Miss Elizabeth Mapp, magnificent grande dame and heiress, is always on the lookout lest her neighbors fall outside the bounds of perfect, exemplary manners. But her tightly controlled world is soon beset on all sides by interlopers, first in the disturbingly masculine form of two very different retired army officers, both of whom are anything but retiring in their conflicting aims upon her heart.

Using her best social-climbing instincts and refusing to be embarrassed, Lucia sets out to conquer London and mingle with the beau monde. Soon a secret group of 'Luciaphiles' springs up; the social climbers who make up its rank never tire of watching her get into and out of all kinds of trouble.

Nothing escapes the snooping opera glasses of Miss Elizabeth Mapp. She whiles away her busy hours observing the small English village of Tilling, and recording the antics in her notebook. But her observations are set to be disrupted by amorous advances of two retired army generals, both vying for her affection. With Miss Mapp distracted, who will keep Miss Susan Poppit in her place or oversee the correct playing of bridge? More importantly will quiet Tilling be subject to a violent duel?

Mapp and Lucia is the centrepiece of E.F. Benson's series of Lucia novels - bringing together for the first time the eponymous middle-aged doyennes of polite 1930s society Miss Elizabeth Mapp and Emmeline Luca (Lucia to her friends). Lucia, recently widowed, is the newcomer to the village of Tilling and eager to wrest the reins of social supremacy from the incumbant Miss Mapp and install herself as its benevolent dictator.

The Man Who Went Too Far: A Ghost Story by E. F. Benson opens one summer’s day in a beautiful, sequestered garden on the edge of the New Forest. A forty-something artist visits a friend to recuperate from a debilitating illness but is staggered to discover him looking remarkably young and oddly vibrant. He listens as this ‘boy’ explains his new found philosophy, expands on the delight he takes in the natural world all around him and describes the strangely haunting music he has begun to hear in the woods and among the reeds.

It's not easy being a Provincial Lady in Devonshire in the 1920s, juggling a grumpy husband, mischievous children and a host of domestic dilemmas - from rice mould to a petulant cook. But this Provincial Lady will not be defeated; not by wayward flower bulbs, not by unexpected houseguests, not even by the Blitz. She will continue to preside over the W.I., endure rain-drenched family picnics and succeed as a published author, all the while tending to her strawberries.

Mildred Lathbury is one of those 'excellent women' who is often taken for granted. She is a godsend, 'capable of dealing with most of the stock situations of life - birth, marriage, death, the successful jumble sales, the garden fete spoilt by bad weather'. As such, she often gets herself embroiled in other people's lives - especially those of her glamorous new neighbours, the Napiers, whose marriage seems to be on the rocks.

It was odd that Harriet should always have been so fond of curates. They were so immature and always made the same kind of conversation. Now the Archdeacon was altogether different...'Together yet alone, the Misses Bede occupy the central crossroads of parish life. Harriet, plump, elegant and jolly, likes nothing better than to make a fuss of new curates, secure in the knowledge that elderly Italian Count Ricardo Bianco will propose to her yet again this year.

With his black hat, huge umbrella, unworldly simplicity and 'beaming but breathless geniality', Father Brown is one of fiction's best-loved amateur detectives. Short and tatty, but with the wisdom and insight to unravel the most wayward of criminal minds, he has entertained generations. In this collection of 13 full-cast dramatisations, the high priest of detection becomes involved in seven intriguing cases that will tax even his mental powers to the limit.

Jane Fortune causes a stir when she arrives in the small community of Dingleford. She has bought an old cottage and plans to open a tearoom. Old friends Charles Weatherby and Harold Prestcott both fall for the newcomer, but her behaviour seems to vary wildly – she encourages first one then the other and at other times barely recognises them. Is there more to the fair Miss Fortune than meets the eye?

Sisters Alison and Maud are joint landladies of the Abbeyfield Guest House, dispensing hospitality to a variety of demanding clients while also looking after their irascible, bedridden father downstairs in the granny flat. Dreamy ornithologist Alison has just moved back from Bloomsbury, while Maud ran a 3,000-acre farm in Africa - but neither sibling is really up to the task of managing a B&B, and chaos generally ensues.

A stunning collection of Just William stories, narrated by Martin Jarvis. These BBC radio readings of the adventures of William have come to be some of the most loved adaptations.

On doctor's orders, Bertie Wooster retires to sample the bucolic delights of Maiden Eggesford. But his idyll is rudely shattered by Aunt Dahlia who wants him to nobble a racehorse. Similar blots on Bertie's horizon come in the shape of Major Plank, the African explorer, Vanessa Cook, proud beauty and 'moulder of men', and Orlo Porter, who seems to have nothing else to do but to think of sundering Bertie's head from his body.

In the Angler’s Rest, drinking hot scotch and lemon, sits one of Wodehouse’s greatest raconteurs. Mr Mulliner, his vivid imagination lubricated by Miss Postlethwaite the barmaid, has fabulous stories to tell of the extraordinary behaviour of his far-flung family... One of them concerns Wilfred, who lights on the formula for Buck-U-Uppo, a tonic given to elephants to enable them to face tigers with the necessary nonchalance. Its explosive effects on a shy young curate and then the higher clergy is gravely revealed.

P. G. Wodehouse gives us a delightful romantic comedy of two struggling artists who fantastically misunderstand each other.