Why why choose this narrator!?

I cannot understand why, when Zara Ramm does such a Superb job of narrating the lonely city, that Kate Reading is chosen for the rest of Laing’s books. I find her narration so peculiar it’s hard to listen to. Like it’s been run though auto tune. I had to send it back although I love Laing’s work. Sad times.

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7 people found this helpful

glorious travel writing…odd pronunciation

I loved the descriptions, the folk-lore and the history as the writer walked the river. The whole idea of walking the length of a river from source to sea, and cataloguing the natural history, the literary connections and the events that took place there, is fascinating. I shall buy a paper copy and read it for myself. A book to dip into….pun intended!
One slight quibble: the American pronunciations, “boooey” for buoy, “fertle” for fertile, and the long “…ford” at the ends of Seaford and de Montfort, where I would use a “fud”, did just mar this experience slightly. The reader is American; why not get an English actor to read this very English book?

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A meandering walk through the heart of existence

This, to me, was a book about existance, death, and how we can find ways to be in this world that we are both destroying and have the capacity to save at the same time. It meandered, like a river, through Olivia’s own thoughts and experiences both during her walk and from other times in her life, the lives of Virginia & Leonard Woolf, Gideon Mantell, Simon de Montfort and Charles Dawson, and some extremely profound thoughts on life and death. 

I found it absolutely mesmerising, deeply moving and know I will be returining to it again and again.

I must also add that Kate Reading's narration was perfect.

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A lovely meandering tale of life

I really like this book. I’ve listened to it twice through. It combines a walk with a look at Virgina Woolfs’ life. The narration is great, and suits the story, it’s very melodic, a bit like river walking. The literary stories along the way are interesting and the descriptions of the landscapes are great.

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What dull narration

Who chooses narrators for audible? I have abandoned so many as I can’t stand the narration. It seems to me that this woman has been directed to pronounce certain words for the American audience fertle instead of fertile being an example. Also ‘twenty one June’ instead of ‘the twenty first of June’. They never afford us the same privilege when American books are printed or narrated for our market! I feel like she is trying to read in that annoying stilted way poets read their work at performance events and has no feeling for the subject. It detracts from the words which speak for themselves. I would much rather hear the author or just someone reading in a pleasant, gentle voice. Don’t think I will be finishing this either.

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Irritating narration

I found this difficult to listen to, due to the lack of inflection in the narrator’s voice - it just flows on without emphasis. I didn’t manage to get more than halfway through, if that.

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great writing

I'm not very eloquent so won't bother trying to be clever. I really enjoyed this and admire the writing .

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The Narration Isn’t Good

I’m sorry to say this, but the narration is really off-putting and makes the listen quite hard going and unenjoyable. Monotone and robotic intonation. Please re-record with a different narrator because the book itself is wonderful.

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Superb, Scintillating

What a great book! An unpromising subject woven into a fascinating tapestry of history, geography and canals. Off now to read some Virginia Woolf!

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Wonderful book Terrible narrator

A wonderful, intelligent and original book, read by a robot (or so it seems) who insists on pronouncing and emphasizing every sy-lla-ble. Like the early days of speaking computers. I don’t understand why the publisher or author allowed this.

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10 people found this helpful