Late one night, a drawing teacher meets a mysterious woman dressed in white. Who is she, and what is her connection to the teacher's new pupil, a beautiful heiress? Serialized in 1859 - 1860, and first published in book form in 1860 it is still regarded still as one of the best plots in English literature. Told from multiple perspectives, the story is brought to life by its marvellous villains and complex, spirited and believable female characters.

Magdalen and Norah Vanstone have known only comfort and affluence for their entire lives. Orphaned suddenly following the unexpected deaths of their parents, the illegitimate sisters find themselves flung into the other extreme of living: their father had neglected to amend his will following their parents' recent marriage, leaving them with nothing, and their bitter, estranged uncle, the legal inheritor of the family fortune, mercilessly refuses them support. 

Wilkie Collins' follow-up to The Woman in White and No Name is an innovative take on mistaken identity, the nature of evil, and the dark underbelly of Victorian England. The story concerns two distant cousins, both named Allan Armadale, and the impact of a family tragedy, which makes one of them a target of the murderous Lydia Gwilt, a vicious and malevolent charmer determined to get her hands on the Armadale fortune. Will the real Allan Armadale be revealed, and will he survive the plot against his life? 

The Sad Fortunes of the Rev. Amos Barton, through vignettes of his life, portrays a character who is hard to like and easy to ridicule. Many people do ridicule as well as slander and despise him, until his suffering shocks them into fellowship and sympathy.

Set on Egdon Heath, a fictional barren moor in Wessex, Eustacia Vye longs for the excitement of city life but is cut off from the world in her grandfather's lonely cottage. Clym Yeobright who has returned to the area to become a schoolmaster seems to offer everything she dreams of: passion, excitement and the opportunity to escape. However, Clym's ambitions are quite different, and marriage only increases Eustacia's destructive restlessness, drawing others into a tangled web of deceit and unhappiness.

Can You Forgive Her? is the first of the six Palliser novels. Here Trollope examines parliamentary election and marriage, politics and privacy. As he dissects the Victorian upper class, issues and people shed their pretenses under his patient, ironic probe.

Dr. Aziz is a young Muslim physician in the British Indian town of Chandrapore. One evening he comes across an English woman, Mrs. Moore, in the courtyard of a local mosque; she and her younger travelling companion Adela are disappointed by claustrophobic British colonial culture and wish to see something of the 'real' India. But when Aziz kindly offers to take them on a tour of the Marabar caves with his close friend Cyril Fielding, the trip results in a shocking accusation....

Loved and appreciated by all with whom he works, Harding lives an ordered, regular life in his protected religious environment. Then one day, a young reformer feels he has uncovered a mismanagement of funds and Harding is held to blame. The accusation comes as a shock not only to Harding himself but also to the cathedral community. It then comes to wider notice when the cause is taken up by a national newspaper.

Elizabeth Gaskell's remarkable first novel, Mary Barton: A Tale of Manchester Life portrays a love that defies the rigid boundaries of class with tragic consequences.

In Madame Bovary, one of the great novels of 19th-century France, Flaubert draws a deeply felt and sympathetic portrait of a woman who, having married a country doctor and found herself unhappy with a rural, genteel existence, longs for love and excitement. However, her aspirations and her desires to escape only bring her further disappointment and eventually lead to unexpected, painful consequences. Flaubert’s critical portrait of bourgeois provincial life remains as powerful as ever

Molly Gibson, the only daughter of a widowed doctor in the small provincial town of Hollingford, lost her mother when she was a child. Her father remarries wanting to give Molly the woman's presence he feels she lacks. To Molly, any stepmother would have been a shock, but the new Mrs. Gibson is a self-absorbed, petty widow, and Molly's unhappiness is compounded by the realisation that her father has come to regret his second marriage.

Countess Ellen Olenska, separated from her European husband, returns to old New York society. She bears with her an independence and an awareness of life which stirs the educated sensitivity of the charming Newland Archer, engaged to be married to her cousin, May Welland. Though he accepts the society's standards and rules he is acutely aware of their limitations. He knows May will assure him a conventional future but Ellen, scandalously separated from her husband, forces Archer to question his values and beliefs.

When Lord Montbarry dies suddenly in his Venice palace, and his courier goes missing, suspicion is instantly thrown on his new wife, the beautiful Countess Narona, who has collected his life insurance and fled to America. Montbarry's former fiance, Agnes, still harboring feelings for him, and Henry Westwick, Montbarry's younger brother, decide to investigate this tragedy and head for the palace, now a hotel. Not long after their arrival they experience strange and unsettling occurrences, and the circumstances of Montbarry's death begin to unravel. 

Kipling's masterpiece Kim is his final and most famous work and one of the first and greatest espionage stories ever written. It explores the life of Kimball O'Hara, an Irish orphan who spends his childhood as a vagrant in Lahore. When he befriends an aged Tibetan lama his life is transformed as he is requested to accompany him on a mysterious quest to find the legendary River of the Arrow and achieve Enlightenment.

Daphne du Maurier's The Scapegoat is a classic tale of stolen identity. As dark as it is witty, it introduces listeners to the gloomy and despondent character of John the Englishman. When by chance, John comes face to face with his French doppelgänger, Jean, his bewilderment is quickly replaced with envy. Realising that Jean is in possession of everything he lacks but has always desired, he assumes the identity of his look-a-like, leaving his old, tedious life behind.