Ava, newly arrived in Hong Kong from Dublin, spends her days teaching English to rich children. Julian is a banker. A banker who likes to spend money on Ava, to have sex and discuss fluctuating currencies with her. But when she asks whether he loves her, he cannot say more than 'I like you a great deal'. Enter Edith, a lawyer. Refreshingly enthusiastic and unapologetically earnest, Edith takes Ava to the theatre when Julian leaves Hong Kong for work. Quickly, she becomes something Ava looks forward to. And then Julian writes to tell Ava he is coming back to Hong Kong....

Micah Mortimer isn’t the most polished person you’ll ever meet. His numerous sisters and in-laws regard him oddly but very fondly, but he has his ways and means of navigating the world. He measures out his days running errands for work – his TECH HERMIT sign cheerily displayed on the roof of his car - maintaining an impeccable cleaning regime and going for runs (7:15 every morning). He is content with the steady balance of his life. But then the order of things starts to tilt.

Allergic to group activities of any kind, all her life Serenata has run, swum and cycled on her lonesome. But now that she's hit 60, all that physical activity has destroyed her knees. As she contemplates surgery with dread, her previously sedentary husband, Remington, recently and ignominiously redundant, chooses this precise moment to discover exercise. Which should be good for his health, right? Yet as he joins the cult of fitness that seems increasingly to consume the whole of the Western world, her once-modest husband burgeons into an unbearable narcissist. 

Danny Conroy grows up in the Dutch House, a lavish mansion. Though his father is distant and his mother is absent, Danny has his beloved sister Maeve: Maeve, with her wall of black hair, her wit, her brilliance. Life is coherent, played out under the watchful eyes of the house’s former owners in the frames of their oil paintings. Then one day their father brings Andrea home.  

A dazzling multi-generational novel, The Most Fun We Ever Had introduces us to the Sorenson family. When Marilyn and David fall in love in the 1970s, they are blithely ignorant of all that's to come. By 2016, their four radically different daughters are matching wits, harbouring grudges and recklessly igniting old rivalries. When a teenage boy, given up for adoption 15 years before, reappears, long-buried secrets threaten to shatter the lives they've built and reveal the rich and varied tapestry of the Sorenson's past.

The seat of the Trelawney family for over 800 years, Trelawney Castle was once the jewel of the Cornish coast. Each successive Earl spent with abandon, turning the house and grounds into a sprawling, extravagant palimpsest of wings, turrets and follies. But recent generations have been better at spending than making money. Now living in isolated penury, unable to communicate with each other or the rest of the world, the family are running out of options. 

Other people find Majella odd. She keeps herself to herself, she doesn't like gossip and she isn't interested in knowing her neighbours' business. But suddenly everyone in the small town in Northern Ireland where she grew up wants to know all about hers. Since her da disappeared during the Troubles, Majella has tried to live a quiet life with her alcoholic mother. 

Casey has ended up back in Massachusetts after a devastating love affair. Her one constant is the novel she has been writing for six years, but at 31 she is in debt and directionless, and feels too old to be that way - it’s strange, not be the youngest kind of adult anymore. Suddenly Casey finds herself at the point of a love triangle, torn between two very different relationships that promise two very different futures.

In the title story, we meet Maya, who is torn between her wryly funny boyfriend and the allure of her veterinarian. In "Andorra," a woman's lover calls her every Thursday as he drives to meet his wife at marriage counselling. "How to Give the Wrong Impression" shows us a woman pining for her roommate, a man who will hold her hand but then tell her that her palm is sweaty.

Yesterday, Lydia had a bookshop. Yesterday, Lydia was married to a journalist. Yesterday, she was with everyone she loved most in the world. Today, her eight-year-old son Luca is all she has left. For him, she will carry a machete strapped to her leg. For him, she will leap onto the roof of a high speed train. For him, she will find the strength to keep running.

A story of love and redemption, faith and forgiveness, Ask Again, Yes reveals the way childhood memories change when viewed from the distance of adulthood - villains lose their menace, and those who appeared innocent seem less so. A story of how, if we're lucky, the violence lurking beneath everyday life can be vanquished by the power of love.

Smart, diligent and a bit plain, that’s the general consensus. Then Hillary goes to college and her star rises. At Yale Law School, she continues to be a leader - and catches the eye of driven, handsome and charismatic Bill. But when he asks her to marry him, Hillary gives him a firm 'no'. The rest, as they say, isn’t history. How might things have turned out for them, for America, for the world itself, if Hillary Rodham had really turned down Bill Clinton? 

Staring down the barrel of her 40th year, Samantha Irby is confronting the ways her life has changed since the days she could work a full 11 hour shift on 4 hours of sleep, change her shoes and put mascara on in the back of a moving cab and go from drinks to dinner to the club without a second thought. Recently, things are more 'Girls Gone Mild.' 

Connell and Marianne grow up in the same small town in rural Ireland. The similarities end there; they are from very different worlds. When they both earn places at Trinity College in Dublin, a connection that has grown between them lasts long into the following years. This is an exquisite love story about how a person can change another person's life - a simple yet profound realisation that unfolds beautifully over the course of the novel. It tells us how difficult it is to talk about how we feel and it tells us - blazingly - about cycles of domination, legitimacy and privilege. 

The Vignes twin sisters will always be identical. But after growing up together in a small, Southern black community and running away at age 16, it's not just the shape of their daily lives that is different as adults, it's everything: their families, their communities, their racial identities. Ten years later, one sister lives with her black daughter in the same Southern town she once tried to escape. The other secretly passes for white and her white husband knows nothing of her past.