Ex-tax collector and author of two unpopular novels, Bradley Pearson wishes to devote his retirement to writing a masterpiece. But the doorbell and the phone keep ringing, and every ring brings with it an ex-wife, a friend in need, a sister in trouble or a young woman seeking a teacher, and so dusty, selfish Bradley is plunged into the muddles and mysteries which will end in his doom.

A lay community of thoroughly mixed-up people is encamped outside Imber Abbey, home of an enclosed order of nuns. A new bell, legendary symbol of religion and magic, is rediscovered. Dora Greenfield, erring wife, returns to her husband. Michael Mead, leader of the community, is confronted by Nick Fawley, with whom he had disastrous homosexual relations, while the wise old Abbess watches and prays and exercises discreet authority. And everyone, or almost everyone, hopes to be saved whatever that may mean.

Everyone is thinking about Julius King. For comfortable, long-married Hilda and Rupert, he is a mystery. For Morgan, Hilda’s tormented sister, he is an obsession. For Morgan’s abandoned husband, Tallis, he is the source of ruin. For Simon and Axel, deeply in love, he stirs up jealousy and unease. What is Julius thinking about? He’s thinking about Hilda, Rupert, Morgan, Tallis, Simon and Axel, and they will not all survive his malevolent attention. 

Iris Murdoch's first novel is set in a part of London where struggling writers rub shoulders with successful bookies, and film starlets with frantic philosophers. Its hero, Jake Donaghue, is a drifting, clever, likeable young man who makes a living out of translation work and sponging on his friends. A meeting with Anna, an old flame, leads him into a series of fantastic adventures.

When Bill Mor falls in love with Rain Carter he discovers a new way of being and a new joy in the world and his surroundings. To be with Rain he must abandon his prosaic life as a schoolmaster, his domineering wife Nan and his troubled teenaged children. He must draw on the powers of selfishness, hatred and anger in order to make the final break. But what love could survive all that violence?

To the Lighthouse is a landmark work of English fiction. Virginia Woolf explores perception and meaning in some of the most beautiful prose ever written, minutely detailing the characters thoughts and impressions. This unabridged version is read by Juliet Stevenson.

For 15 years the weaver Silas Marner has plied his loom near the village of Raveloe, alone and unjustly in exile, cut off from faith and human love, he cares only for his hoard of golden guineas. But two events occur that will change his life forever; his gold disappears and a golden-haired baby girl appears. But where did she come from and who really stole the gold? This moving tale sees Silas eventually redeemed and restored to life by the unlikely means of his love for the orphan child Eppie.

The story of Lady Chatterley and her love for her husband's gamekeeper outraged the sensibilities of Edwardian England. Lawrence had already been dismissed as a purveyor of the obscene for the attitudes to sex that he had shown in The Rainbow, which had been fiercely suppressed on its publication in 1915. Chatterley, written in several versions around 1928 in Italy in the final part of Lawrence's life, was a deliberate choice on the author's part to address sex head on.

Essays in Love is a stunningly original love story. Taking in Aristotle, Wittgenstein, history, religion and Groucho Marx, Alain de Botton charts the progress of a love affair from the first kiss to argument and reconciliation, from intimacy and tenderness to the onset of anxiety and heartbreak.

Hardy's first major literary success, here brought to life by narrator Nathaniel Parker, is the story of the independent and spirited Bathsheba Everdene, who inherits her uncle's farm, the largest estate in the area. She surprises the villagers of Weatherbury by deciding to run it herself. Attracted to this bold young woman are three suitors all vying for her affections. They include the lonely gentleman-farmer Boldwood, the young and handsome but inconsiderate Sergeant Troy and the faithful shepherd Gabriel Oak.

The Mill on the Floss is one of the great works of English literature. It is perhaps the most autobiographical of all Eliot's novels. The relationship between its heroine, Maggie Tulliver, and her brother, Tom, closely resembles that of George Eliot and her own brother, Isaac. The subject of sibling affection was clearly a deeply poignant one for George Eliot - she also wrote a series of beautiful and evocative sonnets entitled 'Brother and Sister'.

Originally broadcast on BBC Radio 4, Jeremy Irons' perceptive reading illuminates the poetry of T. S. Eliot in all its complexity. Major poems range from 'The Love Song of J. Alfred Prufrock' through the post-war desolation of 'The Waste Land' and the spiritual struggle of 'Ash-Wednesday', to the enduring charm of 'Old Possum's Book of Practical Cats'.

This Audible production expertly brings to life Salman Rushdie’s postcolonial masterpiece Midnight’s Children, available for the first time unabridged in audio. Written in the magical-realist style that Rushdie is renowned for, Midnight’s Children follows Saleem Sinai - a child gifted with extraordinary powers after being born at the exact moment India becomes independent. The captivating events that unfold act as an allegory for India’s transition from colonialism to independence as Saleem finds himself 'handcuffed to history', with his fate entwined with that of his newly independent state. 

In the summer of 1983, 23-year-old Nick Guest moves into an attic room in the Notting Hill home of the wealthy Feddens: Gerald, an ambitious Tory MP, his wife, Rachel, and their children, Toby and Catherine. Innocent of politics and money, Nick is swept up into the Feddens' world and an era of endless possibility, all the while pursuing his own private obsession with beauty. 

A Signature Performance: Four-time Emmy Award winner David Hyde Pierce delivers an air of lovable self-importance in his rendition of the classic social satire that remains as fresh today as the day it was published.