The Bewitching
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Narrated by:
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Daphne Kouma
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Jilly Bond
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By:
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Jill Dawson
About this listen
A dazzling, shocking novel that speaks to our times, drawing on the 16th-century case of the witches of Warboys.
Alice Samuel might be old and sharp-tongued, but she's no fool. Visiting her new neighbours in her Fenland village, she suspects Squire Throckmorton's household is not as God-fearing as it seems and finds the children troubled. What she cannot foresee is that all five daughters will succumb in turn to a terrifying affliction and accuse her of witchcraft—who else to blame than an ugly, black-capped woman with mysterious healing skills?
The Throckmortons' maid Martha, uncomfortably aware of strange goings-on in the household herself, is reluctant to believe that Alice is a witch. Yet visiting scholars attracted by the news are convinced, evidence mounts and soon the entire village is swept up in the frenzied persecution of one of their own community.
Exploring a neglected episode in English history to powerful effect, The Bewitching chillingly conveys the brutal tribalism that can erupt in a closed society and how victims can be made to believe in their own wickedness.
©2022 Jill Dawson (P)2022 Hodder & Stoughton LimitedHeart-rending story of a real witch trial
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Unfortunately, she didn't seem to read an excellent research on the trial by P.C.Almond "The Witches of Warboys: an extraordinary story of sorcery, sadism and satanic possession". In this book, also based on the pamphlet, the author says that the afflicted girls often said "The spirit says "If Alice says this phrase "I am a witch and I bewitched the girls, and now I un-witch them and command the spirit to leave them", they would leave us alone". Poor Alice repeated the phrase, obviously incriminating herself in doing so (and that must have been apparent to the girls), and, naturally, the girls were ok, for a time being. She didn't mention that the girls in the real story often whispered to each other and collaborated to stage their fits, such as they said if they go to the next room, they will have a fit, were asked by the exasperated adults not to do it, did it anyway and - hey presto! - delivered a promised fit.
Now, if Jill Dawson put THAT in her book, then all the modern nonsense about (spoiler alert!) a girl being sexually abused by her father - as an explanation to why this was happening - wouldn't stand a chance. In fact, this is a very modern notion and as such should not be applied to any interpretation of the past. So this is my main disappointment with the book which claims to be based on the real story. The author chose the notion that predatory perverts existed in all times, but this is not the story to put them in.
The book is beautifully written, one can even almost not notice the modern writing gimmick of writing in the present sense. However, in my 7 years experience of real open fires, I have never seen or heard a log to "snap" (a twig could); neither is a squire a "position" to be given. In Tudor days squire was a social position, not a job to be given.
So, it could have been a much better book, exploring collective bullying of an easy target, and the higher social position of the accusers, even as children, meaning death sentence for poorer, less articulate neighbours.
Missed opportunity
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I felt horror, anger and sympathy for Alice. I felt she beautifully portrayed by the author.
Her appearance on Not Just the Tudors from History Hit podcast. The Witches of Warboys: A Novel Retelling about this book is definitely worth a listen.
Narrated beautifully.
Brilliant and moving
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Repetitive, empty, boring
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Would of preferred to return it rather than waste my credit.
Nothing!
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