After a serious case of school bullying becomes too much to bear, sisters July and September move across the country with their mother to a long-abandoned family home. In their new and unsettling surroundings, July finds that the deep bond she has always had with September - a closeness that not even their mother is allowed to penetrate - is starting to change in ways she cannot entirely understand. Inside the house the tension among the three women builds, while outside the sisters meet a boy who tests the limits of their shared experiences. 

A couple drive from London to coastal Provence. Anya is preoccupied with what she feels is a relationship on the verge: unequal, precarious. Luke, reserved, stoic, gives away nothing. As the sun sets one evening, he proposes, and they return to London engaged. But planning a wedding does little to settle Anya’s unease. As a child, she escaped from Sarajevo, and the idea of security is as alien now as it was then. When social convention forces Anya to return, she begins to change. The past she sought to contain for as long as she can remember resurfaces....

Amanda and Clay head to a remote corner of Long Island expecting a holiday: a quiet reprieve from life in New York City, quality time with their teenage son and daughter and a taste of the good life in the luxurious home they've rented for the week. But with a late-night knock on the door, the spell is broken. Ruth and G. H., an older couple who claim to own the home, have arrived there in a panic. These strangers say that a sudden power outage has swept the city, and - with nowhere else to turn - they have come to the country in search of shelter. 

When 23-year-old Meggie meets distant and enigmatic Sabine, she recognises in her the person she would like to be. Giving up her daytime existence, her reliable boyfriend and the trappings of a normal life in favour of working the same nightshifts as Sabine could be the perfect escape for Meggie. She finds a liberating sense of freedom in indulging her growing preoccupation with Sabine and plunges herself into another existence, gradually immersing herself in the transient and uncertain world of the nightshift worker.

Casey has ended up back in Massachusetts after a devastating love affair. Her one constant is the novel she has been writing for six years, but at 31 she is in debt and directionless, and feels too old to be that way - it’s strange, not be the youngest kind of adult anymore. Suddenly Casey finds herself at the point of a love triangle, torn between two very different relationships that promise two very different futures.

The dancer. The mother. The cop. The artist. The wife. These women live by countless unspoken rules. How to dress; who to trust; and which streets are safe and which are not. The rules grow out of a kaleidoscope of fear, anguish, power, loss and hope. Maybe it is only these rules which keep them alive. When their neighbourhood is rocked by two murders, the careful existence these women have built for themselves begins to crumble. 

Irina obsessively takes explicit photographs of the average-looking men she persuades to model for her, scouted from the streets of Newcastle. Placed on sabbatical from her dead-end bar job, she is offered an exhibition at a fashionable London gallery, promising to revive her career in the art world and offering an escape from her rut of drugs, alcohol and extreme cinema. The news triggers a self-destructive tailspin, centred around Irina's relationship with her obsessive best friend and a shy young man from her local supermarket who has attracted her attention.... 

In the Dream House is Carmen Maria Machado's engrossing and wildly innovative account of a relationship gone bad. Tracing the full arc of a harrowing experience with a charismatic but volatile woman, this is a bold dissection of the mechanisms and cultural representations of psychological abuse. Each chapter views the relationship through a different lens, as Machado holds events up to the light and examines them from distinct angles.

Edie is just trying to survive. She’s messing up in her dead-end admin job in her all-white office, she is sleeping with all the wrong men and she has failed at the only thing that meant anything to her: painting. No one seems to care that she doesn’t really know what she’s doing with her life beyond looking for her next hook-up. And then she meets Eric, a white, middle-aged archivist with a suburban family, including a wife who has sort-of-agreed to an open marriage and an adopted Black daughter who doesn’t have a single person in her life who can show her how to do her hair.

Reese nearly had it all: a loving relationship with Amy, an apartment in New York, a job she didn't hate. She'd scraped together a life previous generations of trans women could only dream of; the only thing missing was a child. Then everything fell apart, and three years on, Reese is still in self-destruct mode, avoiding her loneliness by sleeping with married men.

On the longest day of the summer, 12 people sit cooped up with their families in a faded Scottish cabin park. The endless rain leaves them with little to do but watch the other residents. A woman goes running up the Ben as if fleeing; a retired couple reminisces about neighbours long since moved on; a teenage boy braves the dark waters of the loch in his red kayak. Each person is wrapped in their own cares but increasingly alert to the makeshift community around them. 

When the eight-year-old daughter of an Oxford College Master vanishes in the middle of the night, police turn to the Scottish nanny, Dee, for answers. As Dee looks back over her time in the Master's Lodging - an eerie and ancient house - a picture of a high achieving but dysfunctional family emerges: Nick, the fiercely intelligent and powerful father; his beautiful Danish wife Mariah, pregnant with their child; and the lost little girl, Felicity, almost mute, seeing ghosts, grieving her dead mother. 

What does it mean to be lonely? How do we live, if we're not intimately engaged with another human being? How do we connect with other people? When Olivia Laing moved to New York City in her mid-30s, she found herself inhabiting loneliness on a daily basis. Fascinated by the experience, she began to explore the lonely city by way of art. Humane, provocative and deeply moving, The Lonely City is about the spaces between people and the things that draw them together, about sexuality, mortality and the magical possibilities of art.

Ms Kim Jiyoung has started acting strangely. Ms Kim Jiyoung is depressed. Ms Kim Jiyoung is mad. Ms Kim Jiyoung is her own woman. Ms Kim Jiyoung is every woman. Ms Kim Jiyoung, Born 1982 is the South Korean sensation which has got the whole world talking. The life story of one young woman born halfway across the globe at the end of the 20th century raises questions about endemic misogyny and institutional oppression which are relevant to us all.

Everyone has a Tully Dawson: the friend who defines your life. In the summer of 1986, in a small Scottish town, James and Tully ignite a brilliant friendship based on music, films and the rebel spirit. With school over and the locked world of their fathers before them, they rush towards the climax of their youth: a magical weekend in Manchester, the epicentre of everything that inspires them in working-class Britain. There, against the greatest soundtrack ever recorded, a vow is made: to go at life differently. Thirty years on, half a life away, the phone rings. Tully has news.