Shardlake, Book 7

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Tombland

By: C. J. Sansom
Narrated by: Steven Crossley
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About this listen

Tudor England is brought vividly to life in Tombland, the seventh novel in C. J. Sansom's number one bestselling Shardlake series, for fans of Hilary Mantel and Philippa Gregory.

'When it comes to intriguing Tudor-based narratives, Hilary Mantel has a serious rival' - Sunday Times
‘Sansom has the trick of writing an enthralling narrative. Like Hilary Mantel, he produces densely textured historical novels that absorb their readers in another time’ - Andrew Taylor, Spectator

The Sunday Times Number One Bestseller

England, 1549: Two years after the death of Henry VIII, England is sliding into chaos . . .

The nominal king, Edward VI, is eleven years old. His uncle Edward Seymour, Duke of Somerset, rules as Protector. The extirpation of the old religion by radical Protestants is stirring discontent among the populace while the Protector’s prolonged war with Scotland is proving a disastrous failure and threatens to involve France. Worst of all, the economy is in collapse, inflation rages and rebellion is stirring among the peasantry.

Since the old King’s death, Matthew Shardlake has been working as a lawyer in the service of Henry’s younger daughter, the Lady Elizabeth. The gruesome murder of Edith Boleyn, the wife of John Boleyn – a distant Norfolk relation of Elizabeth's mother – which could have political implications for Elizabeth, brings Shardlake and his assistant Nicholas Overton to the summer assizes at Norwich. There they are reunited with Shardlake’s former assistant Jack Barak. The three find layers of mystery and danger surrounding Edith's death, as a second murder is committed.

And then East Anglia explodes, as peasant rebellion breaks out across the country. The yeoman Robert Kett leads a force of thousands in overthrowing the landlords and establishing a vast camp outside Norwich. Soon the rebels have taken over the city, England’s second largest.

Barak throws in his lot with the rebels; Nicholas, opposed to them, becomes a prisoner in Norwich Castle; while Shardlake has to decide where his ultimate loyalties lie, as government forces in London prepare to march north and destroy the rebels. Meanwhile he discovers that the murder of Edith Boleyn may have connections reaching into both the heart of the rebel camp and of the Norfolk gentry . . .

This is the seventh stunning novel in the bestselling Shardlake series, that began with Dissolution. Includes an Historical Essay from the author on Reimagining Kett's Rebellion.

Christian Fiction Crime Fiction Genre Fiction Historical Mystery Thriller & Suspense Crime Royalty England Fiction Tudor War Murder Marriage

Critic reviews

Tudor England of 1549 is effortlessly evoked. The murder mystery absorbs, the characters are vivid and the history is seductive, but it's the author's inclusive humanity that lingers (Elizabeth Buchan)
Tudor terror tingles through C. J. Sansom's murder mystery novels . . . With remarkable expertise, sustained over more than 850 pages, Sansom weaves together a wide cast of characters and knits his murder story into a vivid tapestry of little-known historical happenings (Peter Kemp)
Sansom handles his huge cast with aplomb. This is a totally immersive and vividly written tale: compelling reading for history lovers and crime aficionados alike (Laura Wilson)
Sansom has the trick of writing an enthralling narrative. Like Hilary Mantel, he produces densely textured historical novels that absorb their readers in another time (Andrew Taylor)
Sansom blends impeccable historical research with a bloody good whodunnit
Sansom has the rare knack of bringing the past to life in three dimensions . . . The honest Shardlake shines like a beacon
With the Shardlake series . . . Sansom has surely established himself as one of the best novelists around
Tudor England has never seemed so vibrantly alive and viscerally authentic than in the pages of the extraordinary Matthew Shardlake novels and after a four-year wait, C.J. Sansom’s mild-mannered, middle-aged, hunchback lawyer makes a magnificent return.
Shardlake is a superb creation who gains more substance with each new book . . . A grand historical epic . . . 800 pages in Shardlake's company will always fly by (Stephanie Merritt)
I really don’t think crime writing comes much better than this, and as always with Sansom there is a wealth of enjoyment in his rich storytelling . . . This novel may have been four years in the making but it was well worth the wait.
Few writers can keep readers interested over the length of 866 pages, but C. J. Sansom is one of those . . . Built on substantial research and written with such confidence that the prose is both smooth and colourful, Tombland is a superb achievement
Yet again C. J. Sansom has produced a novel so rich in historical detail and colour that the reader feels immersed in Tudor England
A compelling story that rises above the stink of stables and open sewers . . . The marketplaces and hovels zing off the page, as does the colourful Norfolk dialect
When it comes to intriguing Tudor-based narratives, Hilary Mantel has a serious rival . . . A Scottish historian who had a career in law before turning to fiction, Sansom finds an ideal protagonist in Matthew Shardlake, the humane hunchbacked lawyer-sleuth, in his Tudor novels
A book to curl up with . . . At 880 pages it's a real doorstopper, but the inventive plot is a delight, and the characterization is as strong as ever
CJ Sansom’s books are arguably the best Tudor novels going
All stars
Most relevant
Thank you both to Mr Sansom for the great research and writing and to Steven Crossley for yet another great reading. I sincerely appreciate the work it must have taken from both to bring such a massive work to life.

As others have said, this is yet again a wonderful tapestry of well-researched history interwoven with the adventures of Shardlake and his friends. Enjoyable and believable characters caught up in significant events in Tudor England.

The story pays homage to the struggles of a group of people, many of whom gave their lives in an early attempt to gain some of the freedoms we enjoy today. When I listen to such a detailed account as this and hear the hardships and lack of human rights our ancestors had to endure, it helps me appreciate what we have now and what sacrifices it has taken over the centuries to get us here.

Thank you and like others have said, I hope to enjoy another Shardlake story read by Mr Crossley in the not too distant future.

Shardlake again entangled in Tudor history

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Terrific writing, with superb narration. SC - the voice of Shardlake. I really feel like Shardlake and friends are acquaintances after listening to al his books. A wonderful insight into a turbulent time in England. I highly recommend this audiobook, but if you can, start at book 1. By doing so you will meet and get to know the characters.

As good as always!

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An excellent Shardlake novel, combining a murder mystery with an in depth historical account of the Norwich rebellion, a pure joy to listen to, and kept me entertain for start to finish, include the 3 hours plus of historical notes at the end, fascinating stuff

Brilliant! 5 star Brilliant!

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I've read or listened to all the Shardlake novels and enjoyed them all. I think this is the finest yet. Full of memorable characters, a gripping story set in a turbulent time in English history just after the death of Henry VIII. I couldn't stop listening. At the end of the book there is a long section where the author describes his numerous sources for the factual content of his book and fleshes out the political, social and historical background to his story. It's altogether a clever and imaginative working together of real and fictional characters to bring the actual events to life.

The narrator does a splendid job and I cannot understand why one reviewer thought him poor.

Magnificant!

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An awesomely-detailed and immersive story and a welcome and qualified addition to the Shardlake series.

Unfortunately, the reader made difficult company over so many hours. His intonation was so odd it became a distraction and rendered much of the writing slow, uneasy and repetitive which I've never found in CJ Sansom's writing previously. it was...glum and unnatural.

Nonetheless, It's testament to the power of the story that I still very much enjoyed the book.

Wonderful story, strangely read

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