The Razor's Edge
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Narrated by:
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Gordon Griffin
About this listen
Larry Darrell is a young American in search of the absolute. The progress of this spiritual odyssey involves him with some of Maugham's most brilliant characters: his fiancée Isabel, whose choice between love and wealth have lifelong repercussions; and Elliot Templeton, her uncle, a classic expatriate American snob.
The most ambitious of Maugham's novels, this is also one in which Maugham himself plays a considerable part as he wanders in and out of the story, to observe his characters struggling with their fates.
William Somerset Maugham (25 January 1874 – 16 December 1965) was an English playwright, novelist and short story writer. He was among the most popular writers of his era and reputedly the highest paid author of the 1930s. Maugham was orphaned by the age of ten, but after an unhappy childhood, he flourished when he moved to London to study medicine as a young man, giving him plenty of inspiration for his literary ambitions. His first novel, Liza Of Lambeth, sold out in a matter of weeks, prompting Maugham to leave medicine and embark on a 65-year career as a man of letters. By 1914 he was famous, with ten successful plays produced and ten novels published. In 1917, he was asked by the British Secret Intelligence Service (now MI6) to undertake a special mission in Russia; an experience which would go on to inspire Ashenden, a collection of short stories about a gentlemanly spy that influenced Ian Fleming’s James Bond series. Maugham’s most famous works include Of Human Bondage, a semiautobiographical novel, The Moon and Sixpence, Cakes and Ale and The Razor's Edge. His writing has inspired a string of over 35 film adaptations and has influenced many notable authors, including Anthony Burgess, George Orwell and Gabriel Garcia Marquez.
©1944 Somerset Maugham (P)2012 Audible LtdOne to savour
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Brilliant
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Jane
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Razor’s Edge
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Now, after thirty years I re-read on the basis that my son was looking for something to reflect his first awareness and interest in Eastern religions and I suggested that he give it a go. Whilst some of the central narrative remains as sharp as ever, I was disappointed to find that on re-reading it is not the great work of revelation that my mind had honed it to become. There is a lot of superfluous non-activity and a fair bit of fairly non-enhancing detail, so that the final third of the novel left me impatient to get back to the central theme of the action.
Some important highlights and a great stepping stone into other works - I am a big fan of Maugham's stories and novels - but ultimately there was that small let down when I finally completed this one. My son reckons he enjoyed it hugely, however.
Blunted over time?
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