Sally Ann and Martha. Two women, searching for love. Finding terror. During a terrifying storm, a gentle childhood is destroyed by a twisted man who promises love but delivers nightmare. In the lightless depths of an underground labyrinth, unseen creatures lie in wait for an innocent traveler, cold skeletal hands stretched out in welcome. There is horror in darkness - horror made greater when darkness loves us.

Richard Fountain, a promising young Cambridge scholar, went to the island of Crete to study ancient rites and pagan rituals before, suddenly and inexplicably, breaking off all contact with the outside world. Disturbing rumors have filtered their way back to England, whispering of blasphemous rituals and obscene orgies, hints of terrible crimes and wanton murder.

Years earlier, John Tracker fled the insanity of his family and their house, a centuries-old monstrosity that his grandfather Theophilus rigged full of hallucinatory tricks and vicious death traps designed to capture the Devil. Now middle-aged, John receives word that the place is to be demolished to make way for a freeway, and he decides to revisit it with his girlfriend Amy Griffith before its destruction. But when a blizzard traps them inside the house, they will be forced to contend with the dangers hidden within: strange time-shifts, murderous traps, and more.

When a rifle range accident leaves Dean Howell disfigured and in a vegetative state, his wife Sarah finds her dreary life in Pine Cone, Alabama made even worse. After long and tedious days on the assembly line, she returns home to care for her corpse-like husband while enduring her loathsome and hateful mother-in-law, Jo. Jo blames the entire town for her son's mishap, and when she gives a strange piece of jewelry to the man she believes most responsible, a series of gruesome deaths is set in motion.

Hovern Bog. People live in terror of it - especially the residents of Fenchurch St. Jude, the little village located at its edge. They think of it as a living being. When 2,000-year-old bodies are recovered from the bog, perfectly preserved, it is the discovery of a lifetime for archaeologist David Macauley. But close examination of the corpses reveals a curious fact: all were cruelly, mysteriously murdered, gnawed to death by some unimaginable creature.

It was just an ordinary garbage dump on peaceful Cape Cod. No one ever imagined that conditions were perfect for breeding, that it was a warm womb, fetid, moist, and with food so plentiful that everything creeping, crawling, and slithering could gorge to satiation. Then a change in poison control was made, resulting in an unforeseen mutation. Now the giant mutant cockroaches are ready to leave their nest - in search of human flesh!

"If you were to go into your bedroom tonight - perhaps by candlelight - and sit quietly before the large mirror, you might see what I have seen." The image in the mirror of 14-year-old Elizabeth Cuttner is that of the fey and long-dead Frances, who introduces Elizabeth to her chilling world of the supernatural. Through Frances, Elizabeth learns what it is to wield power - power of a kind that is malevolent and seemingly invincible. Power that begins with the killing of her parents...

David Warwick, an Englishman living in New York, has a sudden premonition that his twin brother, Colin, is in danger. He returns to England and learns the shocking truth: both Colin and his young bride Helen have died ghastly deaths - deaths that no one in the village wants to talk about.

After the death of their infant son, Hal and Rowan Graham decide to leave the mad bustle of London and move to a quiet country refuge. And the rustic village of Moorstone seems perfect. Too perfect? Lying beneath a hill capped by an enormous stone, Moorstone hides mysterious secrets. Why does such a small town need such a large insane asylum? Why do the village's elderly residents leave everything they own to young newcomers they barely know? And why is everyone so friendly, so handsome, and so preoccupied with Hal and Rowan's health?

When a yacht being used to smuggle drugs sinks, the six smugglers must seek refuge the only place they can - an abandoned oil rig in the middle of the sea. But there's something strange about this oil rig. For one thing, it looks more like a scientific research facility. And for another, there are no people - only piles of clothes with no bodies in them. It soon becomes clear that something is loose on the rig. Something deadly. It's stalking them, one by one, but it's not just a horrible death they have to fear - it's what comes after.

The 13 stories collected here represent the complete short fiction of Bernard Taylor, one of the best-selling horror authors of the 1970s and 80s, author of The Godsend and Mother’s Boys, both adapted for film, and Sweetheart, Sweetheart, hailed by Charles L. Grant as the finest ghost story of all time. In these tales, which often feature an unexpectedly cruel or bizarre twist, Taylor offers a clever mixture of horror and black humor that will delight fans of the genre.

When photographer Jonathan Brewster’s four-year-old daughter, Joanne, tells him about her new invisible friends, he doesn’t think too much about it. But then he sees them for himself: weird and uncanny images of the dead appearing in his photographs. The apparitions seem to have some connection to Childgrave, a remote village in upstate New York with a deadly secret dating back three centuries. Jonathan and Joanne feel themselves oddly drawn to Childgrave, but will they survive the horrors that await them there?

An expedition in South America uncovers a terrifying race of men without bones who literally suck the life out of their prey. A man in 20th-century London makes a horrifying discovery about a monster found off the coast of Brighton in 1745. A sea captain goes ashore on a deserted island and finds what seem to be the bones of a previously unknown species of monster, only to learn that the bones tell a much more tragic tale than he could ever have imagined.

When Tom Rigby is commissioned to paint a young woman’s portrait at Woolvercombe House, the offer is too lucrative to refuse. But from the moment of his arrival at the secluded country mansion, strange and inexplicable events begin to transpire. Soon, he is drawn into an impenetrable maze of horror, and by the time he discovers the role he is intended to play in a diabolical design, it will already be too late. For, the seeds of evil have been sown, and the time to reap their wicked harvest is nigh!

Dr. John Gladstone, a scientist in Victorian London, is thrust into the world of the vampire after his carriage runs over a young man of angelic beauty named Niccolo. When Niccolo kidnaps Gladstone's child and vanishes, the doctor must go in pursuit, with the help of his daughter, Ursula, who is enticed by the lure of eternal life, and Lady Hespeth, whose demure exterior hides a dangerous obsession. Why are the vampires taking children, and what is the connection to Gladstone's experiments with a deadly virus?