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The Norman Conquest

The Battle of Hastings and the Fall of Anglo-Saxon England

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The Norman Conquest

By: Marc Morris
Narrated by: Frazer Douglas
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About this listen

A riveting and authoritative history of the single most important event in English history: The Norman Conquest.

An upstart French duke who sets out to conquer the most powerful and unified kingdom in Christendom. An invasion force on a scale not seen since the days of the Romans. One of the bloodiest and most decisive battles ever fought.

This new history explains why the Norman Conquest was the most significant cultural and military episode in English history. Assessing the original evidence at every turn, Marc Morris goes beyond the familiar outline to explain why England was at once so powerful and yet so vulnerable to William the Conqueror’s attack; why the Normans, in some respects less sophisticated, possessed the military cutting edge; how William’s hopes of a united Anglo-Norman realm unraveled, dashed by English rebellions, Viking invasions, and the insatiable demands of his fellow conquerors.

This is a tale of powerful drama, repression, and seismic social change: the Battle of Hastings itself; the sudden introduction of castles and the massive rebuilding of every major church; the total destruction of an ancient ruling class. Language, law, architecture, and even attitudes toward life itself were altered forever by the coming of the Normans.

©2012 Marc Morris (P)2013 Audible, Inc.
Civilization Europe Great Britain Medieval Military World England Middle Ages Royalty United Kingdom War Viking

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Editor reviews

Historian Marc Morris presents an enjoyable and modern account of the Norman invasion that created the foundation for the English nation. Beginning with the Saxon kings and the constant conflicts besetting England as she fell prey to both Vikings and Normans, Morris lays bare the intrigues and betrayals that marked the Anglo-Saxons' rule. With his silken voice and impeccable timing, narrator Frazer Douglas recounts these events with great familiarity and relish. Morris sets the stage for William the Conqueror's invasion and shows how his hopes for a united Anglo-Norman realm were dashed by rebellions, Viking invasions, and the demands of his fellow conquerors. Listeners will be entertained by this rambunctious look at the most important period of English history.

All stars
Most relevant
I am not the first to make this observation but it is so fundamentally important to the enjoyment of an audio book that the narration is carried out professionally that I thought I would add my own comment. Before a conventional printed copy of a book is published and sold to customers it is proof read. You would not expect to find errors of grammar, spelling or punctuation if you have paid money for a professionally produced printed copy of a book. When buying an audio book a customer has the right to expect that it too has been "proofed" and a check has been made that the narrator has not mispronounced the names of people and places. This is so obvious it hardly needs to be said. Frazer Douglas I assume was engaged to narrate this book although I cannot say on what basis and what his qualifications for the task are or were thought to be.. I assume he was paid for his services. If I had been engaged to narrate the book, before making the recording I would read the relevant chapter, and ensure that I knew the correct pronounciations of all the names and places and I would familiarise myself with the spelling, grammar and punctuation. If I was unsure about any of these I would ask the author or someone else as regards the correct pronounciation. I would not be so arrogant as to suppose I could simply get away with ploughing on and pronouncing the names of people and places phonetically, willy nilly, or however I saw fit. Caen in Normandy is not "Cayenne". In a book about the Normans its important to know that. Ely in Cambridgeshire is not "Eli", Pontefract in Yorkshire is not "Ponty Fract" (emphasis on Fract!). Edwyne is not "Ed-wine" but Edwin. There are countless other very grating and annoying errors which detract from the pleasure of this otherwise well researched and important book relating how England came to be occupied and subjugated by the Norman French a thousand years ago. Mr Douglas also sees fit to narrate quotations from original medieval sources (many of them Norman French noblemen and clerics) in what sounds like a mock theatrical upper class snobby English voice of the mid-20th century - why?! I will finish this book because that is just the way I am, but I can quite understand those who have given up half way through because of the intensely annoying sometimes comic quality of the narration.

Inexcusably poor narration

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What did you like most about The Norman Conquest?

This is certainly a well-researched, balanced, well-written and thought-provoking effort. I have to hand it to Morris - the guy knows his stuff. He presents evidence fairly and reasonably, draws good conclusions from it and keeps it all relevant and interesting.

I really recommend this book. You'll learn more about the Anglo-Saxons from it, but they're more interesting anyway, aren't they?

What did you like best about this story?

To disagree with another reviewer - he's not pro-Norman. I sense no sign of liking the bastard conquerer (a giveaway of my own bias, there?) from him, and no suggestion that he was a good man who invaded justly. And fair play to him, that's what we need in history. Nothing is bias-free, but this is as close as you'll probably get. We learn of lives, figures and a reconstruction in as good a fashion as we'll have so far at this time.

What do you think the narrator could have done better?

Frazer Douglas: they say start by being positive before making a point, but I'm going to start with the negative so as to eventually give him the justice he deserves. This narrator can't pronounce names and places (unless they're French) worth a damn! Even if it's a place name in his own country, still in use today (someone else rightly pointed out the 'Ely' problem), he messes it up. And when it comes to quotes, I find it interesting how narrators deal with them. Some leave a pause before and afterwards, some put in more emphasis...but this guy goes into a voice somewhere between James Mason and a grown-up Harry Potter! It's WEIRD. Like, what the flips? BUT - he's clear, confident and his voice doesn't tire or grate (except when quoting) - he keeps it interesting to listen to, which is what matters most, and what makes him good. Just do more research beforehand, dude.

If you made a film of this book, what would be the tag line be?

The brutal end of a race, a language and of a united kingdom.

Or something much, much better than that....

Great, fair, intriguing and informative

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I dare say that this is a good read, but it is almost ruined by the narrator’s robotic reading style, several times while listening I was convinced that it wasn’t a human at all, but a computer running a slightly sub optimal voice.

The Narrator sounds like a robot most of the time.

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The narrator has a style that you might not like but I've heard worse. He can't pronounce some words and names properly; has a repetitive rhythm and a strange voice when he quotes people. Otherwise an interesting listen.

Great telling of the Norman's in England

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A well written history of the Norman conquest, ruined by the narrator, who cannot pronounce well known names and place names.

A great story poorly told

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