The Magician tells the story of Thomas Mann, whose life was filled with great acclaim and contradiction. He would find himself on the wrong side of history in the First World War, cheerleading the German army, but have a clear vision of the future in the second, anticipating the horrors of Nazism. He would have six children and keep his homosexuality hidden; he was a man forever connected to his family and yet bore witness to the ravages of suicide. 

The author of the immortal Lolita and Pale Fire, born to an eminent Russian family, conjures the apotheosis of the high modernist artist: cultured, refined - as European as they come. But Vladimir Nabokov, who came to America fleeing the Nazis, came to think of his time here as the richest of his life. Indeed, Nabokov was not only happiest here, but his best work flowed from his response to this exotic land.

Other Colours is a collection of immediate relevance and timeless value, ranging from lyrical autobiography to criticism of literature and culture, from humour to political analysis, from delicate evocations of his friendship with his daughter Ruya to provocative discussions of Eastern and Western art. It also covers Pamuk's recent, high profile, court case. 

Embodiment is not an easy business. From violence to illness, sexuality to racism, the fact of a body can be impossibly hard to inhabit. Olivia Laing draws on her own background in protest and alternative medicine to investigate the reasons why. Laing’s exploration of the complexities of bodily life takes in some of the most significant and beguiling figures of the past century, among them the psychoanalyst Wilhelm Reich, the painters Francis Bacon and Agnes Martin and the singer and civil rights activist Nina Simone.

Penguin presents the unabridged, downloadable audiobook edition of The Master by Colm Toibin, read by Geoffrey Howard.In January 1895 Henry James anticipates the opening of his first play, Guy Domville, in London. The production fails, and he returns, chastened and humiliated, to his writing desk. The result is a string of masterpieces, but they are produced at a high personal cost.

Julian Barnes began writing about art with a chapter on Géricault's The Raft of the Medusa in his 1989 novel A History of the World in 10 1/2 Chapters. Since then he has written a series of remarkable essays, chiefly about French artists, for a variety of journals and magazines. Gathering them for this book, he realised that he had unwittingly been retracing the story of how art made its way from Romanticism to Realism and into Modernism. 

John Lithgow has compiled an outstanding collection of memorable poems and has gathered his famous friends to read them. The wide variety of carefully selected poetry in this audiobook provides the perfect introduction to reel in those who are new to poetry, and for poetry lovers to experience beloved verses in a fresh, vivid way. Lithgow offers insightful and sometimes poignant commentary to accompany each poem. His essential criterion is that "each poem's light shines more brightly when read aloud".

Published in their entirety, Sylvia Plath's journals provide an intimate portrait of the writer who was to produce in the last seven months of her life some of the most extraordinary poems of the 20th century. Faithfully transcribed from the 23 journals and journal fragments owned by Smith College, The Unabridged Journals of Sylvia Plath includes two journals that Plath's husband, Ted Hughes, unsealed just before his death in 1998.

The landmark selection of poems from the greatest poet of our age, read on audio by Seamus Heaney himself. 'His is "close-up" poetry - close up to thought, to the world, to the emotions. Few writers at work today, in verse or fiction, can give the sense of rich, fecund, lived life that Heaney does.(John Banville )More than any other poet since Wordsworth he can make us understand that the outside world is not outside, but what we are made of. (John Carey)

In Wade in the Water, Tracy K. Smith boldly ties America's contemporary moment both to our nation's fraught founding history and to a sense of the spirit, the everlasting. These are poems of sliding scale: some capture a flicker of song or memory; some collage an array of documents and voices; and some push past the known world into the haunted, the holy.  Smith's signature voice - inquisitive, lyrical, and wry - turns over what it means to be a citizen, a mother, and an artist in a culture arbitrated by wealth, men, and violence. 

This is an audiobook about a poet, about a poem, about a city, and about a world at a point of change. More than a work of literary criticism or literary biography, it is a record of why and how we create and respond to great poetry. This an audiobook about a poet, W. H. Auden, a wunderkind, a victim-beneficiary of a literary cult of personality who became a scapegoat and a poet-expatriate largely excluded from British literary history because he left.

Developed from Adam Sol’s popular blog, How a Poem Moves is a collection of 35 short essays that walks listeners through an array of contemporary poems. Sol is a dynamic teacher, and in these essays, he has captured the humor and engaging intelligence for which he is known in the classroom. With a breezy style, Sol delivers essays that are perfect for a quick listen or to be grouped together as a curriculum.

Mary Oliver has published fifteen volumes of poetry and five books of prose in the span of four decades, but she rarely performs her poetry in live readings. Now, with the arrival of At Blackwater Pond, Mary Oliver has given her audience what they've longed to hear: the poet's voice reading her own work.

McEwen espouses the pleasure to be found in slowing down, both for the ease and comfort of the thing itself (taking time to go for a walk, to write down one's dreams, to read, to talk, to pray), and for its impact on creativity. There are chapters on walking, talking, drawing, dreaming, on "making space", on pausing/praying, on telling stories. World Enough and Time is aimed at the educated general listener, could be used as a creative primer, and will be of interest to creative-writing students and artists in every genre.

'The sun shone, having no alternative, on the nothing new.' So opens Murphy, Samuel Beckett's first novel, published in 1938. Its work-shy eponymous hero, adrift in London, realises that desire can never be satisfied and withdraws from life, in search of stupor. Murphy's lovestruck fiancée, Celia, tries with tragic pathos to draw him back, but her attempts are doomed to failure. In Dublin, Murphy's friends and familiars are simulacra of him, fragmented and incomplete. They come to London in search of him.