From acclaimed author Ursula K. Le Guin, and with an introduction by Karen Joy Fowler, a collection of thoughts - always adroit, often acerbic - on aging, belief, the state of literature, and the state of the nation. Ursula K. Le Guin has taken listeners to imaginary worlds for decades. Now she's in the last great frontier of life, old age, and exploring new literary territory: the blog, a forum where her voice - sharp, witty, as compassionate as it is critical - shines. No Time to Spare collects the best of Ursula's blog, presenting perfectly crystallized dispatches on what matters.

From modern literature to menopause, from utopian thought to rodeos - in this classic collection of essays, Ursula K. Le Guin roves with her customary audacity over the intersecting arenas of literature, feminism, and social responsibility, exploding any received notions she comes across and revealing visionary possibilities in their stead.  

Shevek is brilliant scientist who is attempting to find a new theory of time - but there are those who are jealous of his work, and will do anything to block him. So he leaves his homeland, hoping to find a place of more liberty and tolerance. Initially feted, Shevek soon finds himself being used as a pawn in a deadly political game. With powerful themes of freedom, society and the natural world's influence on competition and co-operation, The Dispossessed is a true classic of the 20th century.

In this second novel in the Earthsea series, Tenar is chosen as high priestess to the ancient and nameless Powers of the Earth, and everything is taken from her - home, family, possessions, even her name. She is now known only as Arha, the Eaten One, and guards the shadowy, labyrinthine Tombs of Atuan. Then a wizard, Ged Sparrowhawk, comes to steal the tombs' greatest hidden treasure, the Ring of Erreth-Akbe. Tenar's duty is to protect the ring, but Ged possesses the light of magic and tales of a world that Tenar has never known....

Ged, the greatest sorcerer in all Earthsea, was called Sparrowhawk in his reckless youth. Hungry for power and knowledge, Sparrowhawk tampered with long-held secrets and loosed a terrible shadow upon the world. This is the tale of his testing, how he mastered the mighty words of power, tamed an ancient dragon, and crossed death's threshold to restore the balance.  

Every novella by Ursula K. Le Guin, an icon in American literature, collected for the first time - and introduced by the legendary author - in one breathtaking volume. Ursula K. Le Guin has won multiple prizes and accolades, from the Medal for Distinguished Contribution to American Letters to the Newbery Honor, Nebula, Hugo, World Fantasy, and PEN/Malamud awards. She has had her work collected over the years but never as a complete retrospective of her longer works.

Ursula K. Le Guin has enthralled fans with her imagination, clarity, and moral vision. The recipient of numerous literary prizes, including the National Book Award, the Kafka Award, and five Hugo and five Nebula Awards, this renowned writer has created a provocative, ever-evolving universe filled with diverse worlds and rich characters reminiscent of our earthly selves. Now, in The Birthday of the World, this gifted artist returns to these worlds in eight brilliant short works, including a never-before-published novella, each of which probes the essence of humanity. 

The Unreal and the Real is a major event not to be missed. In this two-volume selection of Ursula K. Le Guin's best short stories--as selected by the National Book Award winning author herself--the reader will be delighted, provoked, amused, and faced with the sharp, satirical voice of one of the best short story writers of the present day. Where on Earth explores Le Guin's earthbound stories which range around the world, from small town Oregon to middle Europe in the middle of revolution to summer camp.

In over 30 essays, written over 20 years, one of the world's great storytellers meditates on the art of storytelling. Warm, engaging and often amusing collection of writing which offers thoughts on a wide variety of topics, including the origin and composition of Philip's own stories, the craft of writing and the storytellers who have meant the most to Philip. The art of storytelling is everywhere present in the essays themselves, in the instantly engaging tone, the vivid imagery and striking phrases, the resonant anecdotes, the humour and learnedness.

A BBC Radio full-cast dramatisation, based on the first three books in Ursula Le Guin's best-selling Earthsea cycle. Set on a vast archipelago of islands, where magic is a central part of life, Earthsea tells the intertwined stories of Ged and Tenar. Ged is a boy from the island of Gont, born with innate magical talent and a reckless nature, who tampers with long-held secrets and releases a terrible shadow into the world. He must risk everything in order to restore the balance....

The sentence is the common ground where every writer walks. A poet writes in sentences, but so does the unsung author who came up with Items trapped in doors cause delays. A good sentence can be written (and read) by anyone if we simply give it the gift of our time, and it is as close as most of us will get to making something truly beautiful. Enter acclaimed author Professor Joe Moran. Using minimal technical terms, First You Write a Sentence is his unpedantic but authoritative explanation of how the most ordinary words can be turned into verbal constellations of extraordinary grace. 

In this collection of short stories, Sita Dulip from Cincinnati finds a method of transcending the miserable experience of flying. A mere kind of twist and a slipping bend - easier to do than to describe - takes her not to Denver, but to bizarre societies and cultures that sometimes mirror our own and sometimes open doors into the alien. Changing Planes is by turns funny, disturbing, and thought provoking.

Thousands of novels are published around the world every year. There are so many readily available, it would take multiple lifetimes for a single person to even read a fraction of them. But it hasn’t always been that way. While humans have always been storytellers, the novel as we recognize it today is a relatively new art form in the timeline of human culture. Of all the ways we tell stories, why has the novel become such a perennial favorite? How did the novel go from a narrative experiment with a low-brow reputation to a cultural touchstone and focal point of modern literature?

In the midst of spiraling ecological devastation, multispecies feminist theorist Donna J. Haraway offers provocative new ways to reconfigure our relations to the earth and all its inhabitants. She eschews referring to our current epoch as the Anthropocene, preferring to conceptualize it as what she calls the Chthulucene, as it more aptly and fully describes our epoch as one in which the human and nonhuman are inextricably linked in tentacular practices.

Speak, Memory, first published in 1951 as Conclusive Evidence and then assiduously revised in 1966, is an elegant and rich evocation of Nabokov’s life and times, even as it offers incisive insights into his major works, including Lolita, Pnin, Despair, The Gift, The Real Life of Sebastian Knight, and The Luhzin Defense.