Reappraisals
Reflections on the Forgotten 20th Century
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Narrated by:
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James Adams
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By:
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Tony Judt
About this listen
In less than a generation, the headlong advance of globalization has altered structures of thought that had been essentially unchanged since the European industrial revolution. As a result, we have lost touch with a century of social thought and socially motivated activism. In the 24 essays in Reappraisals, Judt resurrects the key aspects of the world we have lost to remind us how important they still are to us now and to our future.
©2008 Tony Judt (P)2008 Blackstone Audio, Inc.Critic reviews
"As a fascinating exploration of the world we have recently lost - for good or bad, or both - this collection...cannot be bested." ( Publishers Weekly)
Worth appraising
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Masterful
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While I can but praise the text, I have some major problems with the reading of it. James Adams is an adequate reader, but he has major problems with any pronunciation rather than English, and the book is absolutely full of French, Italian , Polish , etc. I found myself heavily cringing at the almost incomprehensible mispronunciations of some non-English words scattered around the text. I would have thought one who accepts the job of reading such a text should do the basic homework of finding out how the names of important writers and intellectuals are pronounced.
Excellent essays, flawed narration
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Sometimes dense but fascinating
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Which brings me to the rather odd pronunciation of his narrator. James Adams has a curious habit of investing French loanwords, such as oeuvre with idiosyncratic pronunciations. Thus oeuvre becomes ouvre, and insouciant ahnsoowisornt. If anything he rather overdoes his attempts to capture French vowels, which. given his otherwise impeccable received pronunciation, puts one in mind of a Surrey High Street bank manager trying, and failing, to pass for a French native. I realise that this is a rather trivial criticism of an otherwise excellent talking book, and that there will be many who find this only mildly irritating, if at all. It would be no criticism at all were it not for Tony Judt's fondness for French loanwords, but I found it a bit of a distraction.
I'm a bit of a pedant, me.
Brilliant essays, rather odd delivery
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