Rosie

Penguin presents the audiobook edition of Last Stories by William Trevor, read by Niamh Cusack, Stephen Hogan and Tara Fitzgerald. In this final collection of ten exquisite, perceptive and profound stories, William Trevor probes into the depths of the human spirit. Here we encounter a tutor and his pupil, whose lives are thrown into turmoil when they meet again years later; a young girl who discovers the mother she believed dead is alive and well; and a piano teacher who accepts her pupil's theft in exchange for his beautiful music.

Willa Drake can count on one hand the defining moments of her life: when she was 11 and her mother disappeared, being proposed to at 21, the accident that would make her a widow at 41. At each of these moments, Willa ended up on a path laid out for her by others. So when she receives a phone call telling her that her son’s ex-girlfriend has been shot and needs her help, she drops everything and flies across the country. The spur-of-the moment decision to look after this woman - and her nine-year-old daughter, and her dog - will lead Willa into uncharted territory....

Penguin presents the audiobook edition of A Life of My Own by Claire Tomalin. As one of the best biographers of her generation, Claire Tomalin has written about great novelists and poets to huge success. Now she turns to look at her own life. This enthralling memoir follows her through triumph and tragedy in about equal measure, from the disastrous marriage of her parents and the often difficult wartime childhood that followed to her own marriage to the brilliant young journalist Nicholas Tomalin.

Penguin presents the audiobook edition of The Trick to Time by Kit de Waal, read by Fiona Shaw. Mona is a young Irish girl in the big city, with the thrill of a new job and a room of her own in a busy boardinghouse. On her first night out in 1970s Birmingham, she meets William, a charming Irish boy with an easy smile and an open face. They embark upon a passionate affair, a whirlwind marriage - before a sudden tragedy tears them apart. Decades later, Mona pieces together the memories of the years that separate them. But can she ever learn to love again?

Things I Don't Want to Know is the first in Deborah Levy's essential three-part 'Living Autobiography' on writing and womanhood. Taking George Orwell's famous essay 'Why I Write' as a jumping-off point, Deborah Levy offers her own indispensable reflections of the writing life. 

Picking up where Things I Don't Want to Know left off, this short, exhilarating memoir shows a writer in radical flux, facing separation and bereavement and emerging renewed from the ashes of a former life. Faced with the restrictions of conventional living, she dismantles her life, expands it and puts it back together in a new shape. Writing as brilliantly as ever about mothers and daughters, about social pressures and the female experience, Deborah Levy confronts a world not designed to accommodate difficult women and ultimately remakes herself in her own image.

Connell and Marianne grow up in the same small town in rural Ireland. The similarities end there; they are from very different worlds. When they both earn places at Trinity College in Dublin, a connection that has grown between them lasts long into the following years. This is an exquisite love story about how a person can change another person's life - a simple yet profound realisation that unfolds beautifully over the course of the novel. It tells us how difficult it is to talk about how we feel and it tells us - blazingly - about cycles of domination, legitimacy and privilege. 

London, 1945. The capital is still reeling from the war. Fourteen-year-old Nathaniel and his older sister Rachel are abandoned by their parents who leave the country on business, and are left in the dubious care of a mysterious figure named The Moth. Nathaniel is introduced to The Moth’s band of criminal misfits and is caught up in a series of teenage misadventures, from smuggling greyhounds for illegal dog racing to lovers’ trysts in abandoned buildings at night. But is this eccentric crew really what and who they claim to be? And most importantly, what happened to Nathaniel’s mother? 

Tara Westover grew up preparing for the End of Days, watching for the sun to darken, for the moon to drip as if with blood. She spent her summers bottling peaches and her winters rotating emergency supplies, hoping that when the World of Men failed, her family would continue on, unaffected. She hadn't been registered for a birth certificate. She had no school records because she'd never set foot in a classroom and no medical records because her father didn't believe in doctors or hospitals. According to the state and federal government, she didn't exist.

'Would you rather love the more, and suffer the more; or love the less, and suffer the less? That is, I think, finally, the only real question.' First love has lifelong consequences, but Paul doesn't know anything about that at 19. At 19, he's proud of the fact his relationship flies in the face of social convention. As he grows older, the demands placed on Paul by love become far greater than he could possibly have foreseen.

First published in 1988 and described by Ali Smith as 'one of Muriel Spark's most liberating, and meditative novels' - A Far Cry from Kensington shows Muriel Spark at the mature height of her powers.The narrator is one Mrs. Hawkins. She writes from Italy, a far cry from Kensington indeed, taking us back to her threadbare years in postwar London. As a young, rather fat war-widow she spent her days working for a crazy, almost bankrupt publisher; and her nights offering advice from her boarding-house in South Kensington.

In this unnamed city, to be interesting is dangerous. Middle sister, our protagonist, is busy attempting to keep her mother from discovering her maybe-boyfriend and to keep everyone in the dark about her encounter with Milkman. But when first brother-in-law sniffs out her struggle, and rumours start to swell, middle sister becomes 'interesting'. The last thing she ever wanted to be. To be interesting is to be noticed and to be noticed is dangerous. Milkman is a tale of gossip and hearsay, silence and deliberate deafness. It is the story of inaction with enormous consequences.

Ralph Boyd’s first glimpse of Daphne will be etched on his mind forever. Dark, teasing, slippery as mercury, she seems neither boy nor girl but sprite - something elemental. An up-and-coming composer, Ralph is visiting the writer Edmund Greenslay at his riverside home in Putney to discuss a collaboration. In its colourful rooms and unruly garden, Ralph finds an intoxicating world of sensuous ease and bohemian abandon that captures the mood of the moment. Entranced, he knows he will return.

Haunting, uplifting, beautiful: the final work from Helen Dunmore. Helen Dunmore passed away in June 2017, leaving behind this remarkable collection of short stories. With her trademark imagination and gift for making history human, she explores the fragile ties between passion, love, family, friendship and grief, often through people facing turning points in their lives.

Penguin presents the audiobook edition of Thomas Hardy by Claire Tomalin, read by Jill Balcon and David Shaw Parker. Paradox ruled Thomas Hardy's life. His birth was almost his death; he became one of the great Victorian novelists and reinvented himself as one of the 20th-century's greatest poets; he was an unhappy husband and a desolate widower; and he wrote bitter attacks on the English class system yet prized the friendship of aristocrats. In the hands of Whitbread Award-winning biographer Claire Tomalin, Thomas Hardy the novelist, poet, neglectful husband and mourning lover all come vividly alive.