Penguin presents the unabridged, downloadable audiobook edition of Hot Milk by Deborah Levy, read by Romola Garai. Two strangers arrive in a small Spanish fishing village. The older woman is suffering from mysterious paralysis, driven to seek a cure beyond the bounds of conventional medicine. Her daughter, Sofia, has spent years playing the reluctant detective in this mystery, struggling to understand her mother's illness.

Penguin presents the audiobook edition of The Unloved by Deborah Levy. A group of hedonistic West European tourists gather to celebrate Christmas in a remote French chateau. Then an Englishwoman is brutally murdered, and the sad, eerie child Tatiana declares she knows who did it. The subsequent inquiry into the death proves to be more of an investigation into the nature of love, insatiable rage and sadistic desire. The Unloved offers a bold and revealing look at some of the events that shaped European and African history and the perils of a future founded on concealed truth.

In the wake of family collapse, a writer and her two young sons move to London. The process of upheaval is the catalyst for a number of transitions - personal, moral, artistic, practical - as she endeavours to construct a new reality for herself and her children. In the city she is made to confront aspects of living she has until now avoided and to consider questions of vulnerability and power, death and renewal, in what becomes her struggle to reattach herself to and believe in life.

In her youth, Tara was wild. She abandoned her loveless marriage to join an ashram, endured a brief stint as a beggar (mostly to spite her affluent parents) and spent years chasing after a dishevelled, homeless 'artist' - all with her young child in tow. Now she is forgetting things, mixing up her maid's wages and leaving the gas on all night, and her grown-up daughter is faced with the task of caring for a woman who never cared for her. 

In this remarkable new collection of essays, writer and critic Olivia Laing brings together a career’s worth of writing about why art - paintings, books, music - really matters. From To the River to The Lonely City, all of Laing’s books have been about the role of art in real lives: how it can help make sense of difficult personal circumstance or show the truth about cruel or unjust political situations.

Outline is a novel in 10 conversations. Spare and lucid, it follows a novelist teaching a course in creative writing over an oppressively hot summer in Athens. She leads her student in storytelling exercises. She meets other writers for dinner. She goes swimming in the Ionian Sea with her seatmate from the place. The people she encounters speak volubly about themselves, their fantasies, anxieties, pet theories, regrets, and longings. And through these disclosures, a portrait of the narrator is drawn by contrast, a portrait of a woman learning to face great a great loss. 

In this vivid and powerful collection of essays, Emilie Pine boldly confronts the past to better understand herself, her relationships and her role in society. She speaks to the business of living as a woman in the 21st century - its extraordinary pain and its extraordinary joy. Tackling subjects like addiction, fertility, feminism and sexual violence, and where these subjects intersect with legislation, these beautifully written essays are at one fascinating and funny, intimate and searingly honest. 

Lizzie Benson slid into her job as a librarian without a traditional degree. But this gives her a vantage point from which to practise her other calling: as an unofficial shrink. For years, she has supported her God-haunted mother and her recovering addict brother. They have both stabilized for the moment, but then her old mentor, Sylvia Liller, makes a proposal. Sylvia has become famous for her prescient podcast, 'Hell and High Water', and wants to hire Lizzie to answer the mail she receives: from left-wingers worried about climate change and right wingers worried about the decline of western civilization.

The Christmas season offers little cheer for Eileen Dunlop, an unassuming yet disturbed young woman, trapped between her role as her alcoholic father's carer and her day job as a secretary at the prison. When the charismatic Rebecca Saint John arrives as the new counsellor at the prison, Eileen is enchanted and unable to resist what appears to be a miraculously budding friendship.

When Lucy wins a place at university, she thinks London will unlock her future. It is a city alive with pop up bars, cool girls and neon lights illuminating the Thames at night. At least this is what Lucy expects, having grown up seemingly a world away in working-class Sunderland, amid legendary family stories of Irish immigrants and boarding houses, now-defunct ice rinks and an engagement ring at a fish market. Yet Lucy's transition to a new life is more overwhelming than she ever expected. 

Over 60 years after Virginia Woolf drowned in the River Ouse, Olivia Laing set out one midsummer morning to walk its banks, from source to sea. Along the way, she explores the roles that rivers play in human lives, tracing their intricate flow through literature, mythology, and folklore. Lyrical and stirring, To the River is a passionate investigation into how history resides in a landscape - and how ghosts never quite leave the places they love.

It’s the year 2000 in a city aglitter with wealth and possibility; what could be so terribly wrong? Our narrator has many of the advantages of life: young, thin, pretty, a recent Columbia graduate, she lives in an apartment on the Upper East Side of Manhattan paid for, like everything else, by her inheritance. But there is a vacuum at the heart of things, and it isn’t just the loss of her parents in college, or the way her Wall Street boyfriend treats her, or her sadomasochistic relationship with her alleged best friend.

1960: The world is dancing on the edge of revolution and nowhere more so than on the Greek island of Hydra, where a circle of poets, painters and musicians live tangled lives, ruled by the writers Charmian Clift and George Johnston, troubled king and queen of Bohemia.

In 1981, Rebecca Solnit rented a studio apartment in San Francisco that would be her home for the next twenty-five years. There, she began to come to terms with the epidemic of violence against women around her, the street harassment that unsettled her, and the authority figures that routinely disbelieved her. That violence weighed on her as she faced the task of having a voice in a society that preferred women to shut up or go away.

Not far from London, there is a village. This village belongs to the people who live in it and to those who lived in it hundreds of years ago. It belongs to England's mysterious past and its confounding present. It belongs to Mad Pete, the grizzled artist. To ancient Peggy, gossiping at her gate. To families dead for generations, and to those who have only recently moved here. But it also belongs to Dead Papa Toothwort who has woken from his slumber in the woods. Dead Papa Toothwort, who is listening to them all.