Every autumn, John Pentecost returns to the farm where he grew up to help gather the sheep down from the moors for the winter. Very little changes in the Endlands, but this year, his grandfather - the Gaffer - has died and John's new wife, Katherine, is accompanying him for the first time. Each year, the Gaffer would redraw the boundary lines of the village, with pen and paper, but also through the remembrance of tales and timeless communal rituals, which keep the sheep safe from the Devil.

A vitally alive and ever-surprising collection of stories from the Man Booker Prize-shortlisted and Baileys Prize-winning author of How to Be Both and the critically acclaimed Seasonal quartet. Individually lucid and luminous, these tales resonate subtly together. In examining the distances and connections between ourselves and others, expertly inching us closer to the bone, Ali Smith's storytelling has never seemed so necessary, so moving or so joyous. 

Miri thinks she has got her wife back when Leah finally returns after a deep sea mission that ended in catastrophe. It soon becomes clear, though, that Leah may have come back wrong. Whatever happened in that vessel, whatever it was they were supposed to be studying before they were stranded on the ocean floor, Leah has carried part of it with her, onto dry land and into their home. To have the woman she loves back should mean a return to normal life, but Miri can feel Leah slipping from her grasp. 

Winter, with its unsettling blend of the cosy and the sinister, has long been a popular time for gathering by the bright flame of a candle, or the warm crackling of a fire, and swapping stories of ghosts and strange happenings. Now eight best-selling, award-winning authors, master storytellers of the sinister and the macabre bring this time-honoured tradition to vivid life in a spellbinding collection of new and original haunted tales.

Following the accidental drowning of her sister, 16-year-old Nif and her family move to a small village on the Welsh borders to escape their grief. But rural seclusion doesn't bring any relief. As her family unravels, Nif begins to put together her own form of witchcraft, collecting talismans from the sun-starved land. That is, until she meets Mally, a teen boy who takes a keen interest in her and has his own secret rites to divulge.

Eccentric, infamous and exceedingly wealthy, the romantic novelist Cassandra Tipp has, it seems, vanished. In her large, rambling house sits a pile of paper addressed to her niece and nephew. It is a letter. Cassie has been a murder suspect twice in her life. Her family have long been convinced of her guilt. Could the letter be her confession? Or might it be her last will and testament? It turns out to be not quite what anyone expected....

January 1937. Jack Miller has just about run out of options. His shoes have worn through, he can't afford to heat his rented room in Tooting, and he longs to use his training as an specialist wireless operator instead of working in his dead-end job. When he is given the chance to join an arctic expedition, as communications expert, by a group of elite Oxbridge graduates, he brushes off his apprehensions and convinces himself to join them.

Piranesi lives in the House. Perhaps he always has. In his notebooks, day after day, he makes a clear and careful record of its wonders: the labyrinth of halls, the thousands upon thousands of statues, the tides that thunder up staircases, the clouds that move in slow procession through the upper halls. On Tuesdays and Fridays Piranesi sees his friend, the Other. At other times he brings tributes of food to the Dead. But mostly, he is alone.

The lives of the Barretts, a suburban New England family, are torn apart when 14-year-old Marjorie begins to display signs of acute schizophrenia. To her parents' despair, the doctors are unable to halt Marjorie's descent into madness. As their stable home devolves into a house of horrors, they reluctantly turn to a local Catholic priest for help and soon find themselves the unwitting stars of The Possession, a hit reality television show.

Step into the unsettling world of Shirley Jackson this autumn with a collection of her finest, darkest short stories, revealing the queen of American Gothic at her mesmerising best. In the haunting world of Shirley Jackson, nothing is as it seems and nowhere is safe, from the city streets to the country manor and from the small-town apartment to the dark, dark woods.

This is the story of a murderer. A stolen child. Revenge. This is the story of Ted, who lives with his daughter, Lauren, and his cat, Olivia, in an ordinary house at the end of an ordinary street. All these things are true. And yet some of them are lies. You think you know what's inside the last house on Needless Street. You think you've come across this story before. In the dark forest at the end of Needless Street, something lies buried. But it's not what you think.

When Nate's father dies, he leaves behind a final gift for his son: his childhood home. Married now, Nate decides to move in with his wife, Maddie, and their son, Oliver, seeking peace from the chaos of the city. But it doesn't take long before things get strange in the night and even stranger by day. Because Nate was a child being abused by his father and has never told his family. Because Maddie was a little girl who saw something she shouldn't have. Because something sinister walks in the tunnels and the mountains and the coal mines of this town in rural Pennsylvania.

A farmhouse is being reproduced a dozen times, with slight variations, throughout a valley. Three small graves have been dug in the front garden, the middle one lying empty. A woman in a wheelchair sorts through boxes while her husband clambers around the old demolished buildings, wondering where the animals have gone. A young woman – called ‘the barren one’ behind her back – dreams of love, while an ageing headmaster contemplates the end of his life. 

A Daphne du Maurier-esque chiller set on the mysterious Cornish coast from the author of The Silent Companions and The Corset. Consumption has ravaged Louise Pinecroft’s family, leaving her and her father alone and heartbroken. But Dr Pinecroft has plans for a revolutionary experiment: convinced that sea air will prove to be the cure his wife and children needed, he arranges to house a group of prisoners suffering from the same disease in the cliffs beneath his new Cornish home.

The grieving widower. The motherless daughters. A beautiful house in the woods. Deep in a remote Norwegian forest, Lexi has found a new home with architect Tom and his two young daughters. With snow underfoot and the sound of the nearby fjord in her ears, it’s as if Lexi has stepped into a fairy tale. But this family has a history – and this place has a past. Something was destroyed to build their beautiful new house. And those ancient, whispering woods have a long memory. Lexi begins to hear things, see things that don’t make sense.