Once a week Rosie Tipcott counts her blessings. She goes to sit on her favourite bench on the North Devon cliffs and thanks her lucky stars for her wonderful husband, her mischievous young daughters and her house by the sea. But then her husband unexpectedly leaves her for another woman and takes the children. Now she must ask the question: what is left in her life? Can Rosie find the strength to rebuild herself? More importantly, does she even want to?

This is a story of something like survival. Sal planned it for almost a year before they ran. She nicked an Ordnance Survey map from the school library. She bought a compass, a Bear Grylls knife, waterproofs and a first aid kit from Amazon using credit cards she'd robbed. She read the SAS Survival Handbook and watched loads of YouTube videos. And now Sal knows a lot of stuff. Like how to build a shelter and start a fire. How to estimate distances, snare rabbits and shoot an airgun.

Everyone tells Martha Friel she is clever and beautiful, a brilliant writer who has been loved every day of her adult life by one man, her husband Patrick. So why is everything broken? Why is Martha - on the edge of 40 - friendless, practically jobless and so often sad? And why did Patrick decide to leave? Maybe she is just too sensitive, someone who finds it harder to be alive than most people. Or maybe - as she has long believed - there is something wrong with her. 

Clara Casey has more than enough on her plate. Her daughters are a handful and Clara, a senior cardiac specialist, has a new job to cope with.... For Ania, meeting Clara Casey is a miracle: she had never intended to leave her beloved Poland, but after the love of her life has turned sour, her world seems rather empty. Perhaps a new job in a new country will mend her broken heart?

Lauren and Jenna are as close as two sisters can be and they made a pact years ago to keep a devastating secret from their mother – but is it time to come clean? Lauren's teenage daughter Mackenzie masks her own pain by keeping her mother at a distance. Her mother, aunt and grandmother keep trying to reach her but will it take a stranger to show her the true meaning of family? When life changes in an instant, the Stewart women are thrown together for a summer and suddenly they must relearn how to be a family. 

Pete Riley is a stay-at-home dad; his partner, Maddie, works in advertising. After Pete drops two-year-old Theo off at nursery one morning, he's politely accosted by a man who looks just like Theo. The man, Miles Lambert, breaks the devastating news that Theo is in fact not Pete's son, but his - the two babies got mixed up at hospital and Miles and his wife, Lucy, now have the Rileys' son at home. They've already carried out DNA testing to prove it.

Jane Peters is an adrift 20-something by day, and a world-weary agony aunt by night. But when an office party goes too far, Jane dissolves into the high-stakes world of being the Other Woman: a role she has the right advice for, but not the smarts to follow through on. What starts out as a drunken mistake quickly unravels as Jane discovers that sex and power go hand in hand and that it's hard to keep your head when you've become someone else's dirty little secret. And soon, her friendships, her sanity and even her life are put into jeopardy.

In Jake, Marisa has found everything she’s ever wanted. Then their new lodger, Kate, arrives. Something about Kate isn’t right. Is it the way she looks at Marisa’s boyfriend? Sits too close on the sofa? Constantly asks about the baby they are trying for? Or is it all just in Marisa’s head? After all, that’s what her Jake keeps telling her, and she trusts him - doesn’t she? But Marisa knows something is wrong. That the woman sleeping in their house will stop at nothing to get what she wants. Marisa just doesn’t know why.

The Cows is a powerful novel about three women. In all the noise of modern life, each needs to find her own voice. It's about friendship and being female. It's bold and brilliant. It's searingly perceptive. It's about never following the herd. And everyone is going to be talking about it.

The Hungover Games is the true story of one woman’s adventures in single-motherhood. It’s about what happens when Mr Right isn’t around, so you have a baby with Mr Wrong, a musician who tells you halfway through your pregnancy that he’s met someone else - just after you’ve given up your LA life and moved back to England to be with him, so you’re now six months up the duff and sleeping on a friend’s sofa in an art studio in Dalston.

Incisive, wide-ranging and witty, it explores the questions, anxieties and agendas that consume our lives. Pandora Sykes interrogates the stories we’ve been sold and the ones we tell ourselves - from happiness to wellness, womanhood to consumerism - in ways that are both surprising and reassuring.

April hates men. Her dating life is a disaster and she carries the damage of her last relationship with her every day. She's trying so hard to put herself out there, but every time it seems like she's found something real it falls apart. If only April could be more like Gretel. Gretel knows how to behave perfectly in relationships - she's a 'Regular Everyday Manic Pixie Dream Girl Next Door With No Problems'. Gretel is exactly what all men want. The problem is, Gretel isn't real.  

Emily is raising two tiny feminists, building her freelance career and navigating life as a newly single mum - and feels like she's failing horribly. Tania just wants her other half to do his fair share - as long as it's done her way. But being right isn't nearly as much as fun as being in it together.... Helen has almost got family life sorted: a routine that suits them all, most days. Until her own mum turns up and turns calm into chaos.

It's Valentine's Day, and Ellie Knight finds herself eating Nutella in the bar stock after a no-show date. But single doesn't have to be the loneliest number, does it? She goes back home to her flatshare and weird flatmates. It's okay there's black mould everywhere, right? With a hangover from hell, she goes to the office job she thought she would have quit by now. Doesn't everyone hate their job? Maybe Ellie isn't following the official life plan, but perfect is overrated.

Charlotte has always been a good girl. But being good is getting boring. She’s not just stuck in a rut - she’s buried in it up to her chin. The only company she has in bed is the back catalogue of Netflix and falling in love feels like the stuff of fairy tales. So when she stumbles across a popular podcast, Sorry Not Sorry, which challenges women to embrace their inner bad girl, she jumps at the chance to shake things up.