Other children receive xylophones. Susan just had to ask her grandfather to take his vest off. Yes. There's a Death in the family. It's hard to grow up normally when Grandfather rides a white horse and wields a scythe: especially when you have to take over the family business, and everyone mistakes you for the Tooth Fairy. And especially when you have to face the new and addictive music that has entered Discworld. It's lawless. It changes people. It's called Music With Rocks In.

The Colour of Magic, the first novel in Terry Pratchett's wildly imaginative Discworld series, takes the listener on a remarkable journey. The magical planet of Discworld is supported by four massive elephants who stand on the back of the Great A'Tuin, a giant turtle swimming slowly through the mysterious interstellar gulf. An eccentric expedition sets out to explore the planet, encountering dragons who only exist if you believe in them, and, of course, 'The Edge' of the planet.

In the 'fantasy' universe of the phenomenally bestselling Discworld series, everything runs on magic and common sense. The world is flat and million-to-one chances happen nine times out of ten. Our world seems different - it runs on rules, often rather strange ones. Science is our way of finding out what those rules are. The appeal of Discworld is that it mostly makes sense, in a way that particle physics does not.

Dodger is a tosher – a sewer scavenger living in the squalor of Dickensian London. Everyone who is nobody knows Dodger. Anyone who is anybody doesn’t.But when he rescues a young girl from a beating, suddenly everybody wants to know him.And Dodger’s tale of skulduggery, dark plans and even darker deeds begins.

According to The Nice and Accurate Prophecies of Agnes Nutter, Witch (the world's only completely accurate book of prophecies, written in 1655, before she exploded), the world will end on a Saturday. Next Saturday, in fact. Just before dinner. So, the armies of Good and Evil are amassing, Atlantis is rising, frogs are falling, tempers are flaring. Everything appears to be going according to Divine Plan.

Somewhere on the frontier between thought and reality exists the Discworld, a parallel time and place which might sound and smell very much like our own, but which looks completely different. Collected together for the first time are seven full-cast BBC Radio dramatisations of Terry Pratchett’s novels, with star-studded casts including Martin Jarvis, Sheila Hancock, Anton Lesser, Philip Jackson, Alex Jennings and Mark Heap.

Finding himself alone on a desert island when everything and everyone he knows and loved has been washed away in a huge storm, Mau is the last surviving member of his nation. He's also completely alone - or so he thinks until he finds the ghost girl. She has no toes, wears strange lacy trousers like the grandfather bird and gives him a stick which can make fire. Daphne, sole survivor of the wreck of the Sweet Judy, almost immediately regrets trying to shoot the native boy.

As the mighty alien fleet from the very latest computer game thunders across the computer screen, Johnny prepares to blow them into the usual million pieces. And they send him a message: We surrender. They're not supposed to do that! They're supposed to die. And computer joysticks don't have 'Don't Fire' buttons. But it's only a game... isn't it?

In the beginning, there was nothing but endless flatness. Then came the Carpet.... That's the old story everyone knows and loves (even if they don't really believe it). But now the Carpet is home to many different tribes and peoples and there's a new story in the making. The story of Fray, sweeping a trail of destruction across the Carpet, and two brothers, who set out on an adventure to end all adventures.

In the absolutely packed Act II, the dark fantasy resumes and the Sandman expands into the French Revolution, ancient Rome, 19th-century San Francisco, eighth-century Baghdad, and beyond. New and familiar characters abound, voiced by a bright mix of performers, including Kat Dennings, Regé-Jean Page, Emma Corrin, Michael Sheen, Kristen Schaal, Brian Cox, John Lithgow, Jeffrey Wright, and so many more, including fan-favorite narrators Simon Vance and Ray Porter.

Imagine an alternate universe where romance and technology reign. Where tinkerers and dreamers craft and recraft a world of automatons, ornate clockworks, calculating machines, and other marvels that. Where scientists and schoolgirls, fair folk and Romans, intergalactic bandits, and intrepid orphans - decked out in corsets, clockwerk suits, and tall black boots - solve dastardly crimes, escape from monstrous predicaments, consult oracles, and hover over volcanoes in steam-powered airships.

A magical serial killer is on the loose, and gelatinous, otherworldly creatures are infesting the English countryside. Which is making life for the Ministry of Occultism difficult, because magic is supposed to be their best kept secret. After centuries in the shadows, the Ministry is forced to unmask, exposing the country's magical history - and magical citizens - to a brave new world of social media, government scrutiny, and public relations.

When her brother Toby vanishes so that even their mother has no memory of him, Nin realises the reason she still remembers is because whoever took Toby is about to take her too. Enter Skerridge the Bogeyman, who steals kids for Mr Strood. With his spindle, he winds away all the memory of Nin. She escapes to the Drift, a world filled with the Fabulous and Seven Sorcerers who once ruled the land. But what is the Sorcerer's secret?

A dynamic remastering of the original BBC Radio 4 full-cast serial - Fit the First to Fit the Sixth - which spawned a phenomenal hitchhiking legend. The original series of The Hitchhiker’s Guide to the Galaxy, remastered by Dirk Maggs (director of the Tertiary, Quandary and Quintessential Phases) to give a full, vibrant sound, now with Philip Pope’s version of the familiar theme tune and specially re-recorded announcements by John Marsh. 

For a thousand years, the Sabbat Worlds have been lost to the Imperium, claimed by the dread powers of Chaos. Now, a mighty crusade seeks to return the sector to Imperial rule. And at the forefront of that crusade are Colonel-Commissar Ibram Gaunt and the Tanith First and Only - better known as Gaunt’s Ghosts. Trapped in the grinding trench warfare of Fortis Binary, the Ghosts find themselves drawn into a conspiracy to assassinate the crusade’s leader, Warmaster Macaroth.