Ally is intelligent, studious and engaged in an eternal battle to gain her mother’s approval and affection. Her mother is a religious zealot, keener on feeding the poor and saving prostitutes than on embracing the challenges of motherhood. Even when Ally is accepted as one of the first female students to read medicine in London, it still doesn’t seem good enough. The first in a two-book sequence, Bodies of Light is a poignant tale of a psychologically tumultuous 19th-century upbringing set in the world of Pre-Raphaelitism.

A poignant, funny and engrossing exploration of family life centred around a cataclysmic event and its aftermath, from the author of Night Waking and Signs for Lost Children. Adam is a stay-at-home dad who is also working on a history of the bombing and rebuilding of Coventry Cathedral. He is a good man, and he is happy. But one day he receives a call from his daughter's school to inform him that for no apparent reason, 15-year-old Miriam has collapsed and stopped breathing.

On the longest day of the summer, 12 people sit cooped up with their families in a faded Scottish cabin park. The endless rain leaves them with little to do but watch the other residents. A woman goes running up the Ben as if fleeing; a retired couple reminisces about neighbours long since moved on; a teenage boy braves the dark waters of the loch in his red kayak. Each person is wrapped in their own cares but increasingly alert to the makeshift community around them. 

At dusk on a November evening in 2020, a woman slips out of her garden gate and turns up the hill. Kate is in the middle of a two-week quarantine period, but she just can’t take it anymore - the closeness of the air in her small house, the confinement. And anyway, the moor will be deserted at this time. Nobody need ever know. But Kate’s neighbour Alice sees her leaving, and Matt, Kate’s son, soon realizes she’s missing. And Kate, who planned only a quick solitary walk - a breath of open air - falls and badly injures herself. 

Considered a troublesome burden, Evelyn Talbot is banished by her family to their remote country house. Tall Chimneys is outmoded and inconvenient, but Evelyn is determined to save it from abandonment or demolition. The woman and the house shore each other up - until love comes calling, threatening to pull them asunder. Her desertion will spell its demise, but saving Tall Chimneys could mean sacrificing her hope for happiness, even sacrificing herself. A century later, a distant relative crosses the globe to find the house of his ancestors. 

In 1947, Elisabeth Mander’s German nephew comes to stay: Stefan Landau, her dead sister’s teenage son, whom she hates and loves before she’s even set eyes on him. Orphaned by the war and traumatised by the last vicious battles of the Hitler Youth, Stefan brings with him to England only a few meagre possessions. Among them a portrait of a girl with long copper hair by a young painter called Michael Ross - and with it the memory, both painful and precious, of her life and that time between the wars.

Clara's sister is missing. Angry, rebellious Rose had a row with their mother, stormed out of the house and simply disappeared. Eight-year-old Clara, isolated by her distraught parents' efforts to protect her from the truth, is grief-stricken and bewildered. Liam Kane, newly divorced, newly unemployed, newly arrived in this small northern town, moves into the house next door, a house left to him by an old woman he can barely remember and within hours gets a visit from the police. It seems he's suspected of a crime.

1944, in the ruined wine cellar of a Tuscan villa, as bombs fall around them, two strangers meet and share an extraordinary evening. Ulysses Temper is a young British soldier; Evelyn Skinner is a sexagenarian art historian and possible spy. She has come to Italy to salvage paintings from the wreckage and relive memories of the time she encountered EM Forster and had her heart stolen by an Italian maid in a particular Florentine room with a view.

Jean Swinney is a feature writer on a local paper, disappointed in love and - on the brink of 40 - living a limited existence with her truculent mother: a small life from which there is no likelihood of escape. When a young Swiss woman, Gretchen Tilbury, contacts the paper to claim that her daughter is the result of a virgin birth, it is down to Jean to discover whether she is a miracle or a fraud. But the more Jean investigates, the more her life becomes strangely (and not unpleasantly) intertwined with that of the Tilburys.

Rosaleen is still a teenager, in the early '60s, when she meets the famous sculptor Felix Lichtman. Felix is dangerous, bohemian, everything she dreamed of in the cold nights at her Catholic boarding school. And at first their life together is glitteringly romantic but it’s not long before Rosaleen finds herself fearfully, unexpectedly alone. Kate lives in '90s London, stumbling through her unhappy marriage. Aoife sits at her husband’s bedside as he lies dying and tells him the story of their marriage.

Frances Howard has beauty and a powerful family - and is the most unhappy creature in the world. Anne Turner has wit and talent - but no stage on which to display them. Little stands between her and the abyss of destitution. When these two very different women meet in the strangest of circumstances, a powerful friendship is sparked. 

It’s 23rd December 1971 and heavy weather is forecast for Chicago. Russ Hildebrandt, the associate pastor of a liberal suburban church, is on the brink of breaking free of a marriage he finds joyless - unless his wife, Marion, who has her own secret life, beats him to it. Their eldest child, Clem, is coming home from college on fire with moral absolutism, having taken an action that will shatter his father.

Arthur and Jake are the sons of a farmer in the mid-1930s, when life is tough and another world war is looming. Arthur is solid and dutiful, set to inherit the farm and his father's character; Jake is younger, attractive, mercurial and dangerous to know.

Abandoned at the gates of a London park one winter's night in 1850, baby Lily Mortimer is saved by a young police constable and taken to the London Foundling Hospital. Lily is fostered by an affectionate farming family in rural Suffolk, enjoying a brief childhood idyll before she is returned to the hospital, where she is punished for her rebellious spirit. Released into the harsh world of Victorian London, Lily becomes a favoured employee at Belle Prettywood's Wig Emporium, but all the while she is hiding a dreadful secret.

Everyone has a Tully Dawson: the friend who defines your life. In the summer of 1986, in a small Scottish town, James and Tully ignite a brilliant friendship based on music, films and the rebel spirit. With school over and the locked world of their fathers before them, they rush towards the climax of their youth: a magical weekend in Manchester, the epicentre of everything that inspires them in working-class Britain. There, against the greatest soundtrack ever recorded, a vow is made: to go at life differently. Thirty years on, half a life away, the phone rings. Tully has news.