Queen Lucia

Miss Elizabeth Mapp, magnificent grande dame and heiress, is always on the lookout lest her neighbors fall outside the bounds of perfect, exemplary manners. But her tightly controlled world is soon beset on all sides by interlopers, first in the disturbingly masculine form of two very different retired army officers, both of whom are anything but retiring in their conflicting aims upon her heart.

Mapp and Lucia is the centrepiece of E.F. Benson's series of Lucia novels - bringing together for the first time the eponymous middle-aged doyennes of polite 1930s society Miss Elizabeth Mapp and Emmeline Luca (Lucia to her friends). Lucia, recently widowed, is the newcomer to the village of Tilling and eager to wrest the reins of social supremacy from the incumbant Miss Mapp and install herself as its benevolent dictator.

Using her best social-climbing instincts and refusing to be embarrassed, Lucia sets out to conquer London and mingle with the beau monde. Soon a secret group of 'Luciaphiles' springs up; the social climbers who make up its rank never tire of watching her get into and out of all kinds of trouble.

Arch enemies Mapp and Lucia return in the next instalment of E.F. Benson’s classic series of rural snobbery. Lucia is now a permanent resident of Tilling and continues her way up the social ladder with gusto, making attempts through the Town Council, finance, a platonic marriage and even the cricket club.

Taking the position of mayor in the town of Tilling brings much delight to Lucia. However, with her local rival Miss Mapp around, trouble is never far away.Lucia is elevated to her new position with Georgie Pilson as her sidekick, confidant, and escort. Lucia and Georgie renew their acquaintance with the opera diva Olga Braceley and the composer Cortese, but nobody in Tilling believes Lucia when she claims to have entertained a duchess.

Barbara Jefford is the hilariously outrageous Lucia in this BBC Radio 4 dramatisation of the novel by E.F. Benson. Lucia is the uncrowned queen of 1920s provincial society, the Everest of social climbers and the most delicious of snobs. In the pastoral serenity of the village of Riseholme, Lucia and her unforgettable cronies face up to an Indian guru, spiritualism, and a cultural usurper.

It was odd that Harriet should always have been so fond of curates. They were so immature and always made the same kind of conversation. Now the Archdeacon was altogether different...'Together yet alone, the Misses Bede occupy the central crossroads of parish life. Harriet, plump, elegant and jolly, likes nothing better than to make a fuss of new curates, secure in the knowledge that elderly Italian Count Ricardo Bianco will propose to her yet again this year.

Mildred Lathbury is one of those 'excellent women' who is often taken for granted. She is a godsend, 'capable of dealing with most of the stock situations of life - birth, marriage, death, the successful jumble sales, the garden fete spoilt by bad weather'. As such, she often gets herself embroiled in other people's lives - especially those of her glamorous new neighbours, the Napiers, whose marriage seems to be on the rocks.

'Lady B. stays to tea. (Mem.: Bread-and-butter too thick. Speak to Ethel.) We talk some more about bulbs, the Dutch School of Painting, our Vicar's wife, sciatica, and All Quiet on the Western Front. (Query: is it possible to cultivate the art of conversation when living in the country all the year round?)' If the question suggests a qualified answer, there is no doubt that the art of diary writing is alive and well and very, very funny in Devonshire in the 1920s. At least in the hands of E. M. Delafield.

Wilmet Forsyth is well dressed, well looked after, suitably husbanded, good looking, and fairly young - but very bored. Her husband Rodney, a handsome army major, is slightly balder and fatter than he once was. Wilmet would like to think she has changed rather less. Her interest wanders to the nearby Anglo-Catholic church, where at last she can neglect her comfortable household in the more serious-minded company of three unmarried priests and Piers Longridge, a man of a different character altogether.

Oh, the boredom of waiting to grow up! Longing for love, obsessed with weddings and sex, Linda and her sisters and cousin Fanny fantasise about the perfect lover. But finding Mr Right proves difficult, and Linda must bear marriage with both Tony the stuffy Tory MP and gorgeously handsome but humourless communist Christian before finding real passion in war-torn Paris with Fabrice.

A vivid and affectionate portrait of the residents of an English country town in the mid-19th century, Cranford describes a community dominated by its independent and refined women, relating the adventures of Miss Matty and Miss Deborah, two middle-aged spinster sisters striving to live with dignity in reduced circumstances. Through a series of satirical vignettes, Gaskell sympathetically portrays changing small town customs and values in mid-Victorian England....

My Man Jeeves, first published in 1919, introduced the world to affable, indolent Bertie Wooster and his precise, capable valet, Jeeves. Some of the finest examples of humorous writing found in English literature are woven around the relationship between these two men of very different classes and temperaments. Where Bertie is impetuous and feeble, Jeeves is coolheaded and poised.

It is 1936, and Lord Peter Wimsey has returned from his honeymoon to set up home with his cherished new wife, the novelist Harriet Vane. As they become part of fashionable London society, they encounter the glamorous socialite Rosamund Harwell and her wealthy impresario husband, Laurence. Unlike the Wimseys they are not in love - and all too soon, one of them is dead. A murder case that only Lord Peter Wimsey can solve.

With a fun and folksy way of addressing its audience, Keep Moving serves as an instruction audiobook on how to embrace old age with a positive attitude. The chapters are filled with exclusive personal anecdotes that explore various themes on aging: how to adapt to the physical and social changes, deal with loss of friends and loved ones, stay current, fall in love again, and "keep moving" every day like there's no tomorrow.