Rage. That's the feeling engulfing the car as Ellen's mother swerves over to the hard-shoulder and orders her daughter out onto the roadside. Ignoring the protests of her other children, she accelerates away, leaving Ellen standing on the gravel verge in her school pinafore and knee socks as the light fades. What would you do as you watch your little sister getting smaller in the rear view window? How far would you be willing to go to help her? The Gallagher children are going to find out. This moment is the beginning of a summer that will change everything.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

From the outside, the Delaneys appear to be an enviably contented family. Even after all these years, former tennis coaches Joy and Stan are still winning tournaments, and now that they've sold the family business they have all the time in the world to learn how to 'relax'. Their four adult children are busy living their own lives, and while it could be argued they never quite achieved their destinies, no-one ever says that out loud.

Before Owen Michaels disappears, he manages to smuggle a note to his new wife, Hannah: protect her. Hannah knows exactly who Owen needs her to protect - his 16-year-old daughter, Bailey, who lost her mother tragically as a child. And who wants absolutely nothing to do with her new stepmother. As her increasingly desperate calls to Owen go unanswered, his boss is arrested for fraud and the police start questioning her, Hannah realises that her husband isn't who he said he was. And that Bailey might hold the key to discovering Owen's true identity and why he disappeared.

He is her husband. She is his captive. Her husband calls her Jane. That is not her name. She lives in a small farm cottage, surrounded by vast, open fields. Everywhere she looks, there is space. But she is trapped. No one knows how she got to the UK: no one knows she is there. Visitors rarely come to the farm; if they do, she is never seen. Her husband records her every movement during the day. If he doesn't like what he sees, she is punished. For a long time, escape seemed impossible. But now, something has changed. She has a reason to live and a reason to fight. 

In Jake, Marisa has found everything she’s ever wanted. Then their new lodger, Kate, arrives. Something about Kate isn’t right. Is it the way she looks at Marisa’s boyfriend? Sits too close on the sofa? Constantly asks about the baby they are trying for? Or is it all just in Marisa’s head? After all, that’s what her Jake keeps telling her, and she trusts him - doesn’t she? But Marisa knows something is wrong. That the woman sleeping in their house will stop at nothing to get what she wants. Marisa just doesn’t know why.

Before anyone else is awake, on a perfect August morning, Elle Bishop heads out for a swim in the glorious fresh water pond below 'The Paper Palace' - the gently decaying summer camp in the back woods of Cape Cod where her family has spent every summer for generations. As she passes the house, Elle glances through the screen porch at the uncleared table from a dinner party the previous evening; empty wine glasses, candle wax on the table cloth, echoes of laughter of family and friends.

When Jane, a broke dog-walker newly arrived in town, meets Eddie Rochester, she can’t believe her luck. Eddie is handsome, rich and lives alone in a beautiful mansion since the tragic death of his beloved wife a year ago. Eddie can give Jane everything she’s always wanted: stability, acceptance and a picture-perfect life. But what Jane doesn’t know is that Eddie is keeping a secret - a big secret.

I am Lex Gracie: but they call me Girl A. I grew up with my family on the moors. I escaped when I was 15 years old. Now something is pulling me back….

For the Skinners, their lives divide into two parts: before that heady summer - of unsupervised youth and tragedy - and after. But mainly after. The events of that childhood summer bound the siblings together fiercely, but the consequences would never be erased. For it’s the million little betrayals echoing through the years that threaten to fray their last fragile ties....

Fifty-six days ago. Ciara and Oliver meet in a supermarket queue in Dublin and start dating the same week COVID-19 reaches Irish shores. Thirty-five days ago. When lockdown threatens to keep them apart, Oliver suggests they move in together. Ciara sees a unique opportunity for a relationship to flourish without the scrutiny of family and friends. Oliver sees a chance to hide who - and what - he really is. Today. Detectives arrive at Oliver's apartment to discover a decomposing body inside.

The people who call End of the Line need hope. They need reassurance that life is worth living. But some are unlucky enough to get through to Laura. Laura doesn’t want them to hope. She wants them to die. Laura hasn’t had it easy: she's survived sickness and a difficult marriage only to find herself heading for forty, unsettled and angry. She doesn't love talking to people worse off than she is. She craves it. But now someone’s on to her - Ryan, whose world falls apart when his pregnant wife ends her life, hand in hand with a stranger.

Chrissie knows how to steal sweets from the shop without getting caught, the best hiding place for hide-and-seek, the perfect wall for handstands. Now she has a new secret. It gives her a fizzing sherbet feeling in her belly. She doesn't get to feel power like this at home, where food is scarce and attention scarcer. Fifteen years later, Julia is working in a fish-and-chip shop and trying to mother her five-year-old daughter, Molly. She is always worried - about affording food and school shoes, about what the other mothers think of her.

An achingly beautiful work of historical fiction, Send for Me moves between Germany on the eve of World War II and present-day Wisconsin, unspooling a thread of love, longing, and the powerful bonds of family.

Marissa Irvine arrives at 14 Tudor Grove, expecting to pick up her young son Milo from his first playdate with a boy at his new school. But the woman who answers the door isn't a mother she recognises. She isn't the nanny. She doesn't have Milo. And so begins every parent's worst nightmare. As news of the disappearance filters through the quiet Dublin suburb and an unexpected suspect is named, whispers start to spread about the women most closely connected to the shocking event. Because only one of them may have taken Milo - but they could all be blamed.