In 1945, Hiroshima was destroyed by the first atom bomb ever dropped on a city. This book, John Hersey's journalistic masterpiece, tells what happened on that day. Told through the memories of survivors, this timeless, powerful and compassionate document has become a classic "that stirs the conscience of humanity" (The New York Times). Almost four decades after the original publication, Hersey went back to Hiroshima in search of the people whose stories he had told. His account of what he discovered about them is now the eloquent and moving final chapter of Hiroshima.

Nothing is harder to do these days than nothing. But in a world where our value is determined by our 24/7 data productivity...doing nothing may be our most important form of resistance. So argues artist and critic Jenny Odell in this field guide to doing nothing (at least as capitalism defines it). Odell sees our attention as the most precious - and overdrawn - resource we have. 

Gifts come in many guises. One summer, Rebecca Solnit was bequeathed three boxes of ripening apricots, which lay, mountainous, on her bedroom floor - a windfall, a riddle, an emergency to be dealt with. The fruit came from a neglected tree that her mother, gradually succumbing to memory loss, could no longer tend to. From this unexpected inheritance came stories spun like those of Scheherazade, who used her gifts as a storyteller to change her fate and her listener's heart.

What exactly are the weird and the eerie? In this new essay, Mark Fisher argues that some of the most haunting and anomalous fiction of the 20th century belongs to these two modes. The weird and the eerie are closely related but distinct modes, each possessing its own distinct properties. Both have often been associated with horror, yet this emphasis overlooks the aching fascination that such texts can exercise. The weird and the eerie both fundamentally concern the outside and the unknown, which are not intrinsically horrifying, even if they are always unsettling.

Mesmerized and somewhat unnerved by his 97-year-old father's vitality and optimism, David Shields undertakes an original investigation of our flesh-and-blood existence, our mortal being. Weaving together personal anecdote, biological fact, philosophical doubt, cultural criticism, and the wisdom of an eclectic range of writers and thinkers - from Lucretius to Woody Allen - Shields expertly renders both a hilarious family portrait and a truly resonant meditation on mortality.

Anything Is Possible tells the story of the inhabitants of rural, dusty Amgash, Illinois, the hometown of Lucy Barton, a successful New York writer who finally returns, after 17 years of absence, to visit the siblings she left behind. Reverberating with the deep bonds of family and the hope that comes with reconciliation, Anything Is Possible again underscores Elizabeth Strout's place as one of America's most respected and cherished authors.

A creative writer's shelf should hold at least three essential books: a dictionary, a style guide, and Writing Fiction. Janet Burroway's best-selling classic is the most widely used creative writing text in America, and for more than three decades, it has helped hundreds of thousands of students learn the craft.  

Penguin presents the unabridged, downloadable, audiobook edition of My Name Is Lucy Barton by Elizabeth Strout, read by Kimberly Farr. A mother comes to visit her daughter in hospital after having not seen her in many years.

Laurence Sterne’s most famous novel is a biting satire of literary conventions and contemporary 18th-century values. Renowned for its parody of established narrative techniques, Tristram Shandyis commonly regarded as the forerunner of avant-garde fiction. Tristram’s characteristic digressions on a whole range of unlikely subjects (including battle strategy and noses!) are endlessly surprising and make this one of Britain’s greatest comic achievements.

Here is a novel, set in Tokyo, of mysterious and intriguing chance encounters. The midnight hour approaches in an almost empty all-night diner. Mari sips her coffee and glances up from a book as a young man, a musician, intrudes on her solitude. Both have missed the last train home. The musician plans to rehearse with his jazz band all night; Mari is equally unconcerned and content to read, smoke, and drink coffee until dawn. Then they realise they've met before through Eri, Mari's beautiful sister.