gentle romance begins innocently enough in the stalls of a London theatre where Catherine is enjoying her ninth and Christopher his thirty-sixth visit to the same play. He is a magnificent young man with flame-coloured hair. She is the sweetest little thing in a hat. There is just one complication: Christopher is 25, while Catherine is just a little bit older. Flattered by the passionate attentions of youth, Catherine, with marriage and motherhood behind her, is at first circumspect, but finally succumbs to her lover's charms.

Beautiful, sophisticated and endlessly ambitious Lily Bart endeavours to climb the social ladder of New York's elite by securing a good match and living beyond her means. Now nearing 30 years of age and having rejected several proposals, forever in the hope of finding someone better, her future prospects are threatened. A damning commentary of 20th-century social order, Edith Wharton's tale established her as one of the greatest British novelists of the 1900s.

The discreet advertisement in The Times, addressed 'To Those who Appreciate Wistaria and Sunshine', offers a small medieval castle for rent, above a bay on the Italian Riviera. Four very different women - the dishevelled and downtrodden Mrs Wilkins, the sad, sweet-faced Mrs Arbuthnot, the formidable widow Mrs Fisher and the ravishing socialite Lady Caroline Dester - are drawn to the shores of the Mediterranean that April. As each, in turn, blossoms in the warmth of the Italian spring and finds their spirits stirring, quite unexpected changes occur. 

Dr Wortle's School introduces the unassuming Mr. Peacocke and his polite, newly-wed bride, as they join the teaching staff of an elite and exclusive Christian boys' school. Dr. Wortle, a devoted English scholar and the headmaster of the seminary academy, welcomes his two new teachers, confident that they will uphold the high standards of education at the school.

Since her mother's death, Jennifer has devoted years of her life to her father, managing the family home. After the sudden announcement that he has taken a new wife, Jennifer, at 33, seizes the opportunity to lead an independent life. Quickly she secures the lease of Rose Cottage and turns her attention to her own interests. While Jennifer is desperate to experience life on her own terms within her reduced financial means, her neighbour, Alice, is pre-occupied with ensuring her position as head of her brother's household is never challenged. 

Miss Pettigrew is a down-on-her-luck, middle-aged governess sent by her employment agency to work for a nightclub singer rather than a household of unruly children. Over a period of 24 hours, as she becomes caught up in the life of Delysia LaFloss, her own life is changed - forever. This charming, funny, light-hearted 1938 novel was a bestseller on its first appearance. Read by Academy Award winning actress Frances McDormand, who stars in the 2008 film as Miss Pettigrew.

Charlotte Dean enjoys nothing more than the solitude of her London flat and the monotonous days of her work at a travel bookshop. But when her younger sister unceremoniously bursts into her quiet life one afternoon, Charlotte's world turns topsy-turvy. Beloved author D. E. Stevenson captures the intricacies of post-World War I England with a light, comic touch that perfectly embodies the spirit of the time. Alternatively heartbreaking and witty, The Young Clementina is a touching tale of love, loss and redemption through friendship.

Frances Hodgson Burnett published The Making of a Marchioness in 1901. She had written Little Lord Fauntleroy 15 years before and would write The Secret Garden in 10 years' time; it is these two books for which she is best known. Yet Marchioness was one of Nancy Mitford's favourite books, was considered 'the best novel Mrs Hodgson Burnett wrote' by Marghanita Laski, and is taught on a university course in America together with novels such as Pride and Prejudice, Jane Eyre, and Daisy Miller.

It's not easy being a Provincial Lady in Devonshire in the 1920s, juggling a grumpy husband, mischievous children and a host of domestic dilemmas - from rice mould to a petulant cook. But this Provincial Lady will not be defeated; not by wayward flower bulbs, not by unexpected houseguests, not even by the Blitz. She will continue to preside over the W.I., endure rain-drenched family picnics and succeed as a published author, all the while tending to her strawberries.

Fairacre is a village of cottages, a church and the school - and, at the heart of the school, its head mistress Miss Read. Through her discerning eye, we meet the villagers of Fairacre and see their trials and tribulations, from the irascible school cleaner Mrs Pringle, to the young school children, with their scraped knees, hopeful faces and inevitable mischief.

Laugh-out-loud funny and deeply touching, Beth Hoffman's sparkling debut is, as Kristin Hannah says, "packed full of Southern charm, strong women, wacky humor, and good old-fashioned heart." It is a novel that explores the indomitable strengths of female friendship and gives us the story of a young girl who loses one mother and finds many others.

The Old Wives' Tale is broken up into four parts, and the lives of two sisters are laid bare: one timid and unassuming, the other romantic and adventurous. From working as children in their family's drapery shop to their later years, Constance and Sophia's journey through life could not be more different. While one travels the world and defies male expectations, the other becomes a dutiful wife and mother.

Barbara Pym is one of the 20th-century's wittiest, and most underrated, novelists. Her perceptive comedies of manners, centred around the domestic lives and loves of unassuming middle-class Englishwomen, won her many devoted readers and saw her hailed as a modern-day Jane Austen. Yet she spent 15 years out of print in the 1960s and '70s, until Philip Larkin championed her work in the Times Literary Supplement. Her seventh novel was subsequently shortlisted for the Booker Prize, and writers from Jilly Cooper to Alexander McCall Smith continue to laud her talent today. 

Anne and Edmund Cornhill have a happy marriage and a charming house. They are content, complete, absorbed in their private idyll. Arabella, who comes to stay one lazy summer, is rich, rootless and amoral - and, as they find out, beautiful and loving.With her elegant prose the author traces the web of love and desire that entangles these three; but it is Arabella who finally loses out.

The orphaned heroine Ruth, apprenticed to a dressmaker, is seduced by wealthy Henry Bellingham who is captivated by her simplicity and beauty. Their affair causes her to lose her home and job to which he offers her shelter, only to cruelly abandon her soon after. She is offered a chance of a new life though shamed in the eyes of society by her illegitimate son. When Henry reappears offering marriage she must choose between social acceptance and her own pride.