The Red Necklace
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Narrated by:
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Janet Suzman
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By:
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Sally Gardner
Summary
Yann is spirited away to London but three years later, when Paris is gripped by the bloody horrors of the Revolution, he returns, charged with two missions: to find out Kalliovski's darkest deeds and to save Sido from the guillotine.
With a tangle of secrets, a thread of magic and a touch of humour, the follies of the aristocracy and the sufferings of ordinary people are unfolded as their lives move relentlessly towards the tragic and horrific days of the Terror. THE RED NECKLACE is not only a tremendous adventure story but a vibrant and passionate picture of Paris in turmoil and of a large cast of memorable characters.
Read by Janet Suzman
(P)2004 Orion Publishing Group.Ltd©2007 Sally Gardner
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Critic reviews
A gripping read
A tense and believable fantasy
Enthralling
A tremendous adventure story told at breathtaking pace
Sophisticated, unpatronising ... extremely rewarding
Told with relentless pace
One word to describe The Red Necklace: Fantastic! (Alexandra Dignan, Aged 12)
A truly original voice ... a thrilling read
A rattling good story
Peopled with thrilling characters and gorgeously suspenseful
[A] compelling marriage of magic and history
A new star in historical children's fiction
A splendid story
Exciting and enthralling
Enthrallingly told, it offers action, surprise and protagonists to care about
The stupidity of the nobility is paradoxically redeemed through the wit and so-called purity of women, whose moral clarity is meant to shine through the fog of masculine decay. Men, in Gardner’s world, are either useless or adrift in their own privilege — but this critique never fully lands, because masculinity itself becomes a source of fascination. It’s not men she despises, but the wrong kind of men. Violence, officially condemned, is quietly eroticised: transformed into bullying, perversion, and the intoxicating energy that Gardner can’t help but be drawn to.
This is the central contradiction of the book: it moralises what it fetishizes. The very dynamics it wants to critique — domination, bloodlines, hereditary power — are precisely what fuel its narrative pleasure. Then there is the romanticised figure of the Gypsy, the peripheral outsider who becomes a vessel of ancient wisdom and alternative knowledge. But this gesture, too, raises questions: is there room in Gardner’s moral universe for true transformation from within, or must all change come from mystified alterity — the exotic, the impure, the displaced?
Sally Gardner and Her Peculiar French Revolution
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For kids
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