We are our stories. We tell them to stay alive or keep alive those who only live now in the telling. In Faha, County Clare, everyone is a long story...Bedbound in her attic room beneath the falling rain, Plain Ruth Swain is in search of her father. To find him Ruthie must first trace the jutting jaw lines, narrow faces, and gleamy skin of the Swains from the restless Reverend Swain, her great-grandfather, to her father.

It was my father’s arrest that brought me here, although you could certainly say that I took the scenic route. Here is rehab, where Ben - the only son of a rich South Dublin banker - is piecing together the shattered remains of his life. Abruptly cut off, at the age of 27, from a life of heedless privilege, Ben flounders through a world of drugs and dead-end jobs, his self-esteem at rock bottom. Even his once-adoring girlfriend, Clio, is at the end of her tether. Then Ben runs into an old school friend who wants to cut him in on a scam.

'When I was 12 years old God spoke to my father for the first time. God didn't say much. He told my father to be a painter and left it at that.... ' So begins Niall Williams' magical tale about love and destiny. Nicholas Coughlan and Isabel Gore were made for each other - but fate doesn't always take the easiest or the most obvious route to true love. For a start, Nicholas and Isabel have never met and nor are they likely to, without some kind of divine intervention. But as God, ghosts, a series of coincidences and seemingly chance events and encounters conspire to bring the couple together.

In 1973, Moll Gladney goes missing from the Tipperary hillside where she was born. Slowly, her parents - Paddy and Kit - begin to accept that she’s gone forever. But she returns, changed, and with a few surprises for her family and neighbours. Nothing is ever the same again for the Gladneys, who learn that fate cares little for duty, that life rarely conforms to expectation, that God can’t be relied upon to heed any prayer. A story of exile and return, of loss and discovery, of retreat from grief and the saving power of love.

On a summer's day in 1596, a young girl in Stratford-upon-Avon takes to her bed with a fever. Her twin brother, Hamnet, searches everywhere for help. Why is nobody at home? Their mother, Agnes, is over a mile away, in the garden where she grows medicinal herbs. Their father is working in London. Neither parent knows that one of the children will not survive the week.

Dublin, 1918. In a country doubly ravaged by war and disease, Nurse Julia Power works at an understaffed hospital in the city centre, where expectant mothers who have come down with an unfamiliar flu are quarantined together. Into Julia's regimented world step two outsiders: Doctor Kathleen Lynn, on the run from the police, and a young volunteer helper, Bridie Sweeney. In the darkness and intensity of this tiny ward, over the course of three days, these women change each other’s lives in unexpected ways. 

When an Antarctic research expedition goes wrong, the consequences are far-reaching - for the men involved and for their families back home. Robert 'Doc' Wright, a veteran of Antarctic field work, holds the clues to what happened, but he is no longer able to communicate them. While Anna, his wife, navigates the sharp contours of her new life as a carer, Robert is forced to learn a whole new way to be in the world.

It is 1981. Glasgow is dying and good families must grift to survive. Agnes Bain has always expected more from life. She dreams of greater things: a house with its own front door and a life bought and paid for outright (like her perfect, but false, teeth). But Agnes is abandoned by her philandering husband, and soon she and her three children find themselves trapped in a decimated mining town. As she descends deeper into drink, the children try their best to save her, yet one by one they must abandon her to save themselves. It is her son Shuggie who holds out hope the longest. 

Count Moïse de Camondo lived a few doors away from Edmund de Waal's forebears, the Ephrussi, first encountered in his best-selling memoir The Hare with Amber Eyes. Like the Ephrussi, the Camondos were part of Belle Epoque high society. They were also targets of anti-Semitism. Camondo created a spectacular house and filled it with the greatest private collection of French 18th-century art for his son to inherit. But when Nissim was killed in the First World War, it became a memorial and, on the Count's death, was bequeathed to France.

Joe is 17, a gifted artist and a brilliant older brother to 12-year-old Finn. They live with their Ma and Da in a Dublin tower block called Bojaxhiu, or 'the Jax'. It's not an easy place to be a kid, especially when your father, Frank, is the muscle for the notorious gang leader Dessie 'The Badger' Murphy. But whether it's daytrips to the beach or drawing secret sketches, Joe works hard to show Finn life beyond the battered concrete yard below their flat. Joe is determined not to become like his Da. But when Finn falls ill, Joe finds his convictions harder to cling to.

Jim Foley loves his parents, his brother, his sister, Dickens and God, although not necessarily in that order. Later, he loves Kate, enough to make her his wife; later still, he loves his children, Jack and Hannah. This is Jim's story, from early days spent in County Clare to early adulthood in America, and back to Clare again.

Following the discovery of the body of a well-loved parish priest at Ballyglass House - the Co Wexford family seat of the aristocratic, secretive Osborne family - Detective Inspector St John Strafford is called in from Dublin to investigate. Facing obstruction from all angles, Strafford is determined to identify the murderer. But, as the snow continues to fall over this ever expanding mystery, the people of Ballyglass are equally determined to keep their secrets.

From her place in the store, Klara, an Artificial Friend with outstanding observational qualities, watches carefully the behaviour of those who come in to browse and of those who pass in the street outside. She remains hopeful a customer will soon choose her, but when the possibility emerges that her circumstances may change for ever, Klara is warned not to invest too much in the promises of humans.

At times stern, at other times patient, at times perceptive, at other times in sad denial, Olive Kitteridge, a retired schoolteacher, deplores the changes in her little town of Crosby, Maine, and in the world at large, but she doesn’t always recognize the changes in those around her: a lounge musician haunted by a past romance; a former student who has lost the will to live; Olive’s own adult child, who feels tyrannized by her irrational sensitivities; and her husband, Henry, who finds his loyalty to his marriage both a blessing and a curse. 

Rage. That's the feeling engulfing the car as Ellen's mother swerves over to the hard-shoulder and orders her daughter out onto the roadside. Ignoring the protests of her other children, she accelerates away, leaving Ellen standing on the gravel verge in her school pinafore and knee socks as the light fades. What would you do as you watch your little sister getting smaller in the rear view window? How far would you be willing to go to help her? The Gallagher children are going to find out. This moment is the beginning of a summer that will change everything.