It is the most famous year in English poetry. Out of it came The Ancient Mariner and ‘Kubla Khan’, as well as Coleridge’s unmatched hymns to friendship and fatherhood, Wordsworth’s revolutionary verses in Lyrical Ballads and the greatness of ‘Tintern Abbey’, his paean to the unity of soul and cosmos, love and understanding.

What is poetry? If music is sound organized in a particular way, poetry is a way of organizing language. It is language made special so that it will be remembered and valued. It does not always work - over the centuries countless thousands of poems have been forgotten. This little history is about some that have not. John Carey tells the stories behind the world’s greatest poems, from the oldest surviving one written nearly four thousand years ago to those being written today. Carey looks at poets whose works shape our views of the world.

A magisterial life of Ted Hughes - identified recently as the only English poet since the First World War with a claim to true greatness and one of Britain's most important writers - to be published on National Poetry Day by prize-winning biographer Jonathan Bate. Ted Hughes, Poet Laureate, was one of the greatest writers of the 20th century. He is one of Britain's most important poets, a poet of claws and cages: Jaguar, Hawk and Crow. Event and animal are turned to myth in his work.

Wordsworth's The Prelude is the consummation of his achievement as the great founder of English romanticism. An autobiography in verse, it tells of his childhood in the Lake District, his student days in Cambridge, his passion for the French Revolution and his later disenchantment with it. It also tells of his personal journey to a belief in Nature as the great moral and spiritual force which shapes human life, but on which human society all too often turns its back.

John Keats died 200 years ago, in February 1821. F. Scott Fitzgerald defined a decade that began 100 years ago, the Jazz Age. In this biography, prizewinning author Jonathan Bate recreates these two shining, tragic lives in parallel. Not only was Fitzgerald profoundly influenced by Keats, titling Tender Is the Night and other works from the poet’s lines, but the two lived with echoing fates: both died young, loved to drink, were plagued by tuberculosis, were haunted by their first love and wrote into a new decade of release, experimentation and decadence.

Sir Jonathan Bate examines eight iconic poems inspired by great historical events - and explores the Romantics, John Clare and William Wordsworth. In this BBC Radio 4 series, eminent Biographer and Broadcaster Sir Jonathan Bate looks at major historical events through the poems they inspired, exploring how history influences poetry and how poetry shapes the way we regard history.

Beethoven by Oxford Professor Laura Tunbridge cuts through the noise in a refreshing way. Each chapter focuses on a period of his life, a piece of music and a revealing theme, from family to friends, from heroism to liberty. It's a winning combination of rich biographical detail, insight into the music and surprising new angles, all of which can transform how you listen to his works. We discover, for example, Beethoven's oddly modern talent for self-promotion, how he was influenced by factors from European wars to instrument building and how he was heard by contemporaries.

In Nuclear Folly, award-winning Historian Serhii Plokhy tells the riveting story of those weeks, tracing the tortuous decision-making and calculated brinkmanship of John F. Kennedy, Nikita Khrushchev and Fidel Castro, and of their advisors and commanders on the ground. More often than not, Plokhy argues, the Americans and Soviets simply misread each other, operating under mutual distrust, second-guesses and false information. Despite all of this, nuclear disaster was avoided thanks to one very human reason: fear.

From his remarkable debut The Hawk in the Rain (1957) to his death in 1998, Ted Hughes was a colossal presence in the English literary landscape. He was also admired as a performer of his own work. Tales from Ovid, Ted Hughes' masterful versions of stories from Ovid's Metamorphoses, includes those of Phaeton, Actaeon, Echo and Narcissus, Procne, Midas and Pyramus and Thisbe as well as many others.

Flaubert’s Parrot deals with Flaubert, parrots, bears and railways; with our sense of the past and our sense of abroad; with France and England, life and art, sex and death, George Sand and Louise Colet, aesthetics and redcurrant jam; and with its enigmatic narrator, a retired English doctor, whose life and secrets are slowly revealed.

This electrifying new audiobook thrives on revealing, not resolving, the ambiguities of Shakespeare's plays and their changing topicality. It introduces an intellectually, theatrically and ethically exciting writer who engages with intersectionality as much as with Ovid, with economics as much as poetry: who writes in strikingly modern ways about individual agency, privacy, politics, celebrity and sex.  

Volume two of the definitive collection of Seamus Heaney reading his own work, recorded in 2009 by RTE. Volume two contains four collections published between 1979 and 1991: Field Work, Station Island, The Haw Lantern and Seeing Things.

From the Man Booker Prize-winning, New York Times best-selling author of Lincoln in the Bardo, a literary masterclass on how to become both a better writer and reader, on what makes great stories work and what they can tell us about how to live. In A Swim in a Pond in the Rain, George Saunders guides the listener through seven classic Russian short stories he's been teaching for 20 years as a professor in the prestigious Syracuse University graduate MFA creative writing program.

William Wordsworth's autobiographical poem The Prelude is arguably the most important piece of poetic writing in our language. Recorded in Wordsworth's home in Grasmere, Cumbria, Wordsworth looks back over events in his early life. Wordsworth believed that poetry should be written in the natural language of common speech, and in that way it was revolutionary in its time.

Hans Castorp is, on the face of it, an ordinary man in his early 20s, on course to start a career in ship engineering in his home town of Hamburg, when he decides to travel to the Berghof Santatorium in Davos. The year is 1912 and an oblivious world is on the brink of war. Castorp’s friend Joachim Ziemssen is taking the cure and a three-week visit seems a perfect break before work begins. But when Castorp arrives he is surprised to find an established community of patients, and little by little, he gets drawn into the closeted life and the individual personalities of the residents.