September 1, 1939 cover art

September 1, 1939

W.H. Auden and the Afterlife of a Poem

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September 1, 1939

By: Ian Sansom
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About this listen

This is a book about a poet, about a poem, about a city, and about a world at a point of change. More than a work of literary criticism or literary biography, it is a record of why and how we create and respond to great poetry.

This is a book about a poet – W. H. Auden, a wunderkind, a victim-beneficiary of a literary cult of personality who became a scapegoat and a poet-expatriate largely excluded from British literary history because he left.

About a poem – ‘September 1, 1939’, his most famous and celebrated, yet one which he tried to rewrite and disown and which has enjoyed – or been condemned – to a tragic and unexpected afterlife.

About a city – New York, an island, an emblem of the Future, magnificent, provisional, seamy, and in 1939 about to emerge as the defining twentieth-century cosmopolis, the capital of the world.

And about a world at a point of change – about 1939, and about our own Age of Anxiety, about the aftermath of September 11, when many American newspapers reprinted Auden’s poem in its entirety on their editorial pages.

Americas Art & Literature Authors Europe European Great Britain Literary History & Criticism United States World Literature England

Critic reviews

Praise for September 1, 1939:

‘Sansom has given us a book in which all serious readers of Auden will find something to value. He has chosen exactly the right poem for our times to anchor his thoughts on this man who came to define a generationLiterary Review

Richly entertaining … explores what goes on in the poem and why it has had such an impact. Shandyesque and magpie-like, scholarly yet frolicsome, the book makes room for all manner of diverse material, to great effect’ Blake Morrison, Guardian

Praise for Paper:

‘Engaging and dynamic’ Andrew Martin, Financial Times

‘Wonderfully diverting…Splendidly dense with fact and thought’ Steven Poole, Times Literary Supplement

‘Sansom’s scholarship is prodigious; his enthusiasm inexhaustible…He can make one laugh out loud by his placing of a single word’ Daily Telegraph

‘A collection of ever so erudite, witty, chucklesome essays, rich with digressions and asides, on paper, in many of its guises, that seeks to refute – and does refute – the idea that we are moving towards a paperless world’ Bookmunch

All stars
Most relevant
This is an odd, delightful little book. It is loosely focused one of WH Auden’s more famous poems, in the same way that Ronnie Corbett's monologue was loosely focused around his joke, but comprised of any intriguing and entertaining diversions, digressions and asides. It really added to it having the author, clearly an unusual character with an unusual manner of speaking, and by no means the usual cut-glass stuffy Oxford academic, narrating. he is a polymath and Paul's in all kinds of history, context, comparisons comma metaphors and personal experiences to make a unique and very personal testament to a 25-year love-hate affair with this poem.

highly recommended.

a special treat

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I first listened to this audiobook over a year ago and thought it delivered more than many I’ve heard, on any subject; listening again at this time finds me appreciating it more than I recall previously.
There’s a lot to admire in Ian Sansom’s book. Not least is that he doesn’t pretend he can deliver anything (following a 25 year endeavour) that he feels himself unable to - and yet he succeeds in delivering so much in this book.
It’s read engagingly and with clarity (not a given with audiobooks - thank goodness for samples!). The author offers an informed, insightful, self-effacing journey, unraveling Auden and includes wit and well applied personal anecdotes. Mr Sansom could be speaking with you in a pub over a drink which is perhaps the highest praise I can give.
You get the impression that here is a book the author had to get out of their system. Are there expressions of impostor syndrome? Seemed so and can relate as another ‘product’ of a ‘bog standard secondary modern school myself.’ This is a style of biography I’ve enjoyed. The author really went down the back of the sofa, exhausting innumerable literary corners and other sources to produce this book. For someone new to WH Auden and his work, this audiobook has provided a fascinating introduction to both. Thank you ‘pofessorial’ Mr Sansom.

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