One Across, Two Down

Eve and Liza, Mother and Daughter, live a quiet life in their remote home; a rustic gatehouse of a country mansion. At first glance their lives appear quite ordinary, except that Liza has almost no knowledge of the outside world, has never played with a child her own age and has witnessed her mother commit murder, on multiple occasions.

The first girl had a bite mark on her neck, but they traced the DNA to her boyfriend. But the tabloids got hold of the story and called the killer 'The Rottweiler' and the name stuck. The latest murder takes place very near Inez Ferry's antique shop in Marylebone. When the Rottweiler’s trinkets start showing up in the shop, suddenly, everyone Inez knows is a suspect, and the killer feels all too close.

Four members of the Coverdale family - George, Jacqueline, Melinda and Giles - died in the space of fifteen minutes on the 14th February, St Valentine's Day. Eunice Parchman, the housekeeper, shot them down on a Sunday evening while they were watching opera on television. Two weeks later she was arrested for the crime. But the tragedy neither began nor ended there...

Two damaged children: Teddy Brex, whom no-one loved, and so found it easier to relate to objects or things which never let him down; and Francine Hill, who was discovered sitting by the body of her mother, her skirt red with blood. She couldn’t tell the police or her father anything to help track down the killer.... Children grow up in different ways. Teddy became a handsome young man, Francine was beautiful - a sight for sore eyes. But it was death that brought them together.

Full-cast dramatisations of seven of Ruth Rendell's tense psychological thrillers. This collection includes The Bridesmaid, Going Wrong, King Solomon’s Carpet, People Don’t Do Such Things, The Fever Tree, The Dreadful Day of Judgment and Thornapple. Among the casts of these seven suspenseful adaptations are Jamie Glover, Mark Strong, Reece Shearsmith, Paul Rhys, Danny Sapani and Juliet Aubrey. 

Mary Jago had donated her own bone marrow to save the life of someone she didn’t know. And this generous act led directly to the bitter break-up of her affair with Alistair. For him, it was as though her beauty had been plundered. But the man whose life she had saved would change Mary’s life in a way she could never have imagined.

No one would have described Manningtree Grove as fashionable. Few would have found it especially interesting. But it was not an unpleasant place to live: the old railway line lay in a valley, and the gardens looked onto it. It was the kind of place where nothing ever happened. Yet it was here that Peter Yearman first sold his soul to the devil....

When he unexpectedly comes into a small fortune, he decides to use his newfound wealth to help out those in need. Finn also leads a quiet life, and comes into a little money of his own. Normally, their paths would never have crossed. But Martin’s ideas about who should benefit from his charitable impulses yield some unexpected results, and soon the good intentions of the one become fatally entangled with the mercenary nature of the other.

A spectacularly compelling story of blackmail, murders both accidental and opportunistic, and one life’s fateful unravelling from Ruth Rendell, writing at her most acute and mesmerising. When his father dies, Carl Martin inherits a house in an increasingly rich and trendy London neighbourhood. Carl needs cash, however, so he rents the upstairs room and kitchen to the first person he interviews, Dermot McKinnon. That was colossal mistake number one.

In A Demon in My View, Ruth Rendell creates a character as frightening as he is fascinating. Mild-mannered Arthur Johnson has never known how to talk to women. And his loneliness has perverted his desire for love and respect into a carefully controlled penchant for violence. One floor below him, a scholar finishing his thesis on psychopathic personalities is about to stumble - quite literally - upon one of Arthur's many secrets.

Philip Wardman had more than just the ordinary squeamishness where death was concerned. Yet he could hardly avoid the suspicious disappearance of his sister's friend Rebecca Neave, especially when everyone was ascribing the cause to murder. Philip's feminine ideal is the statue of the Roman goddess Flora in his mother's garden. His marble Flora doesn't fade, doesn't alter, and doesn’t die.

Like most families, they had their secrets...and they hid them under a genteelly respectable veneer. No onlooker would guess that prim Vera Hillyard and her beautiful, adored younger sister, Eden, were locked in a dark and bitter combat over one of those secrets. England in the '50s was not kind to women who erred, so they had to use every means necessary to keep the truth hidden behind closed doors - even murder.

The Portobello area of West London has a rich personality. It also has an edge to it. There is nothing safe about Portobello.

Eugene Wren was 50, with prematurely white hair. He also had an addictive personality. But he had cut back on alcohol and had given up cigarettes - which was just as well, considering he was going out with a doctor. On a shopping trip one day, Eugene, quite by chance, came across an envelope containing money.....

Two years ago, he had been a promising young novelist. Now he barely survives in a near derelict cottage with only his own obsessive thoughts for company. Two years of loving Drusilla - the rich, unstable girl with everything she needed, and a husband she wanted dead. The affair was over. But the long slide into violence had just begun....

Wealthy Alice Whittaker is known for her generosity, and when her friend Nesta vanishes Alice is determined to find her and help her. If that means money, well, Alice has plenty of it. Then the handsome Mr Fielding enters her life, ten years younger than Alice and they marry. But when Alice starts to feel sick -- a virus perhaps, something she just can't shake, her husband seems determined to keep her at home. Is he just being a doting husband who wants his wife to get better?