The murderee is Nicola Six, a 'black hole' of sex and self-loathing who is intend on orchestrating her own extinction. The murderer may be Keith Talent, a violent lowlife whose only passions are pornography and darts; or the rich, honourable, and dimly romantic Guy Clinch. And as Nicola leads her suitors towards the precipice, London - and, indeed, the whole world - seems to shamble after them in a corrosively funny novel of complexity and morality.

How can one writer hurt another where it really counts? The answer: attack his reputation. This is the problem facing novelist Richard Tull, contemplating the success of his friend and rival Gwyn Barry. Revenger's tragedy, comedy of errors, contemporary satire - The Information skewers high life and low in Martin Amis's brilliant return to the territory of Money and London Fields.

When Pandora picks up her older brother, Edison, at her local Iowa airport, she literally doesn’t recognize him. The once slim, hip New York jazz pianist has gained hundreds of pounds. What happened? Soon Edison’s slovenly habits, appalling diet, and know-it-all monologues are driving Pandora and her fitness-freak husband Fletcher insane. After the brother-in-law has more than overstayed his welcome, Fletcher delivers his wife an ultimatum: It’s him or me. Rich with Shriver’s distinctive wit and ferocious energy, Big Brother is about fat: why we overeat and whether extreme diets ever really work.

Freedom comically and tragically captures the temptations and burdens of too much liberty: the thrills of teenage lust, the shaken compromises of middle age, the wages of suburban sprawl, the heavy weight of empire. In charting the mistakes and joys of Freedom's intensely realized characters, as they struggle to learn how to live in an ever more confusing world, Franzen has produced an indelible and deeply moving portrait of our time.

It was summer 1970 – a long, hot summer. In a castle in Italy, half a dozen young lives are afloat on the sea of change, trapped inside the history of the sexual revolution. The girls are acting like boys, and the boys are going on acting like boys, and Keith Nearing – twenty years old, a literature student all clogged up with the English novel – is struggling to twist feminism and the rise of women towards his own ends.

I live on Brazzaville Beach... I am here because two sets of strange and extraordinary events happened to me... One in England, first, and then one in Africa. On Brazzaville Beach, on the edge of Africa, Hope Clearwater examines the complex circumstances that brought her there. Sifting the details for evidence of her own innocence or guilt, she tells her engrossing story with a blunt and beguiling honesty that not only intrigues and disturbs but is also completely enthralling.

It is the 1980s, and the Winshaw family are getting richer and crueller by the year: newspaper-columnist Hilary gets thousands for telling it like it isn't; Henry's turning hospitals into car parks; Roddy's selling art in return for sex; down on the farm Dorothy's squeezing every last pound from her livestock; and Thomas is making a killing on the stock exchange. But once their hapless biographer, Michael Owen, starts investigating the family's trail of greed, corruption and immoral doings, the time is growing ripe for the Winshaws to receive their comeuppance....

Breakfast of Champions (1973) provides frantic, scattershot satire and a collage of Vonnegut's obsessions. His recurring cast of characters and American landscape was perhaps the most controversial of his canon; it was felt by many at the time to be a disappointing successor to Slaughterhouse-Five, which had made Vonnegut's literary reputation.

Things have never been easy for Oscar. A ghetto nerd living with his Dominican family in New Jersey, he's sweet but disastrously overweight. He dreams of becoming the next J R R Tolkien and he keeps falling hopelessly in love. Poor Oscar may never get what he wants, thanks to the Fuku - the curse that has haunted his family for generations.

Los Angeles PI Philip Marlowe is working for the Sternwood family. Old man Sternwood, crippled and wheelchair-bound, is being given the squeeze by a blackmailer and he wants Marlowe to make the problem go away. But with Sternwood's two wild, devil-may-care daughters prowling LA's seedy backstreets, Marlowe's got his work cut out - and that's before he stumbles over the first corpse.

Henry Pulling, a retired bank manager, meets his septuagenarian Aunt Augusta for the first time in over 50 years at his mother’s funeral. Soon after, she persuades Henry to abandon South wood, his dahlias and the Major next door to travel through Brighton, Paris, Istanbul, Paraguay...

'Would you rather love the more, and suffer the more; or love the less, and suffer the less? That is, I think, finally, the only real question.' First love has lifelong consequences, but Paul doesn't know anything about that at 19. At 19, he's proud of the fact his relationship flies in the face of social convention. As he grows older, the demands placed on Paul by love become far greater than he could possibly have foreseen.

Of all of John Irving's books, this is the one that lends itself best to audio. In print, Owen Meany's dialogue is set in capital letters; for this production, Irving himself selected Joe Barrett to deliver Meany's difficult voice as intended. In the summer of 1953, two 11-year-old boys – best friends – are playing in a Little League baseball game in Gravesend, New Hampshire. One of the boys hits a foul ball that kills the other boy's mother. The boy who hits the ball doesn't believe in accidents; Owen Meany believes he is God's instrument. What happens to Owen after that 1953 foul ball is extraordinary and terrifying.

England, 1930s. Christopher Banks has become the country's most celebrated detective, his cases the talk of London society. Yet one unsolved crime has always haunted him: the mysterious disappearance of his parents, in old Shanghai, when he was a small boy. Moving between London and Shanghai of the interwar years, When We Were Orphans is a remarkable story of memory, intrigue and the need to return.

Hans Castorp is, on the face of it, an ordinary man in his early 20s, on course to start a career in ship engineering in his home town of Hamburg, when he decides to travel to the Berghof Santatorium in Davos. The year is 1912 and an oblivious world is on the brink of war. Castorp’s friend Joachim Ziemssen is taking the cure and a three-week visit seems a perfect break before work begins. But when Castorp arrives he is surprised to find an established community of patients, and little by little, he gets drawn into the closeted life and the individual personalities of the residents.