Miss Elizabeth Mapp, magnificent grande dame and heiress, is always on the lookout lest her neighbors fall outside the bounds of perfect, exemplary manners. But her tightly controlled world is soon beset on all sides by interlopers, first in the disturbingly masculine form of two very different retired army officers, both of whom are anything but retiring in their conflicting aims upon her heart.

Mapp and Lucia is the centrepiece of E.F. Benson's series of Lucia novels - bringing together for the first time the eponymous middle-aged doyennes of polite 1930s society Miss Elizabeth Mapp and Emmeline Luca (Lucia to her friends). Lucia, recently widowed, is the newcomer to the village of Tilling and eager to wrest the reins of social supremacy from the incumbant Miss Mapp and install herself as its benevolent dictator.

Using her best social-climbing instincts and refusing to be embarrassed, Lucia sets out to conquer London and mingle with the beau monde. Soon a secret group of 'Luciaphiles' springs up; the social climbers who make up its rank never tire of watching her get into and out of all kinds of trouble.

Taking the position of mayor in the town of Tilling brings much delight to Lucia. However, with her local rival Miss Mapp around, trouble is never far away.Lucia is elevated to her new position with Georgie Pilson as her sidekick, confidant, and escort. Lucia and Georgie renew their acquaintance with the opera diva Olga Braceley and the composer Cortese, but nobody in Tilling believes Lucia when she claims to have entertained a duchess.

Arch enemies Mapp and Lucia return in the next instalment of E.F. Benson’s classic series of rural snobbery. Lucia is now a permanent resident of Tilling and continues her way up the social ladder with gusto, making attempts through the Town Council, finance, a platonic marriage and even the cricket club.

Barbara Jefford is the hilariously outrageous Lucia in this BBC Radio 4 dramatisation of the novel by E.F. Benson. Lucia is the uncrowned queen of 1920s provincial society, the Everest of social climbers and the most delicious of snobs. In the pastoral serenity of the village of Riseholme, Lucia and her unforgettable cronies face up to an Indian guru, spiritualism, and a cultural usurper.

It was odd that Harriet should always have been so fond of curates. They were so immature and always made the same kind of conversation. Now the Archdeacon was altogether different...'Together yet alone, the Misses Bede occupy the central crossroads of parish life. Harriet, plump, elegant and jolly, likes nothing better than to make a fuss of new curates, secure in the knowledge that elderly Italian Count Ricardo Bianco will propose to her yet again this year.

It's not easy being a Provincial Lady in Devonshire in the 1920s, juggling a grumpy husband, mischievous children and a host of domestic dilemmas - from rice mould to a petulant cook. But this Provincial Lady will not be defeated; not by wayward flower bulbs, not by unexpected houseguests, not even by the Blitz. She will continue to preside over the W.I., endure rain-drenched family picnics and succeed as a published author, all the while tending to her strawberries.

Mildred Lathbury is one of those 'excellent women' who is often taken for granted. She is a godsend, 'capable of dealing with most of the stock situations of life - birth, marriage, death, the successful jumble sales, the garden fete spoilt by bad weather'. As such, she often gets herself embroiled in other people's lives - especially those of her glamorous new neighbours, the Napiers, whose marriage seems to be on the rocks.

The Diary of Nobody (1892) created a cultural icon, an English archetype. Anxious, accident-prone, occasionally waspish, Charles Pooter has come to epitomize English suburban life. His diary chronicles encounters with difficult tradesmen, the delights of home improvements, small parties, minor embarrassments, and problems with his troublesome son. The suburban world he inhabits is hilariously and painfully familiar in its small-mindedness and its essential decency.

Catherine Oliphant writes for women's magazines and lives comfortably with anthropologist Tom Mallow - although she's starting to wonder if they'll ever get married. Then Tom drops his bombshell: He's leaving her for a 19-year-old student. Though stunned by Tom's betrayal, Catherine quickly becomes fascinated by another anthropologist, Alaric Lydgate, a reclusive eccentric recently returned from Africa. As Catherine starts to weigh her options, she must figure out who she is and what she really wants.

Here, the master of 20th century English humor, P. G. Wodehouse, presents two of his most beloved classics: The Inimitable Jeeves and My Man Jeeves. The perpetually befuddled Bertie Wooster and his knight-in-shining-tuxedo Jeeves have long been hailed as the greatest literary creations of P. G. Wodehouse, the most popular English humorist in history. Here are two complete novels, the latter containing a handful of short stories featuring Reggie Pepper, an early prototype for Bertie.

A vivid and affectionate portrait of the residents of an English country town in the mid-19th century, Cranford describes a community dominated by its independent and refined women, relating the adventures of Miss Matty and Miss Deborah, two middle-aged spinster sisters striving to live with dignity in reduced circumstances. Through a series of satirical vignettes, Gaskell sympathetically portrays changing small town customs and values in mid-Victorian England....

Oh, the boredom of waiting to grow up! Longing for love, obsessed with weddings and sex, Linda and her sisters and cousin Fanny fantasise about the perfect lover. But finding Mr Right proves difficult, and Linda must bear marriage with both Tony the stuffy Tory MP and gorgeously handsome but humourless communist Christian before finding real passion in war-torn Paris with Fabrice.

Wilmet Forsyth is well dressed, well looked after, suitably husbanded, good looking, and fairly young - but very bored. Her husband Rodney, a handsome army major, is slightly balder and fatter than he once was. Wilmet would like to think she has changed rather less. Her interest wanders to the nearby Anglo-Catholic church, where at last she can neglect her comfortable household in the more serious-minded company of three unmarried priests and Piers Longridge, a man of a different character altogether.