The Dutch House
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Buy Now for £12.99
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Narrated by:
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Tom Hanks
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By:
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Ann Patchett
About this listen
Bloomsbury presents The Dutch House by Ann Patchett, read by Tom Hanks.
Lose yourself in the story of a lifetime – the unforgettable Sunday Times bestseller
‘Patchett leads us to a truth that feels like life rather than literature’ Guardian
Nominated for the Women’s Prize 2020
A STORY OF TWO SIBLINGS, THEIR CHILDHOOD HOME, AND A PAST THAT THEY CAN’T LET GO.
Like swallows, like salmon, we were the helpless captives of our migratory patterns. We pretended that what we had lost was the house, not our mother, not our father. We pretended that what we had lost had been taken from us by the person who still lived inside.
In the economic boom following the Second World War, Cyril Conroy's real estate investments take his family from poverty to enormous wealth. With it he buys the Dutch House, a lavish mansion in the Philadelphia suburbs. Meant as a surprise for his wife, the house sets in motion the undoing of everyone he loves.
Danny Conroy grows up in the opulence of the Dutch House. Though his father is distant and his mother is absent, Danny has his beloved sister Maeve: Maeve, with her wall of black hair, her wit, her brilliance. The siblings grow and change as life plays out under the watchful eyes of the house’s former owners, in the frames of their oil paintings.
Then one day their father brings home Andrea, a new stepmother. Though they cannot know it, her arrival to the Dutch House sows the seed of the defining loss of Danny and Maeve’s lives: exiled from the house and tossed back into the poverty from which their family rose, Danny and Maeve have only each other to count on.
‘The best book I’ve read in years’ Rosamund Lupton
‘Her finest novel yet’ Sunday Times
‘The buzz around The Dutch House is totally justified. Her best yet, which is saying something’ John Boyne
‘A masterpiece’ Cathy Rentzenbrink
‘Bliss’ Nigella Lawson
The Dutch House itself is in some ways the main character. The massive 1920s villa with its marble Vermeer-like checked floors, vast rooms, Delft decorations and vast rooms is acquired by Cyril Conroy in 1946 when the Dutch owners go bankrupt leaving behind the house, crammed with its treasures. By the end of the novel, generations have grown, and the hosue remains as powerful as ever.
Brimming with pride, Cyril displays the mansion to his new wife, Elna. She hates it, can't bear the willing house servants, the children's nanny, the opulence of it. Apparently saintly and ascetic, she abandons her children, Danny and his adored elder sister Maeve to devote herself to serving the poor in India.The children believe she is dead.
Cyril brings a woman into the household: Andrea, an avaricious young woman who, like Cyril, dislikes children. Cyril marries her, not because he loves her, but because she 'lingered like a virus' and he hadn't the strength to get rid of her. As the subsequent complex sagas of Danny and Maeve unfold in multi-layered realism, the fairy tale elements become more obvious: the wicked stepmother; the forbidding house of mysteries; a lost mother. Other themes are also explored, most importantly the complex contradictory quality of sainthood (why are saints never saints to their families?), and of the possibiloty of restoration and forgiveness.
The ending takes the fairy tale element too far, I think - just too neat and unlikely - the realism suddenly vanishes. But overall this is a satisfyingly deep excursion into the adult life-paths of children blighted by the mis-judgements and errors of others.
The story is told by Danny Conroy and Tom Hanks makes a very good, convincing job of sounding wholly. real.
Recommended.
Can you forgive her?
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My book of the year: doubt anything will better it
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Perfect combination ........
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Beautiful
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Very Engaging
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