The Fortune Men
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Narrated by:
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Hugh Quarshie
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By:
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Nadifa Mohamed
About this listen
Brought to you by Penguin.
SHORTLISTED FOR THE BOOKER PRIZE 2021 & THE COSTA NOVEL AWARD 2021
Mahmood Mattan is a fixture in Cardiff's Tiger Bay, 1952, which bustles with Somali and West Indian sailors, Maltese businessmen and Jewish families. He is a father, chancer, some-time petty thief. He is many things, in fact, but he is not a murderer.
So when a shopkeeper is brutally killed and all eyes fall on him, Mahmood isn't too worried. It is true that he has been getting into trouble more often since his Welsh wife Laura left him. But Mahmood is secure in his innocence in a country where, he thinks, justice is served.
It is only in the run-up to the trial, as the prospect of freedom dwindles, that it will dawn on Mahmood that he is in a terrifying fight for his life - against conspiracy, prejudice and the inhumanity of the state. And, under the shadow of the hangman's noose, he begins to realise that the truth may not be enough to save him.
'Chilling and utterly compelling, The Fortune Men shines an essential light on a much-neglected period of our national life' Sathnam Sanghera, author of Empireland
'A writer of great humanity and intelligence. Nadifa Mohamed deeply understands how lives are shaped both by the grand sweep of history and the intimate encounters of human beings' Kamila Shamsie, author of Home Fire
'A novel of tremendous power, compassion and subtlety, it feels unsettlingly timely' Pankaj Mishra
© Nadifa Mohamed 2021 (P) Penguin Audio 2021
Critic reviews
Grippingly-paced and full of complex, richly-drawn characters, the novel combines pointed social observation with a deeply empathetic sensibility. The Fortune Men demonstrates what historical fiction can achieve at its best
(Maya Jasanoff, Chair of the Booker Prize 2021)A fabulous true story
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One criticism of the book was how harshly the author described the other black characters in the book from other cultures. She wrote them hatefully whilst seeming to write white characters even with their prejudices lovingly and with forgiveness. Many Black writers never truly see their own internalised anti-black prejudices even when they’re writing about racism. Funny thing that. Even when the Jamaican man came
Forward decades later to help with the case, the writer never wrote him with a redeeming tone. She almost dismisses his change of heart which is much more than Mohammad’s own Somali community did for him.
Still an important book nonetheless
An important story
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Historical miscarriage of justice
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Such a great listen
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Narrator butchers the key Somali phrases
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