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The Reddening

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The Reddening

By: Adam Nevill
Narrated by: Conner Goff
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About this listen

A gripping folk-horror thriller from the author of The Ritual

One million years of evolution didn't change our nature. Nor did it bury the horrors predating civilization. Ancient rites, old deities, and savage ways can reappear in the places you least expect.

Lifestyle journalist Katrine escaped past traumas by moving to a coast renowned for seaside holidays and natural beauty. But when a vast hoard of human remains and prehistoric artifacts is discovered in nearby Brickburgh, a hideous shadow engulfs her life.

Helene, a disillusioned lone parent, lost her brother, Lincoln, six years ago. Disturbing subterranean noises he recorded prior to vanishing, draw her to Brickburgh's caves. A site where early humans butchered each other across 60,000 years. Upon the walls, images of their nameless gods remain.

Amidst rumors of drug plantations and new sightings of the mythical red folk, it also appears that the inquisitive have been disappearing from this remote part of the world for years. A rural idyll where outsiders are unwelcome and where an infernal power is believed to linger beneath the earth. A timeless super-normal influence that only the desperate would dream of confronting. But to save themselves and those they love, and to thwart a crimson tide of pitiless barbarity, Kat and Helene are given no choice. They were involved and condemned before they knew it.

The Reddening is an epic story of folk and prehistoric horrors written by Adam Nevill, the author of The Ritual, Last Days, No One Gets Out Alive, and the three times winner of the August Derleth Award for best horror novel.

©2019 Adam L. G. Nevil (P)2019 Journalstone
Horror Scary

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All stars
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It isn't like there aren't dozens of British voice actors out there, so I don't know why they choose to use a US actor for this. It isn't his fault, although maybe checking the pronunciation of some of the words would have made it slightly less jarring.

Overall it didn't put me off the book as the story was is engaging folk horror and one of Neville's better books.

So yeah, good book. However, of you are from the British Isles you might find the narrator's mispronunciation of British words a little off putting.

The American narrator was a bad idea.

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Imaginative and different horror. Heart was in my mouth from the first chapter, couldn't stop listening. Good character development. Too many loose ends for my liking.

Narration was not so terrible as some of the comments suggest. Would've been nice if the (American) reader had bothered to research the local vernacular (esp re: place names).

Imaginative and different horror

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The story was really enjoyable and gave me all the bits of classic folk horror tension I was looking for, but as a book written in a colloquial British vernacular, it pulled me out of the story when there were frequently "British-isms" that were pronounced completely wrong or confusingly. However, still an enjoyable story.

Enjoyable grimy folk horror but narration detracts

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while nothing wrong with narrator's performance and as a massive fan of nevill i loved the story i just cant get on onboard with the choice of narrator. Set in Devon England led by female characters why on earth use an American male narrator who couldn't pronounce certain words, just so off putting would of loved it otherwise

great story wrong narrator

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I generally enjoy Adam Neville and this story didn't disappoint. But the narration - who on earth decided an American narrator would be suitable for a story very firmly rooted in south Devon? The narrator was clearly unfamiliar with a great deal of stuff that may be considered 'British' (at a stretch). The most confusing (and amusing) was the pronunciation of 'brazier' as 'brassiere' - a number of times. So a couple of times characters 'burnt their brassieres', leaving me wondering how rampant feminism had come to be in the stury.

Great story, but oh my, the narration......

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