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The Quickening

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About this listen

Feminist gothic fiction set between the late 19th century and the early 20th century - an era of burgeoning spiritualism and the suffragette movement - that couldn't be more relevant today.

England, 1925. Louisa Drew lost her husband in the First World War and her six-year-old twin sons in the Spanish Flu epidemic of 1918. Newly remarried to a war-traumatised husband and seven months pregnant, Louisa is asked by her employer to travel to Clewer Hall in Sussex, where she is to photograph the contents of the house for auction.

She learns Clewer Hall was host to an infamous séance in 1896, and that the lady of the house has asked those who gathered back then to come together once more to recreate the evening. When a mysterious child appears on the grounds, Louisa finds herself compelled to investigate and becomes embroiled in the strange happenings of the house. Gradually, she unravels the long-held secrets of the inhabitants and what really happened 30 years before...and discovers her own fate is entwined with that of Clewer Hall's.

An exquisitely crafted and compelling mystery that invites the listener into the crumbling Clewer Hall to help unlock its secrets alongside the unforgettable Louisa Drew.

For fans of The Silent Companions, The Little Stranger and The Familiars.

©2020 Rhiannon Ward (P)2020 Orion Publishing Group Fantasy Ghosts Gothic Historical Horror Mystery Thriller & Suspense Marriage Scary Fiction Haunted
All stars
Most relevant
Narration was a little monotone. Story lacked sparkle and was fairly predicable. It was okay but nothing Earth shattering.

Alright

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3.5 Stars

1. If you could sum up ‘The Quickening’ by Rhiannon Ward in 3 words, what would they be?

Sluggish, transparent and leaden (as in hue).

2. How credible/believable did you find the narrator/s to be?

Initially the tone of Katherine Press’s voice came across as impassioned and monotonous - however, in time I felt that it was well suited to the dismal/grim atmosphere that the novel tends to exude.

3. Any additional comments:

In part I found the storyline transparent and therefore it sadly fell short of my expectations. However, I did enjoy Rhiannon Ward’s literary style - it was aptly descriptive, at times affective and effortless - this I deeply appreciate. A short passage that I found memorable was “....the edges of grief begin to blunt....” - time assists with this, I’m sure many of us can relate. I also welcomed Louisa and George’s “lack of regard for convention”. Overall, this novel is very listenable.

Unfulfilling

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Overall I did very much enjoy this book, it was a nice little insight into the medium craze that hit around the wars. It has twists but overall the story could do with a little better pacing. It feels as though you get a lot of information and action at once then it teeters out to nothing for a good while then repeats. It's good for background listening though but I think if you were only sitting down to listen to it and do nothing else you could get a little bored.

interesting but slow paced

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I enjoyed this book a lot at the beginning and end but it did sag a bit in the middle and I almost stopped.

It was well written and I enjoyed it, it was a good example of gothic horror I’d say, up there in terms of story with Laura Purcell, I just wish it had been edited down a bit in the middle.

Great performance on the audiobook and I look forward to the next book by the author.

Good but not quite great

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I nearly didn’t bother with this book, as some of the other reviewers were not very keen on it. However, I am very glad I did!
The sound was a bit odd - it sounded as though the narrator was being recorded with her head in a cardboard box, and yes, as mentioned by others, a couple of the words were mispronounced. However neither of these things detracted from my enjoyment and overall I really liked both the pace and the style of the narration - it kept me hooked into the story. The story itself was very enjoyable and had some twists and turns to keep readers guessing. The underlying theme of a traumatised country coping with changing times post-war, and the reactions to the changing roles of women, also provided an interesting backdrop. Social class was a strong theme, and the decay of the house with its ghosts and relics reflected the beginning of a time of change relating to social equality and opportunity. If you are looking for a story of a haunting, woven into a detailed and intriguing post-war historical plot, I’d highly recommend it.

Ghosts and mad women!

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