The Crow Girl
A dark and disturbing thriller, now a major TV series
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Narrated by:
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Gabrielle Glaister
Summary
THE INTERNATIONAL SENSATION
It starts with just one body – tortured, mummified and then discarded.
Its discovery reveals a nightmare world of hidden lives. Of lost identities, secret rituals and brutal exploitation, where nobody can be trusted.
This is the darkest, most complex case the police have ever seen.
This is the world of the Crow Girl.
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Critic reviews
Compelling... we are left gasping for breath
A compulsive page-turner... ridiculously entertaining
There's a fantastic twist... the pace of its revelations [is] relentless
Dark, powerful, disturbing
The best crime novel of the year so far
A breakneck journey through a plot of labyrinthine complexity... Sund boldly places dissociative identity disorder…at the heart of this extremely disturbing novel. (Joan Smith)
A dark and brutal read that addresses violence perpetuated by women. Snappy writing makes this a page-turning thriller
Creepy is elevated to an art form in this tale of dysfunctional characters, peppered with paedophilia, guilt, pain, powerlessness, denial and betrayal... The subject matter makes for harrowing reading at times, but skilfully escalating suspense keeps you hooked all the way
A pulse-pounding thriller that manages to linger on character depth and puts an emphasis on supporting characters that are usually given short shrift. With its heady mix of graphic violence, noirish thrills and social commentary, the book is a must-read for Scandinavian crime fiction enthusiasts….a huge book and a landmark achievement
Tipped to make a killing
Good story, but not for the faint-hearted
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Steady burn
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Good story, poor Swedish.
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What a marathon
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I managed twenty two hours but when yet another introspective thought process was read by the narrator (one who constantly failed to lift the story above the mundane), I threw in the towel and moved on.
Cliff hangers there are none. It is monotonic and, well, not very well written. Every time I came back to it I thought ‘here we go again’ which is not the attitude I want when listening to a book.
It wasn’t nearly as explicit or gruesome as some reviews had led me to believe, but maybe that’s just me. Or maybe all those scenes happen after twenty two hours, I’ll never know, and don’t really care.
As you can probably gather I didn’t like this. I didn’t hate it, I was just disappointed that I spent twenty two hours trying hard, but failing, to become involved in what turned out to be something and nothing.
Overly long and rather tedious
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