Led by his guide, Beatrice, Dante leaves the Earth behind and soars through the heavenly spheres of Paradise. In this third and final part of The Divine Comedy, he encounters the just rulers and holy saints of the Church. The horrors of Inferno and the trials of Purgatory are left far behind. Ultimately, in Paradise, Dante is granted a vision of God’s Heavenly court: the angels, the Blessed Virgin, and God Himself.

"Abandon all hope you who enter here." ( "Lasciate ogne speranza voi ch’intrate.") Dante’s Hell is one of the most remarkable visions in Western literature. An allegory for his and future ages, it is, at the same time, an account of terrifying realism. Passing under a lintel emblazoned with these frightening words, the poet is led down into the depths by Virgil and shown those doomed to suffer eternal torment for vices exhibited and sins committed on earth.

Written in alternating prose and poetry, La Vita Nuova is a profound reflection on the nature of love, devoted to Dante's muse Beatrice. Following Beatrice's death in 1290, Dante became obsessed with the young Florentine woman, whom he only ever knew from a distance. He believed his love for her was a form of divine love and saw her as an image of salvation itself - a theme that is later explored in his masterpiece The Divine Comedy, where she guides him through heaven.

Blake Ritson, David Warner, Hattie Morahan and John Hurt star in this BBC Radio 4 dramatisation of Dante's epic poem. Inferno: Thirty-five year old Dante finds himself in the middle of a dark wood, in extreme personal and spiritual crisis. Hope of rescue appears in the form of the venerable poet Virgil, now a shade himself, who offers to lead Dante on an odyssey through the afterlife, beginning in the terrifying depths of Hell.

In words remarkable for their richness of rhythm and imagery, Milton tells the story of man's creation, fall, and redemption, "to justify the ways of God to men". Here, unabridged, and told with exceptional sensitivity and power by Anton Lesser, is the plight of Adam and Eve, the ambition and vengefulness of Satan and his cohorts.

Faust is one of the pillars of Western literature. This classic drama presents the story of the scholar Faust, tempted into a contract with the Devil in return for a life of sensuality and power. Enjoyment rules, until Faust’s emotions are stirred by a meeting with Gretchen, and the tragic outcome brings Part 1 to an end. Part 2, written much later in Goethe’s life, places his eponymous hero in a variety of unexpected circumstances, causing him to reflect on humanity and its attitudes to life and death.

These are masterly readings, by renowned thespian Paul Schofield, of two substantial works of poetry by T.S. Eliot.

In Paradise Regained, Satan again is on the prowl, having successfully tempted Adam and Eve, and forced their departure from the Garden of Eden. Here he sets out to tempt again, this time Jesus himself, as he comes to the end of his 40 days in the desert. The magisterial poetry of Milton enriches the encounter and, while not matching the greatness achieved in Paradise Lost, provides drama and depth.

Uncle Fred, or to give him his full title: Fredrick Altamont Cornwallis Twistleton, fifth Earl of Ickenham, is considered by some as a "splendid gentleman, a sportsman to his fingertips". Mr Twistleton, nephew to Earl, and otherwise known as "Pongo" to his friends, has a differing view. He simply describes his uncle as "being loopy to the tonsils".

These four works show Samuel Beckett at his most penetrating. Both Krapp's Last Tape (1958) and Not I (1972) are among the most striking pieces written for the theatre in the 20th century. An old man sits at a table, playing back old tapes made when he was younger, mixed glimpses of past feelings. In Not I, we have just a mouth expressing memories and torment in a torrent of words.

What does it mean to say that we live in a secular age? Almost everyone would agree that we - in the West, at least - largely do. And clearly the place of religion in our societies has changed profoundly in the last few centuries. In what will be a defining book for our time, Charles Taylor takes up the question of what these changes mean - of what, precisely, happens when a society in which it is virtually impossible not to believe in God becomes one in which faith, even for the staunchest believer, is only one human possibility among others.

Malone Dies is the first person monologue of Malone, an old man lying in bed and waiting to die. The tone is fiercely ironic, highly quotable, and because of its extravagance, also very comic. It catches the reality of old age in a way that is grimly convincing, cruel as humor so often is, and memorable because of Beckett's way with words. A master dramatist, Beckett's novels can be even more effective when heard, and especially when read by such a Beckett specialist as Sean Barrett.

Chrétien de Troyes' Perceval is the single most important Arthurian romance. It contains the very first mention of the mysterious grail, later to become the Holy Grail and the focal point of the spiritual quest of the knights of Arthur's court. Chrétien left the poem unfinished, but the extraordinary and intriguing theme of the Grail was too good to leave, and other poets continued and eventually completed it.

Sir Ian McKellen, fresh from his performance as Gandalf in Lord of the Rings, is Prospero, and heads a strong cast in Shakespeare’s last great play. The wronged duke raises a tempest to shipwreck his old opponents on his island so that he can ensure justice is done. With Emilia Fox as Miranda, Scott Handy in the pivotal role of the sprite Ariel, and Ben Owukwe as Caliban.

In The Canterbury Tales Chaucer created one of the great touchstones of English literature, a masterly collection of chivalric romances, moral allegories and low farce. A story-telling competition between a group of pilgrims from all walks of life is the occasion for a series of tales that range from the Knight's account of courtly love and the ebullient Wife of Bath's Arthurian legend, to the ribald anecdotes of the Miller and the Cook.