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The Golden Hour

A Story of Family and Power in Hollywood

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Named a best book of the year by Kirkus Reviews Named a Notable Book of 2025 by the Washington Post A personal and cultural exploration of the struggles between art and business at the heart of modern Hollywood, through the eyes of the talent that shaped it

Matthew Specktor grew up in the film industry: the son of legendary CAA superagent Fred Specktor, his childhood was one where Beau Bridges came over for dinner, Martin Sheen’s daughter was his close friend, and Marlon Brando left long messages on the family answering machine. He would eventually spend time working in Hollywood himself, first as a reluctant studio executive and later as a screenwriter.

Now, with The Golden Hour, Specktor blends memoir, cultural criticism, and narrative history to tell the story of the modern motion picture industry—illuminating the conflict between art and business that has played out over the last seventy-five years in Hollywood. Braiding his own story with that of his father, mother (a talented screenwriter whose career was cut short), and figures ranging from Jack Nicholson to CAA’s Michael Ovitz, Specktor reveals how Hollywood became a laboratory for the eternal struggle between art, labor, and capital.

Beginning with the rise of Music Corporation of America in the 1950s, The Golden Hour lays out a series of clashes between fathers and sons, talent agents and studio heads, artists, activists, unions, and corporations. With vivid prose and immersive scenes, Specktor shows how Hollywood grew from the epicenter of American cultural life to a full-fledged multinational concern—and what this shift has meant for the nation’s place in the world. At once a book about the movie business and an intimate family drama, The Golden Hour is a sweeping portrait of the American Century.

Entertainment & Celebrities Entertainment & Performing Arts Film & TV History & Criticism
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The sound editing was clipped at the start of each chapter and crucially- at the end - ‘the child is …..’? The words were lost, so the start of the chapter sounded like ‘Hapter’ and if the presenter began by speaking about ‘Bob’ it sounded like ‘Ob’. This was irritating to me, a former BBC. journalist at Radio Bristol.This despite several credits for sound engineering at the end. I have listened to Audible a lot and never heard a production with this fault. Despite this I enjoyed this story about the life behind the scenes in Hollywood. Quite a lot of philosophysing and over-writing with too much detail. Some amusing name- dropping, for example Marlon Brando. Occasional use of puzzling abbreviations, particularly for UK listeners, I never did work out what the CAA was. Sometimes characters were introduced without enough introduction- Amir, the suicide bomber walked onto the pages of a family story about Hollywood without any context. So if you are interested in how Hollywood works you will enjoy it and the presentation is fine despite the use of words like leverage. But the sound production seems not to have been double checked before release?

Poor sound editing affected my enjoyment

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Really good insight into the engine room of entertainment, with honest family background warts’n all.

Great storytelling

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