The Nickel Boys is Colson Whitehead's follow-up to the Pulitzer Prize- and National Book Award-winning best seller The Underground Railroad, in which he dramatises another strand of United States history, this time through the story of two boys sentenced to a stretch in a hellish reform school in Jim Crow-era Florida. Elwood Curtis has taken the words of Dr Martin Luther King to heart: he is as good as anyone. Abandoned by his parents, brought up by his loving, strict and clear-sighted grandmother, Elwood is about to enroll in the local black college.

Winner of the British Book Awards, Newcomer of the Year, 2005.

English magicians were once the wonder of the known world, with fairy servants at their beck and call; they could command winds, mountains, and woods. But by the early 1800s they have long since lost the ability to perform magic. They can only write long, dull papers about it, while fairy servants are nothing but a fading memory.

Not far from London, there is a village. This village belongs to the people who live in it and to those who lived in it hundreds of years ago. It belongs to England's mysterious past and its confounding present. It belongs to Mad Pete, the grizzled artist. To ancient Peggy, gossiping at her gate. To families dead for generations, and to those who have only recently moved here. But it also belongs to Dead Papa Toothwort who has woken from his slumber in the woods. Dead Papa Toothwort, who is listening to them all. 

On the banks of the Zambezi River, a few miles from the majestic Victoria Falls, there was once a colonial settlement called The Old Drift. Here begins the epic story of a small African nation, told by a mysterious swarm-like chorus that calls itself man’s greatest nemesis. The tale? A playful panorama of history, fairytale, romance and science fiction. The moral? To err is human. In 1904, in a smoky room at the hotel across the river, an Old Drifter named Percy M. Clark, foggy with fever, makes a mistake that entangles the fates of an Italian hotelier and an African busboy. 

In the North Sea, far from what remains of the coastline, a wind farm stretches for thousands of acres. The Boy, who is no longer really a boy, and the Old Man, whose age is unguessable, are charged with its maintenance. They carry out their never-ending work, scoured by wind and salt, as the waves roll, dragging strange shoals of flotsam through the turbine fields. Land is only a memory. So too is the Boy’s father, who worked on the turbines before him, and disappeared.

In 1989, Saul is hit by a car on the Abbey Rd crossing. He is fine; he gets up and goes to see his girlfriend, Jennifer. They have sex and then break up. He leaves for the GDR, where he will have more sex, bury his dead father in a matchbox, and get on the wrong side of the Stasi. In 2016, Saul is hit by a car on the Abbey Rd crossing. He is not fine at all; he is rushed to hospital and spends the following days in and out of consciousness. Jennifer is sitting by his bedside. His very-much-not-dead father is sitting by his bedside. Someone important is missing.

From the Orange Prize-winning, internationally best-selling author of The Song of Achilles comes the powerful story of the mythological witch Circe, inspired by Homer's Odyssey. In the house of Helios, god of the sun and mightiest of the Titans, a daughter is born. But Circe has neither the look nor the voice of divinity and is scorned and rejected by her kin. Increasingly isolated, she turns to mortals for companionship, leading her to discover a power forbidden to the gods: witchcraft.

The year is 1792, and Herbert Powyss is set on making his name as a scientist. He is determined to study the effects of prolonged solitude on another human being, though before now Powyss' sole subjects have been the plants in his greenhouse. He fills three rooms beneath Moreham House with books, paintings and even a pianoforte, then puts out an advertisement, hoping for a gentleman recluse to claim the substantial reward. The only man desperate enough to apply is John Warlow, a semi-literate farm labourer who needs to support his wife, Hannah, and their six children.

Zachary Ezra Rawlins is a graduate student in Vermont when he discovers a strange book hidden in the library stacks. As he turns the pages, entranced by tales of lovelorn prisoners, key collectors, and nameless acolytes, he reads something strange: a story from his own childhood. Bewildered by this inexplicable book and desperate to make sense of how his own life came to be recorded, Zachary uncovers a series of clues that lead him to a masquerade party in New York, to a secret club, and through a doorway to a subterranean library, hidden far below the surface of the earth. 

In his late 30s, Edward Parnell found himself trapped in the recurring nightmare of a family tragedy. For comfort, he turned to his bookshelves, back to the ghost stories that obsessed him as a boy, and to the writers through the ages who have attempted to confront what comes after death. In Ghostland, Parnell goes in search of the ‘sequestered places’ of the British Isles, our lonely moors, our moss-covered cemeteries, our stark shores and our folkloric woodlands.

Our brains stay active for 10 minutes after our heart stops beating. For Leila, each minute brings with it a new memory: growing up with her father and his wives in a grand old house in a quiet Turkish town; watching the women gossip and wax their legs while the men went to mosque; sneaking cigarettes and Western magazines on her way home from school; running away to Istanbul to escape an unwelcome marriage; falling in love with a student who seeks shelter from a riot in the brothel where she works. 

New York, 2000. Kate and Ben meet at a party and fall instantly, irrevocably in love. Around them, the city glows. It is the first year without a war anywhere. A woman is president, and an air of camaraderie permeates the streets of Manhattan. Kate falls asleep, knowing she is loved. London, 1593. Kate wakes as Emilia - the mistress of a nobleman - and finds the plague at her door. Afflicted by premonitions of a burnt and lifeless city, she sets out to save the world. Each decision she makes will change her life with Ben forever.

Late one spring night, Driss Guerraoui, a Moroccan immigrant in California, is walking across a darkened intersection when he is killed by a speeding car. The repercussions of his death bring together a diverse cast of characters: Guerraoui's daughter Nora, a jazz composer who returns to the small town in the Mojave she thought she'd left for good; his widow Maryam, who still pines after her life in the old country....

When 17-year-old Camille is left orphaned, she has to provide for her frail sister and her volatile brother. In desperation, she survives by using the petty magic she learnt from her mother. But when her brother disappears Camille decides to pursue a richer, more dangerous mark: the glittering court of Louis XVI and Marie Antoinette. Using dark magic Camille transforms herself into the ‘Baroness de la Fontaine‘ and presents herself at the court of Versaille, where she soon finds herself swept up in a dizzying life of riches, finery and suitors.

The Republic of Gilead offers Offred only one function: to breed. If she deviates, she will, like dissenters, be hanged at the wall or sent out to die slowly of radiation sickness. But even a repressive state cannot obliterate desire - neither Offred's nor that of the two men on which her future hangs. Brilliantly conceived and executed, this powerful evocation of 21st-century America gives full rein to Margaret Atwood's devastating irony, wit and astute perception.