Deaf Republic opens in a time of political unrest in an occupied territory. It is uncertain where we are or when, in what country or during what conflict, but we come to recognise that these events are also happening here, right now. This astonishing parable in poems unfolds episodically like a play, its powerful narrative provoked by a tragic opening scene: when soldiers breaking up a protest kill a deaf boy, the gunshot becomes the last thing the citizens hear - in that moment, all have gone deaf. Inside this silence, their dissent becomes coordinated by sign language. 

Jennifer Egan's spellbinding audiobook circles the lives of Bennie Salazar, an ageing former punk rocker and record executive, and Sasha, the passionate, troubled young woman he employs. Although Bennie and Sasha never discover each other's pasts, the listener does, in intimate detail, along with the secret lives of a host of other characters whose paths intersect with theirs over many years, in locales as varied as New York, San Francisco, Naples and Africa.

Inspired by an old photograph album to investigate the life of a lost relative, a man finds himself on a journey that traverses the 20th century, leading him from an American asylum to the shores of the Dead Sea. Adapted by Edward Kemp from W G Sebald's acclaimed novel about the experiences of Jewish emigrants.

Nobody Hates Trump More than Trump: An Intervention is perhaps the only genuinely original thing you have read yet about Donald Trump. It can be read in a variety of ways: as a psychological investigation of Trump, as a philosophical meditation on the relationship between language and power, as a satirical compilation of the “collected wit and wisdom of Donald Trump”, and above all as a dagger into the rhetoric of American political discourse - a dissection of the politesse that gave rise to and sustains Trump.

All narrative writing must pull from the raw material of life a tale that will shape experience, transform event, deliver a bit of wisdom. In a story or a novel the "I" who tells this tale can be, and often is, an unreliable narrator but in nonfiction the reader must always be persuaded that the narrator is speaking truth. How does one pull from one's own boring, agitated self the truth-speaker who will tell the story a personal narrative needs to tell? That is the question The Situation and the Story asks - and answers.

The secrets of creative thinking by a lecturer at the world famous St. Martin's College of Art who has spent a lifetime researching innovative thinkers. A scuba-diving company faces bankruptcy because sharks have infested the area. Solution? Open the world's first extreme diving school. The Art of Creative Thinking reveals how we can transform ourselves, our businesses, and our society through a deeper understanding of human creativity.

Traumatised by an accident that involves something falling from the sky and leaving him eight-and-a-half million pounds richer, our hero spends his time and money obsessively reconstructing and re-enacting memories and situations from his past. But, when this fails to quench his thirst for authenticity, he starts reconstructing more and more violent events, including hold-ups and shoot-outs.

Stories mould who we are, from our character to our cultural identity. They drive us to act out our dreams and ambitions, and shape our politics and beliefs. We use them to construct our relationships, to keep order in our law courts, to interpret events in our newspapers and social media. Storytelling is an essential part of what makes us human.

Prentisstown isn't like other towns. Everyone can hear everyone else's thoughts in an overwhelming, never-ending stream of Noise. Just a month away from the birthday that will make him a man, Todd and his dog, Manchee - whose thoughts Todd can hear, too, whether he wants to or not - stumble upon an area of complete silence. They find that in a town where privacy is impossible, something terrible has been hidden - a secret so awful that Todd and Manchee must run for their lives. But how do you escape when your pursuers can hear your every thought?

Sitting down to write a book about his hero D. H. Lawrence, Geoff Dyer finds himself compelled to write about anything else. He is in fact compelled to do more or less anything else instead of write. In Sicily he is too preoccupied by his hatred of seafood to follow the great writer's footsteps; in Mexico he cannot get beyond a drug-induced erotic fantasy on a nudist beach...and yet, incredibly, this attempt to write a 'sober academic study' reveals the hold Lawrence and his work still exert on us today.

Outline is a novel in 10 conversations. Spare and lucid, it follows a novelist teaching a course in creative writing over an oppressively hot summer in Athens. She leads her student in storytelling exercises. She meets other writers for dinner. She goes swimming in the Ionian Sea with her seatmate from the place. The people she encounters speak volubly about themselves, their fantasies, anxieties, pet theories, regrets, and longings. And through these disclosures, a portrait of the narrator is drawn by contrast, a portrait of a woman learning to face great a great loss. 

A Field Guide to Getting Lost draws on emblematic moments and relationships in Solnit's own life to explore issues of wandering, being lost, and the uses of the unknown. The result is a distinctive, stimulating, and poignant voyage of discovery.

What exactly are the weird and the eerie? In this new essay, Mark Fisher argues that some of the most haunting and anomalous fiction of the 20th century belongs to these two modes. The weird and the eerie are closely related but distinct modes, each possessing its own distinct properties. Both have often been associated with horror, yet this emphasis overlooks the aching fascination that such texts can exercise. The weird and the eerie both fundamentally concern the outside and the unknown, which are not intrinsically horrifying, even if they are always unsettling.

We are living in the era of the self, in an era of malleable truth and widespread personal and political delusion. In these nine interlinked essays, Jia Tolentino, the New Yorker’s brightest young talent, explores her own coming of age in this warped and confusing landscape. 

Britain's most popular cook describes his personal culinary odyssey, from dangerous encounters with his mother's weevil-seasoned cakes to being harangued by readers who think he deliberately styles Yorkshire puddings to look like a woman's private parts.