There's No Bones in Ice Cream by Sylvain Sylvain is the inside story of glam heroes the New York Dolls - outrageous, defiant, sleaze kings, transgender posers, drug casualties, and victims, not just of their own excess but of an unsympathetic music industry that simply didn't know how to process them. Though their brief, sensation-filled yet doomed career produced just two albums, the Dolls exerted an influence on rock that changed it forever. A cross between the Rolling Stones and the Sex Pistols, the Dolls became the link in the chain between them.

Before he was responsible for some of the most iconic drumming in popular music, Stephen Morris grew up in 1960s and '70s industrial Macclesfield, on a quiet road that led seemingly to nowhere. Far removed from the bright lights and manic energy of nearby Manchester, he felt stifled by suburbia and feared he might never escape. Then he joined Joy Division - while they were still known as Warsaw - a pioneer of the rousing post-punk sound that would revolutionise 20th-century rock.

Two acclaimed albums and an upcoming US tour - Joy Division had the world at their feet. Then, on the eve of that tour, the band’s troubled lead singer, Ian Curtis, killed himself. The next time they got together, they were a new band. That band was New Order - their label was Factory Records; their club, The Haçienda. Their distinctive sound paved the way for the dance music explosion that followed, earning them the reputation as one of the most influential bands of their generation and changing the course of popular music.

The strange tale of the death, life and legacy of the hugely successful band. They were the best-selling singles band in the world. They had awards, credibility, commercial success and creative freedom. Then they deleted their records, erased themselves from musical history and burnt their last million pounds in a boathouse on the Isle of Jura. And they couldn't say why.

It was an uphill struggle to carve their name in the history of Liverpool music, but Echo and the Bunnymen became iconic, with songs like 'Lips Like Sugar', 'The Cutter' and 'The Killing Moon'. By turns wry, explicit and profound, Bunnyman reveals what it was really like to be part of one of the most important British bands of the 1980s. 

John Cooper Clarke is a phenomenon: Poet Laureate of Punk, rock star, fashion icon, TV and radio presenter, social and cultural commentator, reluctant national treasure. At 5 feet 11 inches (116lb, 32in chest, 27in waist), in trademark suit jacket, skin-tight drainpipes and dark glasses, with jet-black back-combed hair and mouth full of gold teeth, he is instantly recognisable. As a writer his voice is equally unmistakable and his inimitable dry Salford drawl shines through the prose.

Just a Story from America recounts the fascinating career and life of singer-songwriter Elliott Murphy who has released over 35 albums of original music since his acclaimed debut album Aquashow in 1973. Born in 1949 to a show business family on Long Island, Elliott began his career with a troubadour-like odyssey in Europe in 1971, which included a bit part in Federico Fellini’s film Roma.

For 30 years, Liberty DeVitto was the driving force behind one of the biggest pop artists of all time. With his intense drive, endless creativity, and New York swagger, Liberty created the grooves for 13 platinum Billy Joel albums that have sold over 150 million copies, and wrote and performed the drum parts on 22 of Billy's 23 top-40 hits and all of his six GRAMMY@ Award-winning recordings. He toured the world multiple times as one of the most well-known drummers of his era. The amazing success did not come without a price.

The Beatles landing in New York in February 1964 was the opening shot in a cultural revolution nobody predicted. Suddenly the youth of the richest, most powerful nation on earth was trying to emulate the music, manners and the modes of a rainy island that had recently fallen on hard times.

Tour Manager and friend Johnny Green’s rip-roaring account from inside The Clash camp as they turned passion and guitars into songs that electrified a generation. An intimate and very funny listen.

When Mark Lanegan first arrived in Seattle in the mid-1980s, he was just 'an arrogant, self-loathing redneck waster seeking transformation through rock 'n' roll'. Little did he know that within less than a decade, he would rise to fame as the front man of the Screaming Trees, then fall from grace as a low-level crack dealer and a homeless heroin addict, all the while watching some of his closest friends rocket to the forefront of popular music.

Inspired by the attitude and energy of punk, Peter Hook and school friend Bernard Sumner joined lead-singer and lyricist Ian Curtis and drummer Stephen Morris, and with some cobbled-together instruments, they created their own unique sound. In 1980 they had released two albums and were on the cusp of touring America when Ian Curtis committed suicide. In this no-holds-barred account, Peter Hook gives us the inside story of life with Joy Division. He talks with candour and reflection about Curtis's suicide and covers the band's friendships and fall-outs....

Tenement Kid is Bobby Gillespie's story up to the recording and release of the album that has been credited with 'starting the 90's', Screamadelica. Born into a working-class Glaswegian family in the summer of 1961, Bobby's memoirs begin in the district of Springburn, soon to be evacuated in Edward Heath's brutal slum clearances. Leaving school at 16 and going to work as a printers' apprentice, Bobby's rock 'n' roll epiphany arrives like a bolt of lightning shining from Phil Lynott's mirrored pickguard at his first gig at the Apollo in Glasgow. 

Debbie Harry is a musician, an actor, an activist and the iconic face of New York City cool. As the front-woman of Blondie, she and the band forged a new sound that brought together the worlds of rock, punk, disco, reggae and hip-hop to create some of the most beloved pop songs of all time. As a muse, she collaborated with some of the boldest artists of the past four decades. The scope of Debbie Harry’s impact on our culture has been matched only by her reticence to reveal her rich inner life - until now. 

With the Rolling Stones, Keith Richards created the riffs, the lyrics and the songs that roused the world, and over four decades he lived the original rock-and-roll life: taking the chances he wanted, speaking his mind, and making it all work in a way that no one before him had ever done. Now, at last, the man himself tells us the story of life in the crossfire hurricane. And what a life....