Penguin presents the audiobook edition of Swimming Home by Deborah Levy, read by Sophie Ward. A poet, his wife, her daughter and their friends arrive at the French Riviera. The prospect of a long hot summer stretches ahead of them. At their villa, they find a body in the swimming pool. But this body is very much alive. It is Kitty Finch: self-proclaimed botanist with lurid green fingernails, avid poetry fan, walking naked out of the water and straight into the centre of their holiday. Why is she there? What does she want from them? And why does the poet's wife invite this beautiful young woman to remain?

Penguin presents the audiobook edition of Beautiful Mutants by Deborah Levy, read by Kristen Atherton. Levy's surreal and artful first novel introduces Lapinski - the manipulative and magical Russian exile who summons forth a number of urban pilgrims in a shimmering contemporary allegory about broken dreams and desires.

Penguin presents the audiobook edition of The Unloved by Deborah Levy. A group of hedonistic West European tourists gather to celebrate Christmas in a remote French chateau. Then an Englishwoman is brutally murdered, and the sad, eerie child Tatiana declares she knows who did it. The subsequent inquiry into the death proves to be more of an investigation into the nature of love, insatiable rage and sadistic desire. The Unloved offers a bold and revealing look at some of the events that shaped European and African history and the perils of a future founded on concealed truth.

Things I Don't Want to Know is the first in Deborah Levy's essential three-part 'Living Autobiography' on writing and womanhood. Taking George Orwell's famous essay 'Why I Write' as a jumping-off point, Deborah Levy offers her own indispensable reflections of the writing life. 

Gabriel is a stranger in a small Breton town. Nobody knows where he came from or why he's here. Yet his small acts of kindness, and exceptional cooking, quickly earn him acceptance from the locals. His new friends grow fond of Gabriel, who seems as reserved and benign as the toy panda he wins at the funfair. But unlike Gabriel, the fluffy toy is not haunted by his past….

Italy in the early 1960s: A dying painter considers the sacrifices and losses that have made him an enigma, both to strangers and those closest to him. He begins his last life painting, using the same objects he has painted obsessively for his entire career - a small group of bottles. In Cumbria thirty years later, a landscape artist - and admirer of the Italian recluse - finds himself trapped in the extreme terrain that has made him famous.

In 1963, Annie Ernaux, 23 and unattached, realizes she is pregnant. Shame arises in her like a plague: Understanding that her pregnancy will mark her and her family as social failures, she knows she cannot keep the child. In a France where abortion was illegal, she attempted, in vain, to self-administer the abortion with a knitting needle. Fearful and desperate, she finally located an abortionist and ended up in a hospital emergency ward where she nearly died. In Happening, Ernaux sifts through her memories and her journal entries dating from those days.

Danielle Evans is widely acclaimed for her blisteringly smart voice and X-ray insights into complex human relationships. With The Office of Historical Corrections, Evans zooms in on particular moments and relationships in her characters’ lives in a way that allows them to speak to larger issues of race, culture and history. We meet Black and multi-racial characters who are experiencing the universal confusions of lust and love, and getting walloped by grief - all while exploring how history haunts us, personally and collectively.

After the publication of Outline, Transit and Kudos - in which Rachel Cusk redrew the boundaries of fiction - this writer of uncommon brilliance returns with a series of essays that offers new insights on the themes at the heart of her life's work. Encompassing memoir and cultural and literary criticism, with pieces on gender, politics and writers such as D. H. Lawrence, Olivia Manning and Natalia Ginzburg, this collection is essential reading for our age: fearless, unrepentantly erudite, both startling and rewarding to behold.

Frances is a graduate student spending a summer volunteering in rural France, in the hope that tending vegetables and harvesting honey will distract her from a scandal that drove her out of Paris, her research unfinished and her sense of self unmoored. At the eco-farm Noa Noa, named for his adventures in Tahiti, she comes under the influence of its charismatic and domineering owner, Paul. As his hold over her tightens and her plans come unstuck, she finds herself entangled in a strange, uneven relationship.

The Years is a personal narrative of the period of 1941 to 2006 told through the lens of memory, impressions past and present - even projections into the future - photos, books, songs, radio, television, and decades of advertising and headlines, contrasted with intimate conflicts and written notes from six decades of diaries. Local dialect, words of the time, slogans, brands, and names for ever-proliferating objects are given a voice here. The voice we recognize as the author's continually dissolves and re-emerges.

Stanley Williams, angst-ridden banker and boffin, wonders whether there's more to life than his daily nine-to-five grind. One night he's dragged to a disco at Piccadilly Circus, and there he meets Jessie: artiste, motormouth, ducker and diver. She swoops Stanley out of his soulless life and off on a rollercoaster road trip across Europe, bringing him face to face with a host of forgotten luminaries from the rich mix of Black European history and literature.

Suburban friends fall out after a racist encounter at a birthday party is caught on video and posted on Facebook; an illustrious Manhattan film crew is victim of its own snobbery when its members underestimate a pre-school teacher from the Mid-West; and a group of young writers fight about love and narrative style as they compete for a prestigious bursary.

Owls Do Cry is one of the classics of New Zealand literature, and has remained in print continuously for 50 years. A fiftieth anniversary edition was published in 2007.

The narrator of Assembly is a Black British woman. She is preparing to attend a lavish garden party at her boyfriend's family estate, set deep in the English countryside. At the same time, she is considering the carefully assembled pieces of herself. As the minutes tick down and the future beckons, she can't escape the question: is it time to take it all apart?