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The Buried City

Unearthing the Real Pompeii - the Instant Sunday Times Bestseller

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The Buried City

By: Gabriel Zuchtriegel, Jamie Bulloch - translator
Narrated by: Nick Biadon
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About this listen

**THE INSTANT SUNDAY TIMES BESTSELLER FROM THE DIRECTOR GENERAL OF POMPEII**

'The best book on Pompeii I've ever read' STEPHEN FRY

'An essential read for anyone interested in this extraordinary place' TELEGRAPH

'Brilliant' TOM HOLLAND

A vast area of Pompeii is being excavated for the first time, revealing astonishing insights into how people really lived. In this revelatory new history, Director of Pompeii Gabriel Zuchtriegel shares the untold stories that are at last emerging.

Pompeii is a world frozen in time. There are unmade beds, dishes left drying, tools abandoned by workmen, bodies embracing with love and fear. And alongside the remnants of everyday life, there are captivating works of art: lifelike portraits, exquisite frescos and mosaics, and the extraordinary sculpture of a sleeping boy, curled up under a blanket that's too small.

The Buried City reconstructs the catastrophe that destroyed Pompeii on 24 August 79 CE, but it also offers a behind-the-scenes tour of the city as it was before: who lived here, what mattered to them, and what happened in their final hours. It offers us a vivid sense of Pompeii's continuing relevance, and proves that ancient history is much closer to us than we think.

'A fascinating new book about what we are still learning about this most haunting of all lost cities... deeply moving' MAIL ON SUNDAY

'Makes the familiar magical' DAN SNOW©2025 Ullstein Buchverlage GmbH
Ancient Archaeology Rome Ancient History

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Critic reviews

'[Gabriel] has written an essential read for anyone interested in this extraordinary place - or indeed anyone interested in running an organisation with baggage. He has a light touch, yet is philosophically challenging.'
'A fascinating new book about what we are still learning about this most haunting of all lost cities... the discoveries will continue for many years yet. And they can be as deeply moving as any film or novel.' (Christopher Hart)
'This is not just the best book on Pompeii I've ever read - it's the best book on the glorious realities of archaeology itself. Gabriel Zuchtriegel will surely inspire a whole new generation in the field with his blend of knowledge, experience and boundless passion. It has left me panting to revisit Pompeii with the new, excited eyes that this magnificent book has given me.' (STEPHEN FRY)
'Zuchtriegel makes the familiar magical. He challenges us to transform our relationship with the past, and shows us a new, far more satisfying, way to think about Pompeii and its people.' (DAN SNOW)
A brilliant account of the latest discoveries at Pompeii and a deeply personal celebration of the inherent fascination of antiquity. (TOM HOLLAND, author of PAX and DOMINION)
Fantastic! Hugely informative, clever, thoughtful and playful (NATALIE HAYNES, author of DIVINE MIGHT and PANDORA'S JAR)
In The Buried City, the director of Pompeii, Gabriel Zuchtriegel, reveals the latest archaeological finds to show what life was like in AD79 before Vesuvius erupted...What is special about Pompeii, Zuchtriegel says, is not its temples or theatres but its workshops, taverns, baths and bordellos, the unmade beds and uneaten meals, the lives, high and low, interrupted suddenly when the mountain exploded. All human life is there... Zuchtriegel speaks up for the under-privileged, including today... fascinating and well argued.
The everyday is his highest art. This book has an honestly expressed aim to encourage readers to bring their whole selves into their thinking about Pompeii... There is much charming chatter in The Buried City as well as learned disquisition, always lightly delivered, and a powerful sense of a man grappling with what we can take from antiquity.
A thoughtful, revelatory and above all deeply human account of life - and death - by the director of the most awe-inspiring archaeological site on the planet. Zuchtriegel describes the realities of his profession with such honesty and verve. (DAISY DUNN, author of IN THE SHADOW OF VESUVIUS: A LIFE OF PLINY)
An exceptionally moving and thought provoking book, it reads as a conversation with the past, and leads you to reflect on how that conversation changes with each generation. The Buried City is a deeply moving examination of the lives of ordinary people in Pompeii through the extraordinary objects discovered there, it is also a beautiful reflection on what Pompeii can tell us about ourselves. (ELODIE HARPER, author of the WOLF DEN trilogy)
All stars
Most relevant
just seems to be more about the author than Pompeii. Some might like that, but I wanted a book about Pompeii, not an archaeologist.

less Pompeii, more the author

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This is, frankly, a book that could have been written by anyone with a modest grasp of Pompeii. It offers not a single crumb of new information, no fresh perspective, and nothing of substance that hasn’t been said countless times before. Strangely, it includes a disproportionate amount of biographical detail about the author—neither particularly interesting nor relevant for readers hoping to delve deeper into Pompeii itself.

The book meanders without any clear sense of purpose. It strings together a handful of stories, none of which are told with any particular flair or narrative skill. By the time one reaches the end, it’s hard to shake the feeling that the entire journey has been random, meandering, and ultimately pointless.

And now, to top it all off, we have Stephen Fry quoted as saying this is the best book on Pompeii he’s ever read. Stephen Fry?! This has to be a joke… or a typo… or perhaps Stephen, for all his classical enthusiasm, has somehow never read a single other book on Pompeii. One hesitates to say it, but it does have the distinct whiff of mates backing mates.

What’s most astonishing is that this was written by the current director of the site. One would expect far more insight, originality, and depth from someone in such a privileged position. Instead, we’re left with a mediocre, uninspired piece of work—something that many others working on or around Pompeii could have vastly improved upon, had they been given the platform.

Sadly, this feels more like a book that exists because of the author’s role, not because of the merit of its content. A deeply disappointing read for anyone hoping for something meaningful, revelatory, or remotely compelling. Stephen, blink twice if you're OK.

Disappointingly Aimless and Self-Indulgent

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From the preface I thought it would be brilliant but I found it annoyingly self- promoting with some settling of scores. I was hoping to learn about Pompeii and the challenges of managing it but we only got glimpses

Self-serving

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