Sofia, Bulgaria, a landlocked city in southern Europe, stirs with hope and impending upheaval. Soviet buildings crumble, wind scatters sand from the far south and political protesters flood the streets with song. In this atmosphere of disquiet, an American teacher navigates a life transformed by the discovery and loss of love. As he prepares to leave the place he’s come to call home, he grapples with the intimate encounters that have marked his years abroad, each bearing uncanny reminders of his past.

A family in New York packs the car and sets out on a road trip. A mother, a father, a boy and a girl, they head southwest, to the Apacheria, the regions of the US which used to be Mexico. They drive for hours through desert and mountains. They stop at diners when they’re hungry and sleep in motels when it gets dark. The little girl tells surreal knock knock jokes and makes them all laugh. The little boy educates them all and corrects them when they’re wrong. The mother and the father are barely speaking to each other.

From the award-winning author of 10:04 and Leaving the Atocha Station, a tender and expansive family drama set in the American Midwest at the turn of the century: a tale of adolescence, transgression, and the conditions that have given rise to the trolls and tyrants of the new right. Adam Gordon is a senior at Topeka High School, class of 1997. His mother, Jane, is a famous feminist author; his father, Jonathan, is an expert at getting "lost boys" to open up. They both work at the Foundation, a well-known psychiatric clinic that has attracted staff and patients from around the world.

It is the evening of 16-year-old Melody's coming of age ceremony in her grandparents' brownstone. Watched lovingly by her relatives and friends, making her entrance to the music of Prince, she wears a special custom-made dress - the very same dress that was sewn for a different wearer, Melody's mother, for a celebration that ultimately never took place. Unfurling the history of Melody's parents and grandparents - from the 1921 Tulsa massacre to post-9/11 New York....

Latticing one cherry pie after another, an Ohio housewife tries to bridge the gaps between reality and the torrent of meaningless info that is the United States of America. She worries about her children, her dead parents, African elephants, the bedroom rituals of happy couples, Weapons of Mass Destruction and how to hatch an abandoned wood pigeon egg. A scorching indictment of America's barbarity, past and present, and a lament for the way we are sleepwalking into environmental disaster - a heresy, a wonder - and a revolution in the novel.

Not far from London, there is a village. This village belongs to the people who live in it and to those who lived in it hundreds of years ago. It belongs to England's mysterious past and its confounding present. It belongs to Mad Pete, the grizzled artist. To ancient Peggy, gossiping at her gate. To families dead for generations, and to those who have only recently moved here. But it also belongs to Dead Papa Toothwort who has woken from his slumber in the woods. Dead Papa Toothwort, who is listening to them all. 

In 1989, Saul is hit by a car on the Abbey Rd crossing. He is fine; he gets up and goes to see his girlfriend, Jennifer. They have sex and then break up. He leaves for the GDR, where he will have more sex, bury his dead father in a matchbox, and get on the wrong side of the Stasi. In 2016, Saul is hit by a car on the Abbey Rd crossing. He is not fine at all; he is rushed to hospital and spends the following days in and out of consciousness. Jennifer is sitting by his bedside. His very-much-not-dead father is sitting by his bedside. Someone important is missing.

The Christmas season offers little cheer for Eileen Dunlop, an unassuming yet disturbed young woman, trapped between her role as her alcoholic father's carer and her day job as a secretary at the prison. When the charismatic Rebecca Saint John arrives as the new counsellor at the prison, Eileen is enchanted and unable to resist what appears to be a miraculously budding friendship.

Our brains stay active for 10 minutes after our heart stops beating. For Leila, each minute brings with it a new memory: growing up with her father and his wives in a grand old house in a quiet Turkish town; watching the women gossip and wax their legs while the men went to mosque; sneaking cigarettes and Western magazines on her way home from school; running away to Istanbul to escape an unwelcome marriage; falling in love with a student who seeks shelter from a riot in the brothel where she works. 

A nameless woman enters a nondescript hotel room she's been in once before, many years ago. Though the room hasn't changed, she has, as have the dimensions of her life. As she goes on to occupy a series of hotel rooms around the world - each of which reflects back some aspect of herself - we begin to piece together the details of what transpires in these rooms, the rules of engagements she's put in place for herself and the men she sometimes meets, and the outlines of the absence she is trying to forget. 

Esmé Weijun Wang was officially diagnosed with schizoaffective disorder in 2013, although the hallucinations and psychotic episodes had started years before that. In the midst of a high functioning life at Yale, Stanford and the literary world, she would find herself floored by an overwhelming terror that 'spread like blood', or convinced that she was dead, or that her friends were robots, or spiders were eating holes in her brain.

This is the story of Irish theatre legend Katherine O’Dell, as told by her daughter Norah. It tells of early stardom in Hollywood, of highs and lows on the stages of Dublin and London’s West End. Katherine’s life is a grand performance, with young Norah watching from the wings. But this romance between mother and daughter cannot survive Katherine’s past, or the world’s damage. As Norah uncovers her mother’s secrets, she acquires a few of her own. Then, fame turns to infamy when Katherine decides to commit a bizarre crime.

Nora is an unflinching frontierswoman awaiting the return of the men in her life - her husband who has gone in search of water for the parched household, and her elder sons who have vanished after an explosive argument. Nora is biding her time with her youngest son, who is convinced that a mysterious beast is stalking the land around their home, and her husband's 17-year-old cousin, who communes with spirits. Lurie is a former outlaw and a man haunted by ghosts.

A striking and surprising debut novel from an exhilarating new voice, Such a Fun Age is a big-hearted story about race and privilege, set around a young black babysitter, her well-intentioned employer and a surprising connection between them that threatens to undo them both. When Emira is apprehended at a supermarket for ‘kidnapping’ the white child she’s actually babysitting, it sets off an explosive chain of events. Her employer Alix, a feminist blogger with a ‘personal brand’ and the best of intentions, resolves to make things right.  

Interleaving 10 completely new and unpublished stories with some of her best-loved pieces from the New Yorker and elsewhere, Zadie Smith presents a dizzyingly rich and varied collection of fiction. Moving exhilaratingly across genres and perspectives, from the historic to the vividly current to the slyly dystopian, Grand Union is a sharply alert and prescient collection about time and place, identity and rebirth, the persistent legacies that haunt our present selves and the uncanny futures that rush up to meet us.