Frances Hodgson Burnett published The Making of a Marchioness in 1901. She had written Little Lord Fauntleroy 15 years before and would write The Secret Garden in 10 years' time; it is these two books for which she is best known. Yet Marchioness was one of Nancy Mitford's favourite books, was considered 'the best novel Mrs Hodgson Burnett wrote' by Marghanita Laski, and is taught on a university course in America together with novels such as Pride and Prejudice, Jane Eyre, and Daisy Miller.

Since its first publication in 1885, Little Lord Fauntleroy has become a favorite with children. The move from New York to his ancestral castle comes as a shock to both Cedric and his new-found relatives, and while he comes to terms with aristocratic ways, they become more aware of compassion and social justice.

The wonderful adventure story of two boys, one the son of a mysterious impoverished grandee and the other a handicapped son of a n'eer-do-well drunkard, who together travel through Europe on a secret mission to save Samavia from its wicked rulers.

Canon Daniel Clement is rector of Champton. He has been there for eight years, living at the rectory alongside his widowed mother—opinionated, fearless, ever-so-slightly annoying Audrey—and his two dachshunds, Cosmo and Hilda. When Daniel announces a plan to install a lavatory in church, the parish is suddenly (and unexpectedly) divided: as lines are drawn in the community, long-buried secrets come dangerously close to destroying the apparent calm of Champton. And then Anthony Bowness is found dead at the back of the church, stabbed in the neck with a pair of secateurs.

Charlotte Dean enjoys nothing more than the solitude of her London flat and the monotonous days of her work at a travel bookshop. But when her younger sister unceremoniously bursts into her quiet life one afternoon, Charlotte's world turns topsy-turvy. Beloved author D. E. Stevenson captures the intricacies of post-World War I England with a light, comic touch that perfectly embodies the spirit of the time. Alternatively heartbreaking and witty, The Young Clementina is a touching tale of love, loss and redemption through friendship.

With all of the pluck and charm of its eponymous young hero, Rachel McAdams (The Notebook, Spotlight, Midnight in Paris) delivers a spectacular reading of Montgomery's beloved bildungsroman. In moments both funny and bittersweet, McAdams' voice is imbued with the spark that has made Anne a much-loved symbol of individualism and cheer for over a century.

Weathering critical scorn, Lady Audley's Secret quickly established Mary Elizabeth Braddon as the leading light of Victorian 'sensation' fiction, sharing the honour only with Wilkie Collins. Addictive, cunningly plotted and certainly sensational, Lady Audley's Secret draws on contemporary theories of insanity to probe mid-Victorian anxieties about the rapid rise of consumer culture. What is the mystery surrounding the charming heroine? 

In Jane Austen’s Pride and Prejudice, Mary is the middle of the five Bennet girls and the plainest of them all, so what hope does she have? The Other Bennet Sister shows another side to Mary. Mary, it seems, is destined to remain single and live out her life at Longbourn, at least until her father dies and the house is bequeathed to the reviled Mr Collins. But when that fateful day finally comes, she slowly discovers that perhaps there is hope for her after all.

Young pilot Donald Ross has little in common with the Oxford don who has employed him on an expedition to the Arctic - and still less with his beautiful but stubborn daughter, Alix. But once the three of them reach the treacherous shores of Greenland, their destinies are inextricably bound by the events that unfold there.

Lady Audley is universally adored: Beautiful, kind and charming, she enamors all whom she meets. It is not until the strange disappearance of widower George Talboys that her behavior takes an odd turn. George's friend, Robert Audley, Lady Audley's nephew-in-law, is on the case; an upper-class layabout turned detective, he is determined to get to the bottom of things.

It began in a women's club in London on a February afternoon. A discreet advertisement in The Times, addressed to "Those who Appreciate Wistaria and Sunshine..." lures four very different women away from the dismal British weather to San Salvatore, a castle high above a bay on the sunny Italian Riviera. There, the Mediterranean spirit stirs the souls of Mrs Arbuthnot, Mrs Wilkins, Lady Caroline Dester, and Mrs Fisher, and remarkable changes occur.

Following Jane from her childhood as an orphan in Northern England through her experience as a governess at Thornfield Hall, Charlotte Brontë's Gothic classic is an early exploration of women's independence in the mid-19th century and the pervasive societal challenges women had to endure. At Thornfield, Jane meets the complex and mysterious Mr. Rochester, with whom she shares a complicated relationship that ultimately forces her to reconcile the conflicting passions of romantic love and religious piety.

The year is 1820. The landscape of England is undergoing sweeping change as the country pioneers the steam-driven machine age. The Morlands, too, face change: Cousin Africa returns from St Helena to startle society with her unconventional ideas, and Lucy brings her sons home from their Grand Tour, brimming with ideas for their future. In Manchester, Sophie and Jasper meet fierce opposition to their plans for re-housing the factory hands, while in London, Rosamund enters a bizarre agreement.

At the opening of The Claverings (1866) the beautiful Julia Brabazon jilts her lover Harry Clavering in order to make a marriage of convenience with a wealthy but dissolute earl. Harry licks his wounds, leaves London to train as a civil engineer, and falls in love with his employer's daughter, to whom he soon becomes engaged. But when Julia returns unexpectedly as a wealthy widow, the flame of Harry's old love is rekindled.    

Dorothea Brooke is an ardent idealist who represses her vivacity and intelligence for the cold, theological pedant Casaubon. One man understands her true nature: the artist Will Ladislaw. But how can love triumph against her sense of duty and Casaubon’s mean spirit? Meanwhile, in the little world of Middlemarch, the broader world is mirrored: the world of politics, social change, and reforms, as well as betrayal, greed, blackmail, ambition, and disappointment.