The Devil You Know
Felix Castor, Book 1
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Narrated by:
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Michael Kramer
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By:
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Mike Carey
About this listen
Felix Castor is a freelance exorcist, and London is his stamping ground. At a time when the supernatural world is in upheaval and spilling over into the mundane reality of the living, his skills have never been more in demand. A good exorcist can charge what he likes - and enjoy a hell of a lifestyle - but there's a risk: sooner or later he's going to take on a spirit that's too strong for him.
After a year spent in 'retirement', Castor is reluctantly drawn back to the life he rejected and accepts a seemingly simple exorcism case - just to pay the bills, you understand. Trouble is, the more he discovers about the ghost haunting the archive, the more things don't add up. What should have been a perfectly straightforward exorcism is rapidly turning into the Who Can Kill Castor First Show, with demons, were-beings and ghosts all keen to claim the big prize.
But that's okay; Castor knows how to deal with the dead. It's the living who piss him off....
2006, Goss First Novel Award, Short-listed
©2007 Mike Carey (P)2018 Little, Brown Book GroupAfter the first book, I liked the author´s style. The detective plotline was intriguing, I liked the setting and it kinda reminded me of my beloved Dresden Files.
But the more books I read, the more disappointed I became.
1) The characters fail to get any real depth, I found it really hard to connect with them or even like them. They do not evolve, they do not change, they do not have any real...well character.
2) Felix Castor NEVER goes to the hospital when he is hurt or reports anything to the police. Why the hell? He is not even a private detective. And he is just a human (who is nearly dying sometimes)! This simply doesn´t make sense.
3) The books feel like action pumped scenes put together - there is no time to slow down, observe the emotions or thoughts of the characters. It is just bam-bam-bam. Action, action, small talk, action. It almost feels as if the author wrote the scenes apart and then arranged them somehow in order - not managing to reflect in them the mindset or physical health of characters, as it changes during the course of events.
4) Felix is almost never wrong, always gets all the slightest nudges, knows when someone is lying, etc even though we as readers have no idea how he came to this revelation. I found that frustrating.
I loved many of the authors' ideas. I am still curious how the world will evolve in the next books.
But I´ve simply had enough.
I´m not saying the books are bad. They just didn't work for me.
Rating first three Felix Castor books together
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Don’t let the thought of him being an exosist put you off as there are flashes of humour and the story’s zoom along at a fantastic pace. Which I found me lurching from book to book. Highly recommended
The devil indeed
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great story, wrong voiceover artist?
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I'm really surprised that Mike Carey (author) allowed this narration to go ahead in this way, but if I give him the benefit of the doubt maybe he thinks this is the perfect realisation of his character. In which case I am worried about what else I have failed to understand of this marvellous character and series.
Felix Castor (lead character) is supposed to have grown up on a council estate in Liverpool. This is made clear in the first book and it is one of the major themes of the fourth book in the series, so this is an inescapable fact.
Felix Castor is then supposed to have got into Oxford University, leaving before completing his degree and moving to London. Of course, this is not impossible, but Felix seems to have totally lost his Liverpudlian accent and acquired a very odd, upper class, pastiche accent that sounds like a cross between a character from Downton Abbey (above stairs) and Dynasty (the original 1980's series).
There are some pronunciations that could perhaps be forgiven as being how a Liverpool council estate boy would pronounce a word that he's only ever seen written down before as he desperately tried to sound more posh than he actually is. It's possible that there is an almost Nancy Mitford-esque U / non-U backstory to this aspect of the accent. However, there are also some mispronunciations where it is clear that the American narrator is speaking a foreign language; the pronunciation of co-codamol or corgi, for example, these are so glaring that they trip up the flow of the story.
Michael Kramer (narrator) certainly has a mellifluous voice, but the characterisation created a Lord Peter Wimsey type character who could easily sell Grey Poupon mustard, rather than the abrasive, iconoclast I envisaged.
Great story, significant issues with the narration
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Awful choice of narrator
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