Tales from Ovid

From his remarkable debut The Hawk in the Rain (1957) to his death in 1998, Ted Hughes was a colossal presence in the English literary landscape. He was also admired as a performer of his own work. Crow is one of his most significant collections, focusing on the central figure of the crow - predatory, mocking and indestructible. Crow is read here by the author in its entirety and with narrative links not included in the published text.

Seamus Heaney’s new translation of Beowulf is a work that is both true to the original poem and an expression of something fundamental to Heaney’s own creative gift.One of the great classics of English literature, it tells the story of a hero who wins glory and learns wisdom and is then called upon to face a final test against the monstrous. There are obvious parallels to be found in the history of the twentieth century, and Heaney’s Beowulf cannot fail to be read partly in the light of his Northern Irish upbringing. But it also transcends such considerations, revealing psychological and spiritual truths that are both permanent and liberating.

'The Waste Land' is a landmark in 20th-century poetry. Here it is read by the late Poet Laureate Ted Hughes. Published in 1922, it is a brilliant exploration of a faithless, immoral society trying to rebuild itself after the devastation of the Great War. Rich in literary references and steeped in allusive and evocative imagery, 'The Waste Land' is widely considered to be the pinnacle of modernist poetry.

From his remarkable debut The Hawk in the Rain (1957) to his death in 1998, Ted Hughes was a colossal presence in the English literary landscape. He was also admired as a performer of his own work. In this 1994 recording, The Thought-Fox and Other Poems, he reads a selection of poems from The Hawk in the Rain, Lupercal, Wodwo, Crow, Moortown, Cave Birds, Season Songs, Earth-Numb and New Selected Poems.

The landmark selection of poems from the greatest poet of our age, read on audio by Seamus Heaney himself. 'His is "close-up" poetry - close up to thought, to the world, to the emotions. Few writers at work today, in verse or fiction, can give the sense of rich, fecund, lived life that Heaney does.(John Banville )More than any other poet since Wordsworth he can make us understand that the outside world is not outside, but what we are made of. (John Carey)

The Metamorphoses by Publius Ovidius Naso (43 B.C. - A.D. 17) has, over the centuries, been the most popular and influential work from our classical tradition. This extraordinary collection of some 250 Greek and Roman myths and folk tales has always been a popular favorite, and has decisively shaped western art and literature from the moment it was completed in A.D. 8. The stories are particularly vivid when read by David Horovitch, in this new lively verse translation by Ian Johnston.

Originally broadcast on BBC Radio 4, Jeremy Irons' perceptive reading illuminates the poetry of T. S. Eliot in all its complexity. Major poems range from 'The Love Song of J. Alfred Prufrock' through the post-war desolation of 'The Waste Land' and the spiritual struggle of 'Ash-Wednesday', to the enduring charm of 'Old Possum's Book of Practical Cats'.

The sixth book of Virgil's Aeneid, in which Aeneas travels into the underworld to meet the spirit of his father, is a story that captivated Seamus Heaney from his schooldays. But the work took on a special significance for him after the death of his own father, becoming a touchstone to which he would return as an adult. His noble and moving translation of book VI bears the fruit of a lifetime's concentration upon it: he began translating passages in the 1980s and was finalising the work right up to the summer of his death.

In words remarkable for their richness of rhythm and imagery, Milton tells the story of man's creation, fall, and redemption, "to justify the ways of God to men". Here, unabridged, and told with exceptional sensitivity and power by Anton Lesser, is the plight of Adam and Eve, the ambition and vengefulness of Satan and his cohorts.

The masterpiece of Rome's greatest poet, Virgil's Aeneid has inspired generations of readers and holds a central place in Western literature. The epic tells the story of a group of refugees from the ruined city of Troy, whose attempts to reach a promised land in the West are continually frustrated by the hostile goddess Juno. Finally reaching Italy, their leader, Aeneas, is forced to fight a bitter war against the natives to establish the foundations from which Rome is destined to rise.

A magisterial life of Ted Hughes - identified recently as the only English poet since the First World War with a claim to true greatness and one of Britain's most important writers - to be published on National Poetry Day by prize-winning biographer Jonathan Bate. Ted Hughes, Poet Laureate, was one of the greatest writers of the 20th century. He is one of Britain's most important poets, a poet of claws and cages: Jaguar, Hawk and Crow. Event and animal are turned to myth in his work.

In over 30 essays, written over 20 years, one of the world's great storytellers meditates on the art of storytelling. Warm, engaging and often amusing collection of writing which offers thoughts on a wide variety of topics, including the origin and composition of Philip's own stories, the craft of writing and the storytellers who have meant the most to Philip. The art of storytelling is everywhere present in the essays themselves, in the instantly engaging tone, the vivid imagery and striking phrases, the resonant anecdotes, the humour and learnedness.

Alan Bennett's selection of English verse by his favourite poets: Thomas Hardy, A.E. Housman, W.H. Auden, Louis MacNeice, and Philip Larkin is accompanied by his own enlivening commentary and was recorded before a live audience. In this personal anthology, Alan Bennett has chosen more than seventy poems by six well-loved poets, discussing the writers and their verse in his customary conversational style through anecdote, shrewd appraisal and spare but telling biographical detail.

Stephen Fry believes that if you can speak and read English, you can write poetry. But it is no fun if you don't know where to start or have been led to believe that anything goes. Stephen, who has long written poems, and indeed has written long poems, for his own private pleasure, invites you to discover the incomparable delights of metre, rhyme and verse forms.

"Abandon all hope you who enter here." ( "Lasciate ogne speranza voi ch’intrate.") Dante’s Hell is one of the most remarkable visions in Western literature. An allegory for his and future ages, it is, at the same time, an account of terrifying realism. Passing under a lintel emblazoned with these frightening words, the poet is led down into the depths by Virgil and shown those doomed to suffer eternal torment for vices exhibited and sins committed on earth.