In 1975, 15-year-old April Cooper and her 18-year-old boyfriend embark on a weeklong killing spree that results in the deaths in a dozen innocent people in Southern California's San Gabriel Valley. Was April a willing accomplice or a victim herself, abducted by an obsessed psychopath and forced into committing horrible acts? No one will ever know for sure, as April and Eric were apparently killed in a bloody shoot-out at the Death Valley compound of their final victims - a family of off-the-grid survivalists known as The Gideons. 

Marrying into a family with wealth, power and connections, Bree now has the perfect life: an adoring lawyer husband, two talented teenage daughters and a baby boy. But that perfect life is about to break. Watching from the balcony as her daughter rehearses for her school play, Bree’s baby vanishes. And then her phone rings.... To get her son back alive, Bree must complete one small but critical task. It seems harmless enough, but this one action comes with a devastating price. And now Bree finds herself complicit in a terrible crime. 

In a secluded farm house in the Pacific Northwest, a family has been slaughtered - and a teenage son has disappeared. Single mother and cop Emily Kenyon spearheads a dark hunt for a killer. But Emily's teenage daughter, Jenna, is one step ahead of her. Then another family is butchered, and another. As Emily fits the puzzle pieces together, she makes a chilling discovery: The killer is coming after her and her daughter.... 

Rachel Klein never meant to kiss her creative writing professor, but with his long eyelashes, silky hair and the sad, beautiful life he laid bare on Twitter, she does, and the kiss is very nice. Zahid Azzam never planned to become a houseguest in his student’s sprawling Connecticut home, but with the sparkling swimming pool, the endless supply of strawberries and Rachel’s beautiful mother, he does, and the home is very nice. 

After a serious case of school bullying becomes too much to bear, sisters July and September move across the country with their mother to a long-abandoned family home. In their new and unsettling surroundings, July finds that the deep bond she has always had with September - a closeness that not even their mother is allowed to penetrate - is starting to change in ways she cannot entirely understand. Inside the house the tension among the three women builds, while outside the sisters meet a boy who tests the limits of their shared experiences. 

Edie is just trying to survive. She’s messing up in her dead-end admin job in her all-white office, she is sleeping with all the wrong men and she has failed at the only thing that meant anything to her: painting. No one seems to care that she doesn’t really know what she’s doing with her life beyond looking for her next hook-up. And then she meets Eric, a white, middle-aged archivist with a suburban family, including a wife who has sort-of-agreed to an open marriage and an adopted Black daughter who doesn’t have a single person in her life who can show her how to do her hair.

Everyone has a Tully Dawson: the friend who defines your life. In the summer of 1986, in a small Scottish town, James and Tully ignite a brilliant friendship based on music, films and the rebel spirit. With school over and the locked world of their fathers before them, they rush towards the climax of their youth: a magical weekend in Manchester, the epicentre of everything that inspires them in working-class Britain. There, against the greatest soundtrack ever recorded, a vow is made: to go at life differently. Thirty years on, half a life away, the phone rings. Tully has news.

Rachel, Emily and Tina have nothing in common - except that they share a husband and a homestead. When their beloved Blake is found dead under the desert sun, the questions pile up. But none of the widows know who would want to kill a good man like their husband. At least, that's what they'll tell the police....

Cornwall, 1972. Three lighthouse keepers vanish from a remote rock, miles from the shore. The entrance door is locked from the inside. The clocks have stopped. The principal keeper's weather log describes a mighty storm, but the skies have been clear all week. What happened to those three men, out on the tower? The heavy sea whispers their names. Black rocks roll beneath the swell, drowning ghosts. Can their secrets ever be recovered from the waves?

Jean Swinney is a feature writer on a local paper, disappointed in love and - on the brink of 40 - living a limited existence with her truculent mother: a small life from which there is no likelihood of escape. When a young Swiss woman, Gretchen Tilbury, contacts the paper to claim that her daughter is the result of a virgin birth, it is down to Jean to discover whether she is a miracle or a fraud. But the more Jean investigates, the more her life becomes strangely (and not unpleasantly) intertwined with that of the Tilburys.

Blythe Connor doesn't want history to repeat itself. Violet is her first child and she will give her daughter all the love she deserves. All the love that her own mother withheld. But firstborns are never easy. And Violet is demanding and fretful. She never smiles. Soon Blythe believes she can do no right - that something's very wrong. Either with her daughter, or herself. Her husband, Fox, says she's imagining it. But Violet's different with him. And he can't understand what Blythe suffered as a child. No one can. Blythe wants to be a good mother. 

An elaboration of some of David Leavitt's early stories, Equal Affections - his second novel - is about the family of a woman, Louise Cooper, who is dying of cancer. The family has other problems: Nat, Louise's husband, is having an affair; her daughter April, a lesbian with a thriving career as a singer, finds herself pregnant; and her son, Danny, also gay, is worried about his lover's commitment to him.

Miranda Fitch’s life is a waking nightmare. The accident that ended her burgeoning acting career left her with excruciating chronic back pain, a failed marriage and a deepening dependence on painkillers. And now she’s on the verge of losing her job as a college theatre director. Determined to put on Shakespeare’s All’s Well That Ends Well, the play that promised, and cost, her everything, she faces a mutinous cast hell-bent on staging Macbeth instead. Miranda sees her chance at redemption slip through her fingers.

Alex Carissa is thrilled when her identical twin sister, Sam, and her husband move into the neighborhood. For Sam, years of infertility, followed by an unthinkable tragedy, have left her despairing of ever having a child. Money is tight, and IVF is expensive. Sam’s only hope may be to ask her sister to be a surrogate. Alex will do anything for Sam, but when the sisters embark upon an unorthodox route to surrogacy, jealousy, guilt, and legal complications soon follow.

1944, in the ruined wine cellar of a Tuscan villa, as bombs fall around them, two strangers meet and share an extraordinary evening. Ulysses Temper is a young British soldier; Evelyn Skinner is a sexagenarian art historian and possible spy. She has come to Italy to salvage paintings from the wreckage and relive memories of the time she encountered EM Forster and had her heart stolen by an Italian maid in a particular Florentine room with a view.