Sharply observant and wickedly funny, E.F. Benson's six Mapp and Lucia novels satirize the upper-middle-class social climbers in 1920s and '30s rural England. Games of bridge and cups of tea fuel hilarious gossip and vindictive plots a-plenty. It is a masterfully sustained spotlight on the minutiae of village life - a clever and ultimately heart-warming series that seems tailor-made for audio. Volume 1 contains the first three books. 

Using her best social-climbing instincts and refusing to be embarrassed, Lucia sets out to conquer London and mingle with the beau monde. Soon a secret group of 'Luciaphiles' springs up; the social climbers who make up its rank never tire of watching her get into and out of all kinds of trouble.

Mapp and Lucia is the centrepiece of E.F. Benson's series of Lucia novels - bringing together for the first time the eponymous middle-aged doyennes of polite 1930s society Miss Elizabeth Mapp and Emmeline Luca (Lucia to her friends). Lucia, recently widowed, is the newcomer to the village of Tilling and eager to wrest the reins of social supremacy from the incumbant Miss Mapp and install herself as its benevolent dictator.

Taking the position of mayor in the town of Tilling brings much delight to Lucia. However, with her local rival Miss Mapp around, trouble is never far away.Lucia is elevated to her new position with Georgie Pilson as her sidekick, confidant, and escort. Lucia and Georgie renew their acquaintance with the opera diva Olga Braceley and the composer Cortese, but nobody in Tilling believes Lucia when she claims to have entertained a duchess.

Arch enemies Mapp and Lucia return in the next instalment of E.F. Benson’s classic series of rural snobbery. Lucia is now a permanent resident of Tilling and continues her way up the social ladder with gusto, making attempts through the Town Council, finance, a platonic marriage and even the cricket club.

Barbara Jefford is the hilariously outrageous Lucia in this BBC Radio 4 dramatisation of the novel by E.F. Benson. Lucia is the uncrowned queen of 1920s provincial society, the Everest of social climbers and the most delicious of snobs. In the pastoral serenity of the village of Riseholme, Lucia and her unforgettable cronies face up to an Indian guru, spiritualism, and a cultural usurper.

It was odd that Harriet should always have been so fond of curates. They were so immature and always made the same kind of conversation. Now the Archdeacon was altogether different...'Together yet alone, the Misses Bede occupy the central crossroads of parish life. Harriet, plump, elegant and jolly, likes nothing better than to make a fuss of new curates, secure in the knowledge that elderly Italian Count Ricardo Bianco will propose to her yet again this year.

Mildred Lathbury is one of those 'excellent women' who is often taken for granted. She is a godsend, 'capable of dealing with most of the stock situations of life - birth, marriage, death, the successful jumble sales, the garden fete spoilt by bad weather'. As such, she often gets herself embroiled in other people's lives - especially those of her glamorous new neighbours, the Napiers, whose marriage seems to be on the rocks.

'Lady B. stays to tea. (Mem.: Bread-and-butter too thick. Speak to Ethel.) We talk some more about bulbs, the Dutch School of Painting, our Vicar's wife, sciatica, and All Quiet on the Western Front. (Query: is it possible to cultivate the art of conversation when living in the country all the year round?)' If the question suggests a qualified answer, there is no doubt that the art of diary writing is alive and well and very, very funny in Devonshire in the 1920s. At least in the hands of E. M. Delafield.

Wilmet Forsyth is well dressed, well looked after, suitably husbanded, good looking, and fairly young - but very bored. Her husband Rodney, a handsome army major, is slightly balder and fatter than he once was. Wilmet would like to think she has changed rather less. Her interest wanders to the nearby Anglo-Catholic church, where at last she can neglect her comfortable household in the more serious-minded company of three unmarried priests and Piers Longridge, a man of a different character altogether.

The usual suspects, including Lord Emsworth and his prize pig, the Empress, line up at Blandings Castle for a Wodehousian caper that sees members of the upper-classes getting hot and bothered over a nude painting they all want to get their hands on. This is wit at its very finest, read by one of our superlative actors, who reads Wodehouse with the requisite style and panache.

Uncle Fred, or to give him his full title: Fredrick Altamont Cornwallis Twistleton, fifth Earl of Ickenham, is considered by some as a "splendid gentleman, a sportsman to his fingertips". Mr Twistleton, nephew to Earl, and otherwise known as "Pongo" to his friends, has a differing view. He simply describes his uncle as "being loopy to the tonsils".

“I have the honour to offer up to you, thanks to the good people of Audible, a selection of some of my very favourite Wodehouse. If these stories are new to you I hope it will be the beginning of a lifelong pleasure, if some or all are familiar I hope you will welcome them like old friends.” (Stephen Fry). Audible Studios presents this brand new performance by Stephen Fry of some of his favourite Jeeves stories from P.G. Wodehouse, with an exclusive introduction. 

The Diary of Nobody (1892) created a cultural icon, an English archetype. Anxious, accident-prone, occasionally waspish, Charles Pooter has come to epitomize English suburban life. His diary chronicles encounters with difficult tradesmen, the delights of home improvements, small parties, minor embarrassments, and problems with his troublesome son. The suburban world he inhabits is hilariously and painfully familiar in its small-mindedness and its essential decency.

The debonair Uncle Fred makes a welcome return to Blandings, where plotting and confusion is rife. Blackmail, sabotage, jilted lovers and pigs under threat of kidnap all feature largely, making this hilarious instalment in the Blandings series irresistible to fans and newcomers alike. The story sees lovely debutante Myra Schoonmaker unhappily ensconced in Blandings at the insistence of Lady Constance Keeble, who objects to Myra’s entanglement with curate Bill Bailey.