Two acclaimed albums and an upcoming US tour - Joy Division had the world at their feet. Then, on the eve of that tour, the band’s troubled lead singer, Ian Curtis, killed himself. The next time they got together, they were a new band. That band was New Order - their label was Factory Records; their club, The Haçienda. Their distinctive sound paved the way for the dance music explosion that followed, earning them the reputation as one of the most influential bands of their generation and changing the course of popular music.

No Slade = No Oasis. It’s as devastating and as simple as that. Noel Gallagher Slade’s music and style dominated and defined the 1970s. With six consecutive number one singles, they were the UK’s number one group and sold millions of records all over the world. At their peak, Slade enjoyed success and adulation not seen since The Beatles.

Poised on the brink of success, the dizzying heights of the unknown lying ahead, Ian Curtis had taken his own life. Grieving yet determined, Stephen Morris emerged from the wreckage of Joy Division to the dawn of something new: a new band, a new tour, a new beginning. Under the name New Order, Morris and his bandmates set their sights on America, only to encounter new disasters. Yet, in true northern spirit, not even this sudden tragedy could dissuade them from following their haphazard path to greatness. 

In the early '80s, best friends Sara Dallin and Keren Woodward arrived at the YWCA in London, with their sights set on careers in journalism and the media...but that wasn’t to be. London was the most vibrant and culturally innovative of places, and within the whirl of clubs, parties and new friends, a chance meeting with former Sex Pistol Paul Cook changed everything. Moving into Malcolm McLaren’s old office, they started rehearsing and singing background vocals for Paul’s new band before teaming up with Sara’s college friend Siobhan and forming their own group.

Before he was responsible for some of the most iconic drumming in popular music, Stephen Morris grew up in 1960s and '70s industrial Macclesfield, on a quiet road that led seemingly to nowhere. Far removed from the bright lights and manic energy of nearby Manchester, he felt stifled by suburbia and feared he might never escape. Then he joined Joy Division - while they were still known as Warsaw - a pioneer of the rousing post-punk sound that would revolutionise 20th-century rock.

A shy only child, Nigel John Taylor wasn't an obvious candidate for pop stardom and frenzied girl panic. But when he ditched his first name and picked up a bass guitar, everything changed. John formed Duran Duran with his friend Nick Rhodes in the spring of 1978, and they were soon joined by Roger Taylor, then Andy Taylor and finally Simon Le Bon. Together they were an immediate, massive global success story, their pictures on millions of walls, every single a worldwide hit. In his frank, compelling autobiography, John recounts the highs and the lows.

The story of two outsiders and obsessives whose collision prompted an evangelistic alliance on the furthest frontiers of underground music. Steve Davis first met Kavus Torabi - guitarist with Gong, Guapo, Cardiacs and Knifeworld - in the mid-2000s at a gig by French underground rock legends Magma. Over the next few years, this unlikely duo's shared affinity for visionary psychedelic music would become the foundation of not only a firm friendship, but also the most infectiously inclusive broadcasting style since the much-mourned death of John Peel. 

Ignoring nearly all rock traditions, experimenting in near-total secrecy in their Düsseldorf studio, Kraftwerk fused sound and technology, graphic design and performance, modernist Bauhaus aesthetics and Rhineland industrialisation - even human and machine - to change the course of modern music. This is the story of Kraftwerk as a cultural phenomenon, who turned electronic music into avant-garde concept art and created the soundtrack to our digital age.

Known as 'The Metal God' by his devoted, global fan base, Rob Halford has always subverted the norm, and Confess will offer listeners a compelling and honest look at the struggles he has faced with addiction and his sexuality, as well as an exploration of his music and his many brushes with controversy. There have been few vocalists in the history of heavy metal whose singing style has been as influential and instantly recognisable as Halford's. 

Dave Stewart's life has been a wild ride - one filled with music, constant reinvention, and the never-ending drive to create. Growing up in industrial Northern England, he left home for the gritty London streets of the '70s, where he began collaborating and performing with various musicians, including a young waitress named Annie Lennox.

"Hey Hi Hello" is a greeting we have all become familiar with, as Annie Nightingale cues up another show on Radio One. Always in tune with the nation's taste, yet effortlessly one step ahead for more than five decades, in this book Annie digs deep into her crate of memories, experiences and encounters to deliver an account of a life lived on the frontiers of pop cultural innovation.

With extensive, first-hand reflections from Geddy Lee, Alex Lifeson, and Neil Peart, as well as from family, friends, and fellow musicians, Anthem: Rush in the '70s is a detailed portrait of Canada's greatest rock ambassadors. The first of three volumes, Anthem puts the band's catalog, from their self-titled debut to 1978's Hemispheres (the next volume resumes with the release of Permanent Waves) into both Canadian and general pop culture context.

Guitarist and Songwriter Richard Thompson came of age during an extraordinary moment in British culture: it was 1967 and popular music was reflecting a great cultural awakening. In the midst of this, 18-year-old Thompson co-founded Fairport Convention and helped invent a new genre of music. In Beeswing, Thompson goes back to his childhood, recreates the spirit of the '60s and takes us inside life on the road in the UK and the US, crossing paths - and occasionally sharing the stage - with the likes of Led Zeppelin, Pink Floyd, Nick Drake, Jimi Hendrix and more.

Sinéad O'Connor's voice and trademark shaved head made her famous by the age of 21. Her recording of Prince's 'Nothing Compares 2 U' made her a global icon. She outraged millions when she tore up a photograph of Pope John Paul II on American television. O'Connor was unapologetic and impossible to ignore, calling out hypocrisy wherever she saw it. She has remained that way for three decades. Now, in Rememberings, O'Connor tells her story.

Over a prolific 40-year career, The Fall created a world that was influential, idiosyncratic and fiercely original - and defied simple categorisation. Their front man and lyricist, Mark E Smith, spun opaque tales that resisted conventional understanding; The Fall's worldview was an education in its own right. Who wouldn't want to be armed with a working knowledge of M R James, shipping-dock procedures, contemporary dance, Manchester City and Can? The group inspired and shaped the lives of those who listened to and tried to make sense of their work.