By the Sunday Times best-selling author of The Lie. Forbidden love, intimate betrayal and the devastating power of exposure drive Helen Dunmore's remarkable new title. London, November 1960: the Cold War is at its height. Spy fever fills the newspapers, and the political establishment knows how and where to bury its secrets. When a highly sensitive file goes missing, Simon Callington is accused of passing information to the Soviets and arrested.

Leningrad, September 1941. German tanks surround the city, imprisoning those who live there. The besieged people of Leningrad face shells, starvation, and the Russian winter. Interweaving two love affairs in two generations, The Siege draws us deep into the Levin's family struggle to stay alive during this terrible winter.

It is1792 and Europe is seized by political turmoil and violence. Lizzie Fawkes has grown up in radical circles where each step of the French Revolution is followed with eager idealism. But she has recently married John Diner Tredevant, a property developer who is heavily invested in Bristol's housing boom, and he has everything to lose from social upheaval and the prospect of war. Diner believes that Lizzie's independent, questioning spirit must be coerced and subdued. She belongs to him.

The epic of Thesus, the boy-king of Eleusis, ritually preordained to die after one year of marriage to the sacred queen but who defies God's decree and claims his inheritance - the throne of Athens. This re-creation of a Greek myth is written by the author of The Last of the Wine.

Eve and Liza, Mother and Daughter, live a quiet life in their remote home; a rustic gatehouse of a country mansion. At first glance their lives appear quite ordinary, except that Liza has almost no knowledge of the outside world, has never played with a child her own age and has witnessed her mother commit murder, on multiple occasions.

Eighteen-year-old Hattie Hoffman is a talented actress, loved by everyone in her Minnesotan hometown. When she's found stabbed to death on the opening night of her school play, the tragedy rips through the fabric of the community. Sheriff Del Goodman, a close friend of Hattie's dad, vows to find her killer, but the investigation yields more secrets than answers: it turns out Hattie played as many parts offstage as on.

'Would you rather love the more, and suffer the more; or love the less, and suffer the less? That is, I think, finally, the only real question.' First love has lifelong consequences, but Paul doesn't know anything about that at 19. At 19, he's proud of the fact his relationship flies in the face of social convention. As he grows older, the demands placed on Paul by love become far greater than he could possibly have foreseen.

It was a strange, uncertain world that Harriet entered when she married Guy Pringle. Guy taught English at the university at Bucharest, a city of vivid contrasts, where professional beggars exist alongside the excesses of mid-European royalty and expatriate journalists with a taste for truffles and quails in aspic. Underlying this is a fitful awareness of the proximity of the Nazi threat to a Romania which is enjoying an uneasy peace.

Evelyn and Muriel Axon, mother and daughter, lead a haunted existence. Objects of horror to their neighbours, they evade or terrorise any social worker who crosses their path. Inside their house, they pursue a covert persecution of each other, shrinking from the unseen occupants of their spare room. But change is in the air… Every Day is Mother's Day is a merciless comedy of colliding lives: of sex, death, madness, adultery and the social services.

Fetherhoughton is a dreary town in 1950s northern England. Father Angwin has lost his faith. Sister Philomena strains against convent life. The inhabitants of the town go about their lives in a haze. Then a stranger appears, bringing with him the hint of something new. But who is Fludd? An angel come to shake the dwellers from their stupor, or is he the devil himself, a wanderer of the darkest places in the human heart?

Annie Dunne and her cousin Sarah live and work on a small farm in a remote and beautiful part of Wicklow in late 1950s Ireland. All about them, a way of life is about to disappear. Like two old rooks, they hold to their life, cherishing everything. When Annie's nephew and his wife are set to go to London, their two small children are brought down to spend the summer with them. A summer of adventure, pain, delight and ultimately epiphany unfolds for both the children and their elderly caretakers.

The Long Night is Ernst Israel Bornstein's first-hand account of what he witnessed in seven concentration camps. Written with remarkable insight and raw emotion, The Long Night paints a portrait of human psychology in the darkest of times. Bornstein tells the stories of those who did all they could do to withstand physical and psychological torture, starvation, and sickness, and openly describes those who were forced to inflict suffering on others.

Following the death of her mother, Becky begins the sad task of sorting through her empty flat. Starting with the letters piling up on the doormat, she finds an envelope post-marked from Cornwall. In it is a letter that will change her life forever. A desperate plea from her mother's elderly cousin, Olivia, to help save her beloved home. Becky arrives at Chynalls to find the beautiful old house crumbling into the ground and Olivia stuck in hospital with no hope of being discharged until her home is made habitable.

When the bohemian, sophisticated Innes Kent turns up by chance on her doorstep, Lexie Sinclair realises she cannot wait any longer for her life to begin, and leaves for London. There, at the heart of the 1950s Soho art scene, she carves out a new life for herself, with Innes at her side. In the present day, Elina and Ted are reeling from the difficult birth of their first child.

Opening with "A Second Home", in which Mantel describes the death of her stepfather, Giving Up the Ghost is a wry, shocking, and beautifully written memoir of childhood, ghosts (real and metaphorical), illness, and family. Finally, at the memoir's conclusion, Mantel explains how a series of medical misunderstandings and neglect left her childless, and how the ghosts of the unborn have come to haunt her life as a writer.